The Roots Of Lightnin' Hopkins
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The Roots Of Lightnin' Hopkins
''Lightnin' Hopkins'' (re-released as ''The Roots of Lightnin' Hopkins'') is an album by blues musician Lightnin' Hopkins, recorded in 1959 and released on the Folkways label.O'Brien, T. JLightnin' Album of the Week: Week 2 September 4, 2010 Lightninghopkins.wordpress.com, accessed November 7, 2018 The album was first released around the time that the book ''The Country Blues'' came out and was an instant success. It gave Hopkin's career a new lease on life. Reception AllMusic reviewer Thom Owens stated: "Upon its initial release, it was a pivotal part of the blues revival and helped re-spark interest in Hopkins. Before it was recorded, the bluesman had disappeared from sight; after a great deal of searching, Sam Charters found Hopkins in a rented one-room apartment in Houston. Persuading Lightnin' with a bottle of gin, Charters convinced Hopkins to record ten songs in that room, using only one microphone. The resulting record was one of the greatest albums in Hopkins' catalog, ...
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Lightnin' Hopkins
Samuel John "Lightnin" Hopkins (March 15, 1912 – January 30, 1982) was an American country blues singer, songwriter, guitarist and occasional pianist from Centerville, Texas. In 2010, ''Rolling Stone'' magazine ranked him No. 71 on its list of the 100 greatest guitarists of all time. The musicologist Robert "Mack" McCormick opined that Hopkins is "the embodiment of the jazz-and-poetry spirit, representing its ancient form in the single creator whose words and music are one act". He was a notable influence on Townes Van Zandt, Hank Williams, Jr., and a generation of blues musicians like Stevie Ray Vaughan, whose Grammy winning song "Rude Mood" was directly inspired by the Texan's song "Hopkins' Sky Hop." Life Hopkins was born in Centerville, Texas. As a child, he was immersed in the sounds of the blues. He developed a deep appreciation for the music at the age of 8, when he met Blind Lemon Jefferson at a church picnic in Buffalo, Texas.Allmusic biography/ref> He went on to ...
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Transatlantic Records
Transatlantic Records was a British independent record label. The company was established in 1961, primarily as an importer of American folk, blues and jazz records by many of the artists who influenced the burgeoning British folk and blues boom. Within a few years, the company had started recording British and Irish artists. The company's philosophy was intentionally eclectic. History The label was founded by Englishman Nat Joseph who started the company at the age of 21 after visiting the US and realizing that there was a wealth of recorded music that was unavailable in the UK. Transatlantic licensed recordings from the US, such as the jazz labels Prestige and Riverside and the Tradition folk music label. From the outset, many of the covers included photography and design by Brian Shuel. Transatlantic were also instrumental in the importation of MK Records (a Russian classical label), which were then issued with the original Russian labels, but with an English printed sleeve ...
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Lightnin' Hopkins Albums
Lightning is an atmospheric discharge of electricity. Lightning or Lightnin may also refer to: Computing * Lightning (connector), a power and data bus for Apple iPhone, iPod, and iPad products * Lightning (software), an extension that adds calendar and scheduling functionality to the Mozilla Thunderbird e-mail client * GNU lightning, a library for just-in-time compilation * Lightning Network, the blockchain payment protocol * Lightning, a public front end to the Salesforce.com platform Film and television * ''Lightnin (1925 film), a comedy by John Ford * ''Lightning'' (1925 film), a German silent drama film * ''Lightning'' (1927 film), an American film of 1927 * ''Lightnin (1930 film), an American Pre-Code comedy film * ''Lightning'' (1952 film), a film by Mikio Naruse * Lightning, a bloodhound in ''Racing Stripes'' * Lightning (dog), a German shepherd who appeared in various 1930s films * Lightning (''Tom and Jerry''), an orange cat in the ''Tom and Jerry'' cartoons * ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Blind Lemon Jefferson
Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 – December 19, 1929)Some sources indicate Jefferson was born on October 26, 1894. was an American blues and gospel singer-songwriter and musician. He was one of the most popular blues singers of the 1920s and has been called the "Father of the Texas Blues".Dicaire, David (1999). ''Blues Singers: Biographies of 50 Legendary Artists of the Early 20th Century''. Jefferson, North Carolina: McFarland and Company. pp. 140–144. . Due mainly to his high-pitched voice and the originality of his guitar playing, Jefferson's performances were distinctive. His recordings sold well, but he was not a strong influence on younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists. Charters, Samuel (1977). ''The Blues Makers''. New York: Da Capo Press. . Later blues and rock and roll musicians, however, did attempt to imitate both his songs and his musical style. Biogra ...
