The Quack Doctor
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The Quack Doctor
''The Quack Doctor'' is an oil on panel painting by the Dutch artist Gerrit Dou from 1652. It is held at the Museum Boijmans Van Beuningen, in Rotterdam. Description and analysis It depicts a crowd gathered around a quack doctor as he promotes his wares. Dou also paints himself leaning out the window with a palette in hand. By including himself in the composition, he contrasts the deceptions involved in painting with those of quack medicine. For Dou, the composition was a departure; he was known for niche pieces, which depict an interior framed by a window. The painting has been written about quite extensively and is among the best-known treatments of its subject. Scenes of quack doctors (''kwakzolvers'') represented folly and were a common topic in Dutch genre painting, by artists such as Jan Steen, Jan Victors, and Jan Miense Molenaer. Genre scenes of ''kwaksolvers'' might depict them performing surgery to the legs, feet, or head (removing the " stone of folly"), extracti ...
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Gerrit Dou
Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ''trompe-l'œil'' "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt. Life Dou was born in Leiden, where his father was a manufacturer of stained-glass.Baer, p.28 He studied drawing under Bartholomeus Dolendo, and then trained in the stained-glass workshop of Pieter Couwenhorn. In February 1628, at the age of fourteen, his father sent him to study painting in the studio of Rembrandt (then aged about 21) who lived nearby. From Rembrandt, with whom he remained for about three years, he acquired his skill in colouring and in the more subtle effects of chiaroscuro, and his master's style is reflected in several of his earlier pictures, notably a self-portrait at the age of 22 in the Bridgewater ...
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Stone Of Folly
The stone of madness, also called stone of folly, was a hypothetical stone in a patient's head, thought to be the cause of madness, idiocy or dementia. From the 15th century onwards, removing the stone by trepanation was proposed as a remedy. This procedure is demonstrated in the painting '' The Extraction of the Stone of Madness'' by Hieronymus Bosch. Gallery File:Quentin Massys 030.jpg, Quentin Massys, ''An Allegory of Folly'' (early 16th century). The fool has a "stone of folly" in his forehead. File:Pieter Huys A surgeon extracting the stone of folly.jpg, Pieter Huys Pieter Huys (c.1519 – c.1584) was a Flemish Renaissance painter. He is known of his early life, and though he was mostly active in Antwerp, his place of birth and death is not certain. He became a master in the Antwerp Guild of St. Luke in 1545 ..., ''A surgeon extracting the stone of folly'' File:Hemessen-cirujano-prado.jpg, Jan Sanders van Hemessen, 1550s File:Het_snijden_van_de_kei._Rijksmuseum_SK-A-1 ...
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Paintings In The Museum Boijmans Van Beuningen
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1652 Paintings
Year 165 ( CLXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Orfitus and Pudens (or, less frequently, year 918 '' Ab urbe condita''). The denomination 165 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * A Roman military expedition under Avidius Cassius is successful against Parthia, capturing Artaxata, Seleucia on the Tigris, and Ctesiphon. The Parthians sue for peace. * Antonine Plague: A pandemic breaks out in Rome, after the Roman army returns from Parthia. The plague significantly depopulates the Roman Empire and China. * Legio II ''Italica'' is levied by Emperor Marcus Aurelius. * Dura-Europos is taken by the Romans. * The Romans establish a garrison at Doura Europos on the Euphrates, a control point for the commerc ...
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Paintings By Gerrit Dou
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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Leiden
Leiden (; in English and archaic Dutch also Leyden) is a city and municipality in the province of South Holland, Netherlands. The municipality of Leiden has a population of 119,713, but the city forms one densely connected agglomeration with its suburbs Oegstgeest, Leiderdorp, Voorschoten and Zoeterwoude with 206,647 inhabitants. The Netherlands Central Bureau of Statistics (CBS) further includes Katwijk in the agglomeration which makes the total population of the Leiden urban agglomeration 270,879, and in the larger Leiden urban area also Teylingen, Noordwijk, and Noordwijkerhout are included with in total 348,868 inhabitants. Leiden is located on the Oude Rijn, at a distance of some from The Hague to its south and some from Amsterdam to its north. The recreational area of the Kaag Lakes (Kagerplassen) lies just to the northeast of Leiden. A university city since 1575, Leiden has been one of Europe's most prominent scientific centres for more than four centuries. Leide ...
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Emblem Book
An emblem book is a book collecting emblems (allegorical illustrations) with accompanying explanatory text, typically morals or poems. This category of books was popular in Europe during the 16th and 17th centuries. Emblem books are collections of sets of three elements: an icon or image, a motto, and text explaining the connection between the image and motto. The text ranged in length from a few lines of verse to pages of prose. Emblem books descended from medieval bestiaries that explained the importance of animals, proverbs, and fables. In fact, writers often drew inspiration from Greek and Roman sources such as Aesop's Fables and Plutarch's Lives. Definition Scholars differ on the key question of whether the actual emblems in question are the visual images, the accompanying texts, or the combination of the two. This is understandable, given that first emblem book, the ''Emblemata'' of Andrea Alciato, was first issued in an unauthorized edition in which the woodcuts were ...
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Patent Medicine
A patent medicine, sometimes called a proprietary medicine, is an over-the-counter (nonprescription) medicine or medicinal preparation that is typically protected and advertised by a trademark and trade name (and sometimes a patent) and claimed to be effective against minor disorders and symptoms. Its contents are typically incompletely disclosed. Antiseptics, analgesics, some sedatives, laxatives, and antacids, cold and cough medicines, and various skin preparations are included in the group. The safety and effectiveness of patent medicines and their sale is controlled and regulated by the Food and Drug Administration in the United States and corresponding authorities in other countries.https://www.merriam-webster.com/dictionary/patent%20medicine The term is sometimes still used to describe quack remedies of unproven effectiveness and questionable safety sold especially by peddlers in past centuries, who often also called them elixirs, tonics, or liniments. Current examples o ...
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Jan Miense Molenaer
Jan Miense Molenaer (1610 – buried 19 September 1668), was a Dutch Golden Age genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of Frans Hals. Biography Molenaer was born and died in Haarlem. He achieved a style close to Hals' early on in his career, but later developed a style like that of Dutch genre painter, Adriaen van Ostade. His genre works often depicted players of music, such as his ''The Music Makers'' ( Museum of Fine Arts, Budapest), ''The Duet'' ( Seattle Art Museum), or ''Family Making Music'' ( Frans Hals Museum). He also depicted Taverns and the activities of card games or games of the times such as ''La main chaude'', or in Dutch, ', which literally means clapping hands. Molenaer also cleverly depicted biblical stories in his own time and s ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Jan Victors
Jan Victors or Fictor (bapt. June 13, 1619 – December 1679) was a Dutch Golden Age painter mainly of history paintings of Biblical scenes, with some genre scenes. He may have been a pupil of Rembrandt. He probably died in the Dutch East Indies. He was a conscientious member of the Calvinist Dutch Reformed Church, and for this reason he avoided creating art which depicts Christ, angels, or nudity. Biography Victors was born in Amsterdam. He was described in a Haarlem tax listing in 1622 as a student of Rembrandt van Rijn. Though it is not certain that he worked for Rembrandt, it is clear from his ''Young girl at a window'' that he had looked carefully at Rembrandt's paintings. He was only twenty when he painted this scene, and the look of expectation on the girl's face shows a remarkable study of character. He seems to have abandoned painting well before the rampjaar of 1672, when, like many painters in Amsterdam, he fell onto bad times and took a position as ''ziekentroos ...
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