The Rape Of Europa (Titian)
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The Rape Of Europa (Titian)
''The Rape of Europa'' is a painting by the Venetian artist Titian, painted ca. 1560–1562. It is in the permanent collection of the Isabella Stewart Gardner Museum of Boston, Massachusetts. The oil-on-canvas painting measures . Subject The title of the painting refers to the mythological story of the abduction of Europa by Zeus (Jupiter to the Romans). In the myth, the god assumed the form of a bull and enticed Europa to climb onto his back. Once there, the bull rode into the sea and carried her to Crete, where he revealed his real identity. Europa became the first Queen of Crete, and had three children with Zeus. Although the source of Titian's inspiration is thought to have been based on the scene from Book II in Ovid's ''Metamorphoses,'' a more direct influence might be a description of a painting of the rape of Europa found in Achilles Tatius's novel, ''Leucippe and Clitophon''. Achilles Tatius's novel was translated into Italian and printed in 1546 in Venice, only a few ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Philippe II, Duke Of Orléans
Philippe II, Duke of Orléans (Philippe Charles; 2 August 1674 – 2 December 1723), was a French prince, soldier, and statesman who served as Regent of the Kingdom of France from 1715 to 1723. He is referred to in French as ''le Régent''. He was the son of Monsieur Philippe I, Duke of Orleans, and Madame Elisabeth Charlotte, Duchess of Orleans. Born at his father's palace at Saint-Cloud, he was known from birth by the title of Duke of Chartres. In 1692, Philippe married his first cousin Françoise Marie de Bourbon, the youngest legitimised daughter (''légitimée de France'') of King Louis XIV and Madame de Montespan. Named regent of France during the minority of Louis XV, his great-nephew and first cousin twice removed, the period of his ''de facto'' rule was known as the Regency (french: la Régence) (1715–1723). The Regency came to an end in February 1723, and the Duke of Orléans died at Versailles in December. Parents In March 1661, Monsieur Phil ...
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1560s Paintings
Year 156 ( CLVI) was a leap year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Silvanus and Augurinus (or, less frequently, year 909 '' Ab urbe condita''). The denomination 156 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place America * The La Mojarra Stela 1 is produced in Mesoamerica. By topic Religion * The heresiarch Montanus first appears in Ardaban (Mysia). Births * Dong Zhao, Chinese official and minister (d. 236) * Ling of Han, Chinese emperor of the Han Dynasty (d. 189) * Pontianus of Spoleto, Christian martyr and saint (d. 175) * Zhang Zhao, Chinese general and politician (d. 236) * Zhu Zhi, Chinese general and politician (d. 224) Deaths * Marcus Gavius Maximus, Roman praetorian prefect * Zhang Daoling, Chinese Taoist master (b. AD 34 ...
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Art Treasures Exhibition, Manchester 1857
The Art Treasures of Great Britain was an exhibition of fine art held in Manchester, England, from 5 May to 17 October 1857.''Exhibition of art treasures of the United Kingdom, held at Manchester in 1857. Report of the executive committee''
1859. Many details in this article are taken from this comprehensive record of the exhibition.
It remains the largest art exhibition to be held in the UK,Art Treasures in Manchester: 150 years on
Manchester Art Gallery
possibly in the w ...
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The Death Of Actaeon
''The Death of Actaeon'' is a late work by the Italian Renaissance painter Titian, painted in oil on canvas from about 1559 to his death in 1576 and now in the National Gallery in London. It is very probably one of the two paintings the artist stated he had started and hopes to finish (one of which he calls " Actaeon mauled by hounds") in a letter to their commissioner Philip II of Spain during June 1559. However, most of Titian's work on this painting possibly dates to the late 1560s, but with touches from the 1570s. Titian seems never to have resolved it to his satisfaction, and the painting apparently remained in his studio until his death in 1576. There has been considerable debate as to whether it is finished or not, as with other very late Titians, such as the '' Flaying of Marsyas'', which unlike this has a signature, perhaps an indication of completion. It is a sequel of Titian's work '' Diana and Actaeon'' showing the story's tragic conclusion, which approximately fo ...