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See That My Grave Is Kept Clean
"See That My Grave Is Kept Clean" is a song recorded by American blues musician Blind Lemon Jefferson in two slightly differing versions in October 1927 and February 1928, that became "one of his most famous compositions". Son House used the melody on his 1930 recording of " Mississippi County Farm Blues". Versions Bob Dylan recorded the song for his 1962 debut album ''Bob Dylan''. He recorded it again with the Band, which is included on ''The Basement Tapes''. Other artists to cover the song include B.B. King, Peter, Paul and Mary (as "One Kind Favor"), Lightnin' Hopkins (as "One Kind Favor"), Canned Heat (as "One Kind Favor" on ''Living the Blues''), the Grateful Dead (as "One Kind Favor"), Mike Bloomfield, Keiji Haino, Diamanda Galás, Meindert Talma & the Negroes, Laibach, Lou Reed, Furry Lewis, Chrome Cranks, the Dream Syndicate, Dave Van Ronk, Hobart Smith, Mavis Staples, Martin Simpson, Thelonious Monster, Peter Parcek, and Widespread Panic. Staples' version of the s ...
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Mack McCormick
Robert Burton "Mack" McCormick (August 3, 1930 – November 18, 2015) was an American musicologist and folklorist. Biography McCormick was born in 1930 in Pittsburgh, Pennsylvania. He was brought up by his mother, in Alabama, Colorado, West Virginia and Texas, as she traveled to find work as a hospital technician. Career He dropped out of high school to work at a ballroom in Cedar Point, Ohio, running errands for the musicians performing there. He later worked as an electrician, cook, carnival worker and taxi driver. In 1946, he met record store owner and discographer Orin Blackstone in New Orleans and began assisting him in researching and compiling Blackstone's multivolume ''Index to Jazz''. McCormick became Texas correspondent for ''Down Beat'' in 1949. He developed an interest in blues and began traveling and researching the lives and origins of undocumented blues musicians around the country and learning about folk traditions and customs. In the late 1950s, McCormick ...
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Ronald Clyne
''Ronald Clyne'' (1925–2006) was an American designer and graphic artist. He is best known for creating over 500 covers for Folkways Records between 1948 and 1986. Early career After beginning to draw at the age of 8, Clyne sold his first drawing at the age of 15 to Ray Palmer of Fantastic Adventures and Amazing Stories. It was published in the November 1941 issue of Fantastic Adventures. This led him to doing cover art for several fanzines of the era, such as Bob Tucker’s Le Zombie, and Al Ashley’s Nova. A few years later, he would do work for Fan Slants, Famous Fantastic Mysteries and Fanvariety and a great number of other fantasy and horror books and magazines - prominent amongst them being “The Arkham Sampler”. Clyne's first published book jacket illustration was for Jack Snow's collection ''Dark Music and Other Spectral Tales'' (1947). This jacket originally had Ray Bradbury's name printed on the lower panel beneath the art, as Bradbury was to have provide ...
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Rounder Records
Rounder Records is an independent record label founded in 1970 in Somerville, Massachusetts by Marian Leighton Levy, Ken Irwin, and Bill Nowlin. Focused on American roots music, Rounder's catalogue of more than 3000 titles includes records by Alison Krauss and Union Station, George Thorogood, Tony Rice, and Béla Fleck, in addition to re-releases of seminal albums by artists such as the Carter Family, Jelly Roll Morton, Lead Belly, and Woody Guthrie. "Championing and preserving the music of artists whose music falls outside of the mainstream," Rounder releases have won 54 Grammy Awards representing diverse genres, from bluegrass, folk, reggae, and gospel to pop, rock, Americana, polka and world music. Acquired by Concord in 2010, Rounder is based in Nashville, Tennessee. Beginnings Rounder was founded by Ken Irwin, Bill Nowlin, and Marian Leighton Levy. Nowlin and Irwin first met in 1962 as incoming freshman at Tufts University in the Boston suburb of Medford, Massachusetts. ...
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Verve Folkways
Verve Forecast is a record label formed as a division of Verve Records to concentrate on pop, rock, and folk music. Founding Jerry Schoenbaum of Verve and Moe Asch of Folkways created Verve Folkways in 1964 to take advantage of the popularity of folk music. To broaden the label's appeal, the named was changed from Verve Folkways to Verve Forecast in 1967. Schoenbaum was president of the label. History Schoenbaum left in 1969, and Verve Forecast was closed by its parent company, MGM, in 1970. After PolyGram bought MGM, the Verve Forecast catalog was incorporated into Polydor. The label was revived in the 1990s for smooth jazz releases by Chris Botti, Jeff Lorber, and Will Downing. When PolyGram merged with Universal, the imprint was deactivated and its roster was transferred to GRP. In 2004, Verve Forecast was revived again to replace Blue Thumb to handle acts outside of jazz. Roster Verve Forecast signed pop, rock, folk, and blues musicians such as The Blues Project, Carav ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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