The Raven (Brothers Grimm)
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The Raven (Brothers Grimm)
"The Raven" is a fairy tale collected by the Brothers Grimm, number 93 in their collections. It is Aarne–Thompson type 401, the girl transformed into an animal. Synopsis A queen wished her naughty daughter would turn into a raven and fly away, so she could have some peace, and her wish was instantly fulfilled. She flew away to a forest. In the forest, a man heard a raven tell him she was an enchanted princess, and he could deliver her if he went to a certain cottage and accepted no food from the old woman there. The raven would drive by in a carriage every day for three days. If he remained awake, he would break the spell. Each day, the old woman persuaded him to drink but one sip, and each day, overcome by weariness, he was fast asleep by the time the raven drove past. On the final day, the raven left the sleeping man a bottle of wine, a loaf, and a piece of meat, all three of which were inexhaustible and put a gold ring with her name on his finger. She also gave him a let ...
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Walter Crane
Walter Crane (15 August 184514 March 1915) was an English artist and book illustrator. He is considered to be the most influential, and among the most prolific, children's book creators of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the later 19th century. Crane's work featured some of the more colourful and detailed beginnings of the child-in-the-garden motifs that would characterize many nursery rhymes and children's stories for decades to come. He was part of the Arts and Crafts movement and produced an array of paintings, illustrations, children's books, ceramic tiles, wallpapers and other decorative arts. Crane is also remembered for his creation of a number of iconic images associated with the international Socialist movement. Biography Early life and influences Crane was th ...
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The Nine Peahens And The Golden Apples
"The Nine Peahens and the Golden Apples" (''Zlatna jabuka i devet paunica'') is a work of Serbian epic poetry. It is classified as Aarne-Thompson type 400*, "The Swan Maiden", and ATU 400, "The Quest for the Lost Wife". It was published for the first time as a fairy tale by Vuk Stefanović Karadžić in 1853, translated into English as "The Golden Apple-tree, and the Nine Peahens" (1874) by Elodie Lawton Mijatović, and under a similar title by Woislav M. Petrovitch (1914). Later on it was published in 1890 as a Bulgarian fairy tale translated as "The Golden Apples and the Nine Peahens" by A. H. Wratislaw in his ''Sixty Folk-Tales from Exclusively Slavonic Sources'', as tale number 38. American illustrator and poet Katherine Pyle translated the tale as "The Seven Golden Peahens", while keeping its source as Serbian. Parker Fillmore translated the tale as ''The Enchanted Peafowl'' and indicated its source as Yugoslavian. Anthropologist Andrew Lang in ''The Violet Fairy Book'' ...
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Fiction About Invisibility
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Fiction About Giants
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Fiction About Shapeshifting
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and co ...
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Fictional Ravens
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ...
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Fictional Princesses
This is a list of fictional princesses that have appeared in various works of fiction. This list is organized by medium and limited to well-referenced, notable examples of fictional princesses. Literature ''This section contains examples of both classic and more modern writing.'' }). Collected by Dr. Friedrich Kreutzwald in ''Eestirahwa Ennemuistesed jutud''. , , - , Princess Daisy Valenski , rowspan="2", ''Princess Daisy'' , , rowspan="2", , - , Dani Valenski , Daisy's twin sister, not accepted by their father because she was born brain-damaged. , - , Signy , '' Asmund and Signy'' , Icelandic fairy tale collected in ''Islandische Märchen''. Included by Andrew Lang in ''The Brown Fairy Book''. , rowspan="3", Collected by Andrew Lang , - , The Enchanted Princess , ' , , - , Princess Hadvor , '' Hermod and Hadvor'' , , - , Seserakh , '' Earthsea'' , The princess of the Kargad lands and the daughter of King Thol. , , - , Vera , ''Princess Ligovskaya'' , ...
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The Twelve Wild Ducks
"The Twelve Wild Ducks" ( Norwegian: ''De tolv villender'') is a Norwegian fairy tale collected by Peter Christen Asbjørnsen and Jørgen Moe in ''Norske Folkeeventyr''. It is Aarne–Thompson type 451, the brothers who were turned into birds. Plot summary There once was a queen who had twelve healthy sons, but no daughters. She said she would not care what happened to her sons if she could only have a daughter as white as snow and as red as blood. A troll hag told her that she would have a daughter, but the hag would have her sons as soon as the baby was baptized. Soon the queen gave birth to a daughter. She christened "Snow-white and Rosy-red," but as the hag promised, all her brothers were turned into wild ducks and flew away. Snow-white and Rosy-red was often sad, and one day the queen asked her why; she said that everyone else had brothers and sisters, but she had none. So the queen told her about her brothers. She set out and, after three years, found the cottage where ...
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The Three Princesses Of Whiteland
"The Three Princesses of Whiteland" (''De tre prinsesser i Hvittenland'') is a Norwegian fairy tale, collected by Norwegian writers Peter Christen Asbjørnsen and Jørgen Moe in their collection of folktales and legends ''Norske folkeeventyr'' (1879). Scottish poet and novelist Andrew Lang collected it his '' The Red Fairy Book'' (1890). Synopsis A fisherman caught nothing one day, and near evening, a head popped up from the water, to make a bargain for him: fish for what his wife carried under her girdle. When he returned home, his wife told him that she was pregnant and the baby was what he had offered. The king heard of their story and offered to raise their son when he was born, to protect him, but when the boy was grown, he begged to go with his father fishing for one day, and as soon as he set foot in the boat, it was dragged off to a far land. He met an old man, who told him that he had come to Whiteland. If he walked down the shore, he would come to three pr ...
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The Three Dogs
The Three Dogs is a German fairy tale. Andrew Lang included it in ''The Green Fairy Book'', listing his source as the Brothers Grimm. A version of this tale appears in '' A Book of Dragons'' by Ruth Manning-Sanders. It is Aarne-Thompson type 562, The Spirit in the Blue Light. Other tales of this type include '' The Blue Light'' and '' The Tinderbox''.D.L. Ashliman, The Blue Light: Folktales of Aarne-Thompson-Uther Type 562' Synopsis A dying peasant told his son and daughter that he had only his house and three sheep to leave them; they could divide them as they wished, but must not quarrel. The brother asked his sister which she wished to have. She chose the house. He told her he would take the sheep and seek his fortune. He met a stranger who offered to trade three dogs for his sheep: Salt, which would bring him food; Pepper, who would tear attackers to pieces; Mustard, which could break iron or steel with its teeth. The brother agreed and once the trade was done, asked S ...
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The Seven Ravens
"The Seven Ravens" (German: ''Die sieben Raben'') is a German fairy tale collected by the Brothers Grimm (KHM 25). It is of Aarne–Thompson type 451 ("The Maiden Who Seeks Her Brothers"), commonly found throughout Europe. Georgios A Megas collected another, Greek variant in ''Folktales of Greece''. Other variants of the Aarne–Thompson type include ''The Six Swans'', ''The Twelve Wild Ducks'', '' Udea and her Seven Brothers'', ''The Wild Swans'', and ''The Twelve Brothers''. An animated feature film based on the story was released in 1937 (see '' The Seven Ravens''). Origin The tale was published by the Brothers Grimm in the first edition of the ''Kinder- und Hausmärchen'' in 1812, under the name "Die drei Raben" (The Three Ravens). In the second edition, in 1819, the name was retitled ''Die sieben Raben'' and substantially rewritten. Their source was the Hassenpflug family, and others. Synopsis A peasant has seven sons and no daughter. Finally a daughter is born, but ...
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