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Wallace Collection
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free. It was established in 1897 from the private collection mainly created by Richard Seymour-Conway, 4th Marquess of Hertford (1800–1870), who left both it and the house to his illegitimate son Sir Richard Wallace (1818–1890), whose widow Julie Amelie Charlotte Castelnau bequeathed the entire collection to the nation. The collection opened to permanent public view in 1900 in Hertford House, and remain ...
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Perseus And Andromeda (Titian)
''Perseus and Andromeda'' is a painting by the Italian Renaissance artist Titian, now in the Wallace Collection in London. It was painted in 1554–1556 as part of a series of mythological paintings called "''poesie''" ("poetry") intended for King Philip II of Spain. The paintings took subjects from the Roman poet Ovid's ''Metamorphoses'', in this case Book IV, lines 663–752, and all featured female nudes. The painting is in oils on canvas, and measures 175 x 189.5 cm. It was probably one already described as "damaged" in 1605, and has suffered subsequent damages, as well as apparently being cut down along all the sides. Scientific imaging techniques show an unusually large number of changes as the composition evolved. The painting shows the hero Perseus flying through the air in combat to kill the sea monster who has come to kill Andromeda, who has been chained to a cliff by the sea shore for him. Perseus has already attacked and wounded the monster on the shoulder.Ing ...
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Diana And Callisto
''Diana and Callisto'' is a painting completed between 1556 and 1559 by the Italian late Renaissance artist Titian. It portrays the moment in which the goddess Diana discovers that her maid Callisto has become pregnant by Jupiter. The painting was jointly purchased by the National Gallery and the Scottish National Gallery for £45 million in March 2012. Along with its companion painting ''Diana and Actaeon'' it is displayed on an alternating basis between London and Edinburgh. There is a later version by Titian and his workshop in the Kunsthistorisches Museum in Vienna. History ''Diana and Callisto'' is part of a series of seven famous canvasses, the "poesies", depicting mythological scenes from Ovid's ''Metamorphoses'' painted for Philip II of Spain after Maximilian II, Holy Roman Emperor had declined Titian's offer to paint them for him. The work remained in the Spanish royal collection until 1704 when King Philip V gave it to the French ambassador. It was soon acquired by ...
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National Gallery Of Scotland
The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The Scottish National Gallery is run by National Galleries of Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the Scottish National Gallery is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the Scottish National Gallery. History The origins of Scotland's national collection lie with the Ro ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ...
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Venus And Adonis (Titian)
A composition of ''Venus and Adonis'' by the Venetian Renaissance artist Titian has been painted a number of times, by Titian himself, by his studio assistants and by others. In all there are some thirty versions that may date from the 16th century, the nudity of Venus undoubtedly accounting for this popularity. It is unclear which of the surviving versions, if any, is the original or prime version, and a matter of debate how much involvement Titian himself had with surviving versions. There is a precise date for only one version, that in the Prado in Madrid, which is documented in correspondence between Titian and Philip II of Spain in 1554. However, this appears to be a later repetition of a composition first painted a considerable time earlier, possibly as early as the 1520s. The Prado version is set at dawn and shows the young Adonis pulling himself away from Venus, his lover. He carries a feathered spear or "dart", a weapon often used in hunting in the 16th century. Th ...
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Danaë (Titian Series)
In Greek mythology, Danaë (, ; ; , ) was an Argive princess and mother of the hero Perseus by Zeus. She was credited with founding the city of Ardea in Latium during the Bronze Age. Family Danae was the daughter and only child of King Acrisius of Argos by his wife Queen Eurydice or Aganippe. In some accounts, she had a sister, Evarete, wife of King Oenomaus of Pisa and mother of Hippodamia.Hyginus, ''Fabulae'84/ref> Mythology Disappointed by his lack of male heirs, King Acrisius asked the oracle of Delphi if this would change. The oracle announced to him that he would never have a son, but his daughter would, and that he would be killed by his daughter's son. At the time, Danaë was childless and, meaning to keep her so, King Acrisius shut her up in a bronze chamber to be constructed under the court of his palace (other versions say she was imprisoned in a tall brass tower with a single richly adorned chamber, but with no doors or windows, just a sky-light as the source o ...
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