The Searchers
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The Searchers
''The Searchers'' is a 1956 American Technicolor VistaVision epic Western film directed by John Ford and written by Frank S. Nugent, based on the 1954 novel by Alan Le May. It is set during the Texas-Native American wars, and stars John Wayne as a middle-aged Civil War veteran who spends years looking for his abducted niece (Natalie Wood), accompanied by his adopted nephew Martin ( Jeffrey Hunter). The film was a critical and commercial success. Since its release, it has come to be considered a masterpiece and one of the greatest and most influential films ever made. It was named the greatest American Western by the American Film Institute in 2008, and it placed 12th on the same organization's 2007 list of the 100 greatest American movies of all time. ''Entertainment Weekly'' also named it the best Western. The British Film Institute's ''Sight & Sound'' magazine ranked it as the seventh-best film of all time based on a 2012 international survey of film critics and in 20 ...
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Bill Gold
William Gold (January 3, 1921 – May 20, 2018) was an American graphic designer best known for thousands of film poster designs. During his 70-year career, Gold worked with some of Hollywood's greatest filmmakers, including Laurence Olivier, Clint Eastwood, Alfred Hitchcock, Stanley Kubrick, Elia Kazan, and Ridley Scott. His first poster was for ''Yankee Doodle Dandy'' (1942), and his final work was for ''J. Edgar'' (2011). Among Gold's most famous posters are those for ''Casablanca'', ''The Exorcist'' and ''The Sting''. Early life Bill Gold was born on January 3, 1921, in Brooklyn, New York City, New York, the son of Rose (Sachs) and Paul Gold. After graduating from Samuel J. Tilden High School, he won a scholarship and studied illustration and design at Pratt Institute in New York. Early career Gold began his professional design career in 1941, in the advertising department of Warner Bros. His first poster was for the James Cagney musical feature film ''Yankee Doodle Dand ...
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Technicolor
Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and celebrated for its highly s ...
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Cahiers Du Cinéma
''Cahiers du Cinéma'' (, ) is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca.Itzkoff, Dave (9 February 2009''Cahiers Du Cinéma Will Continue to Publish''The New York TimesMacnab, Geoffrey (7 April 2001''Pretentious, nous?''''The Guardian'' It developed from the earlier magazine ''Revue du Cinéma'' ( established in 1928) involving members of two Paris film clubs Objectif 49 (Robert Bresson, Jean Cocteau, and Alexandre Astruc, among others; ) and Ciné-Club du Quartier Latin (). Initially edited by Doniol-Valcroze and, after 1957, by Éric Rohmer (aka, Maurice Scherer), it included amongst its writers Jacques Rivette, Jean-Luc Godard, Claude Chabrol, and François Truffaut, who went on to become highly influential filmmakers. It is the oldest French-language film magazine in publication. History The first issue of ''Cahiers'' appeared in April 1951. Much of its head staff, including Bazin, Doniol-Valcroze, Lo Duca, ...
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The Sight & Sound Greatest Films Of All Time 2012
The ''Sight & Sound'' Greatest Films of All Time 2012 was a worldwide opinion poll conducted by ''Sight & Sound'' and published in the magazine's September 2012 issue. ''Sight & Sound'', published by the British Film Institute, has conducted a poll of the greatest films every 10 years since 1952. For this poll, ''Sight & Sound'' listened to decades of criticism about the lack of diversity of its poll participants and made a huge effort to invite a much wider variety of critics and filmmakers from around the world to participate, taking into account gender, ethnicity, race, geographical region, socioeconomic status, and other kinds of underrepresentation. A new rule was imposed for this ballot: related films that are considered part of a larger whole (e.g. ''The Godfather'' and ''The Godfather Part II'', Krzysztof Kieślowski's '' Three Colors trilogy'' and ''Dekalog'', or Satyajit Ray's ''The Apu Trilogy'') were to be treated as separate films for voting purposes. They published ...
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Sight & Sound
''Sight and Sound'' (also spelled ''Sight & Sound'') is a British monthly film magazine published by the British Film Institute (BFI). It conducts the well-known, once-a-decade ''Sight and Sound'' Poll of the Greatest Films of All Time, ongoing since 1952. History and content ''Sight and Sound'' was first published in Spring 1932 as "A quarterly review of modern aids to learning published under the auspices of the British Institute of Adult Education". In 1934 management of the magazine was handed to the nascent British Film Institute (BFI), which still publishes the magazine today. ''Sight and Sound'' was published quarterly for most of its history until the early 1990s, apart from a brief run as a monthly publication in the early 1950s, but in 1991 it merged with another BFI publication, the ''Monthly Film Bulletin'', and started to appear monthly. In 1949, Gavin Lambert, co-founder of film journal ''Sequence'', was hired as the editor, and also brought with him ''Sequence ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ...
