The Queen And Concubine
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The Queen And Concubine
''The Queen and Concubine'' is a Caroline era stage play, a tragicomedy written by Richard Brome and first published in 1659. It has sometimes been called Brome's best tragicomedy. Publication and date The play was first printed when it was included in the 1659 Brome collection ''Five New Plays'', issued by the booksellers Andrew Crooke and Henry Brome (no relation to the dramatist). Its date of authorship and earliest stage production is uncertain; scholars have generally placed it c. 1635 or in the 1635–40 period. Genre Of Brome's sixteen surviving plays (including ''The Late Lancashire Witches'', his collaboration with Thomas Heywood), the vast majority are comedies; only three are tragicomedies. (Along with ''The Queen and Concubine'', the others are '' The Lovesick Court'' and '' The Queen's Exchange''.) Brome may have chosen the tragicomic form for ''Queen and Concubine'' because it allowed him to make, in a limited form and degree, a political commentary. Critics have ...
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Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Fri ...
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Dumbshow
Dumbshow, also dumb show or dumb-show, is defined by the ''Oxford Dictionary of English'' as "gestures used to convey a meaning or message without speech; mime." In the theatre the word refers to a piece of dramatic mime in general, or more particularly a piece of action given in mime within a play "to summarise, supplement, or comment on the main action". In the ''Oxford Encyclopedia of Theatre and Performance'', Michael Dobson writes that the dumbshow was originally "an allegorical survival from the morality play". It came into fashion in 16th-century English drama in interludes featuring "personifications of abstract virtues and vices who contend in ways which foreshadow and moralize the fortunes of the play's characters".Dobson, Michael"dumb show" ''The Oxford Encyclopedia of Theatre and Performance'', Oxford University Press, 2003, retrieved 29 November 2015 There are examples in ''Gorboduc'' (1561) throughout which dumbshow plays a major part, and in Thomas Kyd's ''The Spani ...
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Plays By Richard Brome
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times' ...
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English Renaissance Plays
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engl ...
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Genius (mythology)
In Roman religion, the genius (; plural ''geniī'') is the individual instance of a general divine nature that is present in every individual person, place, or thing. Much like a guardian angel, the genius would follow each man from the hour of his birth until the day he died. For women, it was the Juno spirit that would accompany each of them. Nature Each individual place had a genius ('' genius loci'') and so did powerful objects, such as volcanoes. The concept extended to some specifics: the genius of the theatre, of vineyards, and of festivals, which made performances successful, grapes grow, and celebrations succeed, respectively. It was extremely important in the Roman mind to propitiate the appropriate genii for the major undertakings and events of their lives. Thus man, following the dictates of his heart, venerated something higher and more divine than he could find in his own limited individuality, and brought to "this great unknown of himself" offerings as a god; th ...
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The Winter's Tale
''The Winter's Tale'' is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's " problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation ''Florizel and Perdita'' (first performed in 1753 and published in 1756). ''The Winter's Tale'' was revived again in the 19th century, when the fourth " pastoral" act was widely popular. In the second half of the 20th century, ''The Winter's Tale'' in its entirety, and drawn largely from the First Fol ...
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Pandosto
''Pandosto: The Triumph of Time'' is a prose romance written by the English author Robert Greene, first published in 1588. A later edition of 1607 was re-titled ''Dorastus and Fawnia''. Popular during the time of William Shakespeare, the work's plot was an inspiration for that of Shakespeare's play ''The Winter's Tale''. Greene, in turn, may have based the work on ''The Clerk's Tale'', one of '' The Canterbury Tales'' of Chaucer. Edward Chaney suggested that Robert Greene when writing ''Pandosto'' may have had in mind the Earl of Oxford's suspicions about the paternity of his daughter (granddaughter of Lord Burghley) when he returned in 1576 from his continental tour that may have included Sicily. Description Greene's story contains darker elements than Shakespeare's version (who lightened the mood of the play for comic and romantic purposes). In Greene's tale, Pandosto, King of Bohemia, accuses his wife Bellaria of adultery committed with his childhood friend, the King of S ...
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Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna Hall, Susanna, and twins Hamnet Shakespeare, Hamnet and Judith Quiney, Judith. Sometime between 1585 and 1592, ...
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Robert Greene (16th Century)
Robert Greene (1558–1592) was an English author popular in his day, and now best known for a posthumous pamphlet attributed to him, '' Greene's Groats-Worth of Witte, bought with a million of Repentance'', widely believed to contain an attack on William Shakespeare. Robert Greene was a popular Elizabethan dramatist and pamphleteer known for his negative critiques of his colleagues. He is said to have been born in Norwich. He attended Cambridge where he received a BA in 1580, and an M.A. in 1583 before moving to London, where he arguably became the first professional author in England. Greene was prolific and published in many genres including romances, plays and autobiography. Family According to the author Brenda Richardson, the "chief problem" in compiling a biography of Robert Greene was his name. ''Robert'' was one of the most popular given names of the era and ''Greene'' was a common surname. L. H. Newcomb suggests that Robert Greene "was probably the Robert Greene, so ...
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English Renaissance Theatre
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified ...
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William Beeston
William Beeston (1606? – 1682) was an English actor and theatre manager, the son and successor to the more famous Christopher Beeston. Early phase William was brought up in the theatrical world of his father; he became an actor, and also his father's assistant in managing the Cockpit and Red Bull theatres and their associated companies of actors, including the company of younger players colloquially known as Beeston's Boys. Upon his father's death in 1638, William Beeston inherited their theatrical enterprise – though he managed it with much less success than his father had. On 5 May 1640 he was thrown into the Marshalsea Prison for a Beeston's Boys' play, acted the day before, that gave offence to Sir Henry Herbert, the Master of the Revels. The play was most likely ''The Court Beggar'' by Richard Brome, which satirized several members of Queen Henrietta Maria's circle of favourites, including Sir John Suckling and Sir William Davenant (though Brome's ''The Queen and Co ...
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Tragicomedy
Tragicomedy is a literary genre that blends aspects of both tragedy, tragic and comedy, comic forms. Most often seen in drama, dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter. In theatre Classical precedent There is no concise formal definition of tragicomedy from the classical antiquity, classical age. It appears that the Greek philosopher Aristotle had something like the Renaissance meaning of the term (that is, a serious action with a happy ending) in mind when, in ''Poetics (Aristotle), Poetics'', he discusses tragedy with a dual ending. In this respect, a number of An ...
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