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The Sermon (Jimmy Smith Album)
''The Sermon!'' is an album by jazz organist Jimmy Smith. It was produced by the Blue Note record label, and was Smith's fifteenth album in three years. AllMusic's Lindsay Planer described the album as "a prime example of Smith and company's myriad of talents." Background ''The Sermon'' was the second of two albums recorded on two dates at The Manhattan Towers Hotel Ballroom, the first was Smith's previous album, ''House Party'' (1958). Rudy Van Gelder used the ballroom as a recording studio for recording sessions in 1957-1958, while he was still using his parents' Hackensack, New Jersey home studio to record artists for Blue Note. He mainly used it for larger groups of musicians that would not fit in his parents' living room, or when New York was a more convenient location to record the artists involved. Track listing # "The Sermon" (Jimmy Smith) – 20:12 # "J.O.S." (Smith) – 11:56 # "Flamingo" (Edmund Anderson, Ted Grouya) – 8:02 :''Recorded on August 25, 1957 (#2) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Smith (musician)
James Oscar Smith (December 8, 1925 – February 8, 2005) was an American jazz musician whose albums often appeared on ''Billboard'' magazine charts. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music. In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians. Early years There is confusion about Smith's birth year, with sources citing either 1925 or 1928. Born James Oscar Smith in Norristown, Pennsylvania, he joined his father doing a song-and-dance routine in clubs at the age of six. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist. After a period in the U.S. Navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reid Miles
Reid Miles (July 4, 1927 – February 2, 1993) was an American graphic designer and photographer best known for his work for Blue Note Records in the 1950s and 1960s. Biography Reid Miles was born in Chicago, Illinois, on July 4, 1927 but, following the Stock Market Crash and the separation of his parents, moved with his mother to Long Beach, California, in 1929.The Cover Art Of Blue Note Records by Graham Marsh and Glyn Callingham After high school Miles joined the Navy and, following his discharge, moved to Los Angeles to enroll at Chouinard Art Institute. After working in New York City in the early 1950s for John Hermansader and ''Esquire'' magazineRichard Cook ''Blue Note Records The Biography'', and Margaret Hockaday's advertising firm, Miles was hired in his own right around 1955 by Francis Wolff of the jazz record label Blue Note to design album covers when the label began releasing their recordings on 12" LPs. Miles designed over five hundred covers, frequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Van Gelder
Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock and Grant Green. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967. He worked on albums including John Coltrane's ''A Love Supreme'', Miles Davis's ''Walkin''', Herbie Hancock's '' Maiden Voyage'', Sonny Rollins's ''Saxophone Colossus'', and Horace Silver's ''Song for My Father''. He is regarded as one of the most influential engineers in jazz. Early life Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen, ran a women's clothing store in Passaic. His interest in microphones and electronics ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Bailey (musician)
Donald Orlando "Duck" Bailey (March 26, 1933 – October 15, 2013) was an American jazz drummer. Biography Bailey was born in Philadelphia, Pennsylvania, on March 26, 1933. He was largely self-taught as a drummer. Bailey got his big break in the jazz world and he is probably best known as the drummer in the trio of jazz organist Jimmy Smith from 1956 to 1964 and also for his work with The Three Sounds on Blue Note Records. While based in Los Angeles, Bailey also worked as a sideman for musicians including Sarah Vaughan, Carmen McRae, Hampton Hawes, Kenny Burrell, and Red Mitchell. In the mid-1970s, Bailey moved to Japan, where he lived for five years. His album ''Blueprints of Jazz, Vol. 3'' was recorded in 2006 and issued by Talking House Records in 2008. It features Charles Tolliver (trumpet), Odean Pope (tenor saxophone), George Burton (piano), and Tyrone Brown (bass). The album is part of the ''Blueprints of Jazz'' series conceived, produced and recorded by Talking H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie McFadden
Eddie Lee McFadden (August 6, 1928 – September 23, 1992) was a jazz guitarist. He played in Philadelphia clubs from the 1950s and was in organist Jimmy Smith's band for several recordings in 1957–58. He then recorded several albums with another organist – Johnny "Hammond" Smith – during the period 1960–63, and one more in 1966. McFadden made two further sideman appearances on albums in the late 1970s. Early life McFadden was born on August 6, 1928. His mother was Mary McFadden. As a small child, he tried the piano, but later settled on guitar. He had military service, after which he concentrated on jazz guitar.Heine, Kurt (September 28, 1992) "Eddie Lee Mcfadden; Noted Jazz Guitarist". ''The Philadelphia Inquirer''. philly.com. Career McFadden played in music clubs in Philadelphia from the 1950s. He recorded with organist Jimmy Smith as part of a trio and sextet in February 1957, resulting in the albums ''A Date with Jimmy Smith Volume One'' and ''A Date with Jimmy S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Coleman
George Edward Coleman (born March 8, 1935) is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master. Early life Coleman was born in Memphis, Tennessee. He was taught how to play the alto saxophone in his teens by his older brother Lucian Adams, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford, and Charles Lloyd. Later life and career After working with Ray Charles, Coleman started working with B.B. King in 1953, at which point he switched to tenor saxophone. In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach's quintet (1958–1959). Coleman recorded with organist Jimmy Smith on his album ''House Party'' (1957), along with Lee Morgan, Curtis Fuller, Kenny Burrell, and Donald Bailey. Moving to New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tina Brooks
Harold Floyd "Tina" Brooks (June 7, 1932 – August 13, 1974) was an American jazz tenor saxophonist and composer best remembered for his work in the hard bop style. Early years Harold Floyd Brooks was born in Fayetteville, North Carolina, and was the brother of David "Bubba" Brooks. The nickname "Tina", pronounced ''Teena'', was a variation of "Teeny", a childhood moniker. His favourite tune was "My Devotion".Original 1980 liner notes to ''Minor Move'' by Lawrence Kart He studied harmony and theory with Herbert Bourne. Initially, he studied the C-melody saxophone, which he began playing shortly after he moved to New York with his family in 1944. Brooks' first professional work came in 1951 with rhythm and blues pianist Sonny Thompson, and in 1955 Brooks played with vibraphonist Lionel Hampton. Brooks also received less formal guidance from trumpeter and composer "Little" Benny Harris, who led the saxophonist to his first recording as a leader. Harris recommended Brooks to Blu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