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AFI's 100 Years…100 Movies (10th Anniversary Edition)
AFI's 100 Years...100 Movies – 10th Anniversary Edition was the 2007 updated version of AFI's 100 Years...100 Movies. The original list was unveiled in 1998. Criteria AFI asked jurors to consider the following criteria in their selection process: * Feature length: Narrative format typically over 60 minutes long. * American film: English language, with significant creative and/or financial production from the United States. (A number of films on the list were British-made but financed by American studios; these include ''Lawrence of Arabia'', ''The Bridge on the River Kwai'', and ''A Clockwork Orange''.) * Critical recognition: Formal commendation in print, television, and digital media. * Major award winner: Recognition from competitive events including awards from peer groups, critics, guilds, and major film festivals. * Popularity over time: Includes success at the box office, television and cable airings, and DVD/VHS sales and rentals. * Historical significance: A film's ...
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American Film Institute
The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees. Leadership The institute is composed of leaders from the film, entertainment, business, and academic communities. The board of trustees is chaired by Kathleen Kennedy and the board of directors chaired by Robert A. Daly guide the organization, which is led by President and CEO, film historian Bob Gazzale. Prior leaders were founding director George Stevens Jr. (from the organization's inception in 1967 until 1980) and Jean Picker Firstenberg (from 1980 to 2007). History The American Film Institute was founded by a 1965 presidential mandate announced in the Rose Garden of the White House by Lyndon B. Johnson—to establish a national arts organization to preserve the legacy of American film heritage, educate the next generation of filmmaker ...
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AFI's 10 Top 10
''AFI's 10 Top 10'' honors the ten greatest American films in ten classic film genres. Presented by the American Film Institute (AFI), the lists were unveiled on a television special broadcast by CBS on June 17, 2008. In the special, various actors and directors, among them Clint Eastwood, Quentin Tarantino, Kirk Douglas, Harrison Ford, Martin Scorsese, Steven Spielberg, George Lucas, Roman Polanski, and Jane Fonda, discussed their admiration for and personal contributions to the films cited. The entire list of 500 nominated films is available on the American Film Institute website. To date, this is the final program in AFI's countdown specials. Animation AFI defines "animation" as a genre where the film's images are primarily created by computer or hand and the characters are voiced by actors. Nine of the films are Disney properties, including two collaborative works with Pixar. Courtroom drama AFI defines "courtroom drama" as a genre of film in which a system of justice pla ...
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List Of Films Considered The Best
This is a list of films considered the best in national and international surveys of critics and the public. Some surveys focus on all films, while others focus on a particular genre or country. Voting systems differ, and some surveys suffer from biases such as self-selection or skewed demographics, while others may be susceptible to forms of interference such as vote stacking. Critics and filmmakers ''Sight and Sound'' Every decade, starting in 1952, the British film magazine ''Sight and Sound'' asks an international group of film critics to vote for the greatest film of all time. Since 1992, they have invited directors to vote in a separate poll. Sixty-three critics participated in 1952, 70 critics in 1962, 89 critics in 1972, 122 critics in 1982, 132 critics and 101 directors in 1992, 145 critics and 108 directors in 2002, 846 critics and 358 directors in 2012, and 1639 critics and 480 directors in 2022. The ''Sight and Sound'' Poll of the Greatest Films of All Tim ...
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American Civil War
The American Civil War (April 12, 1861 – May 26, 1865; also known by other names) was a civil war in the United States. It was fought between the Union ("the North") and the Confederacy ("the South"), the latter formed by states that had seceded. The central cause of the war was the dispute over whether slavery would be permitted to expand into the western territories, leading to more slave states, or be prevented from doing so, which was widely believed would place slavery on a course of ultimate extinction. Decades of political controversy over slavery were brought to a head by the victory in the 1860 U.S. presidential election of Abraham Lincoln, who opposed slavery's expansion into the west. An initial seven southern slave states responded to Lincoln's victory by seceding from the United States and, in 1861, forming the Confederacy. The Confederacy seized U.S. forts and other federal assets within their borders. Led by Confederate President Jefferson Davis, ...
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Texas–Indian Wars
The Texas–Indian wars were a series of conflicts between settlers in Texas and the Southern Plains Indians during the 19th-century. Conflict between the Plains Indians and the Spanish began before other European and Anglo-American settlers were encouraged—first by Spain and then by the newly Independent Mexican government—to colonize Texas in order to provide a protective-settlement buffer in Texas between the Plains Indians and the rest of Mexico. As a consequence, conflict between Anglo-American settlers and Plains Indians occurred during the Texas colonial period as part of Mexico. The conflicts continued after Texas secured its independence from Mexico in 1836 and did not end until 30 years after Texas became a state of the United States, when in 1875 the last free band of Plains Indians, the Comanches led by Quahadi warrior Quanah Parker, surrendered and moved to the Fort Sill reservation in Oklahoma.Frontier Forts > Texas and the Western Frontier/ref> The more than h ...
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