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The Power Of Evil (1916 Film)
''The Power of the Fiend'' (russian: Вражья сила, ''Vrazhya sila'') is an opera in five acts by Alexander Serov, composed during 1867-1871. The libretto is derived from a drama by Alexander Ostrovsky from 1854 entitled '' Live Not As You Would Like To, But As God Commands''. The opera was premiered posthumously on 19 April 1871 ( Old Style) at the Mariinsky Theatre in Saint Petersburg conducted by Eduard Nápravník. Among the performers were Darya Leonova as Spiridonovna and Mikhail Sariotti as Yeryomka. Although in many ways it is more far-reaching than Serov's previous two operas, this work was not a success. The title of the opera (taken from an appellation that Ostrovsky had applied to the fourth act of the projected libretto) has been translated in a number of ways: ''The Hostile Power'', ''The Fiendish Power'', ''The Malevolent Power'', ''The Power of Evil'', and so on. As an obsolete Russian phrase, it can mean simply "Satan" or "The Devil" (indeed, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Serov
Alexander Nikolayevich Serov (russian: Алекса́ндр Никола́евич Серо́в, Saint Petersburg, – Saint Petersburg, ) was a Russian composer and music critic. He is notable as one of the most important music critics in Russia during the 1850s and 1860s and as the most significant Russian composer in the period between Dargomyzhsky's ''Rusalka'' and the works of Rimsky-Korsakov, Mussorgsky, and Tchaikovsky. Alexander Serov was the father of Russian artist Valentin Serov. Biography Alexander Serov was born in St. Petersburg on 11 January 1820, the son of Nikolai Ivanovich Serov, a Finance Ministry official. Serov's maternal grandfather, Carl Ludwig Hablitz, was a naturalist of German-Jewish origin who was born in Königsberg and moved to Russia in childhood when his father was hired to be inspector of Moscow University's printing department. In Russia, Hablitz became a member of the Russian Academy of Sciences among other high official posts. Serov's f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Asafiev
Boris Vladimirovich Asafyev (russian: link=no, Бори́с Влади́мирович Аса́фьев; 27 January 1949) was a Russian and Soviet composer, writer, musicologist, musical critic and one of founders of Soviet musicology. He is the dedicatee of Prokofiev's First Symphony. He was born in Saint Petersburg. Asafyev had a strong influence on Soviet music. His compositions include ballets, operas, symphonies, concertos and chamber music. His ballets include ''Flames of Paris'', based on the French Revolution, and ''The Fountain of Bakhchisarai'', which was first performed in 1934, and was performed at the Mariinsky Theatre in St. Petersburg in 2006. His writings, under the name Igor Glebov, include ''The Book about Stravinsky'' and ''Glinka'' (for which he was awarded the Stalin Prize in 1948). Selected works ;Opera * ''The Cashier's Wife'' * ''Minin and Pozharsky'' * ''The Girl without a Dowry'' ;Ballets * ''The Fairy Gift'' (1910) * ''White Lily'' (1911) * ''F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1871 Operas
Events January–March * January 3 – Franco-Prussian War – Battle of Bapaume: Prussians win a strategic victory. * January 18 – Proclamation of the German Empire: The member states of the North German Confederation and the south German states, aside from Austria, unite into a single nation state, known as the German Empire. The King of Prussia is declared the first German Emperor as Wilhelm I of Germany, in the Hall of Mirrors at the Palace of Versailles. Constitution of the German Confederation comes into effect. It abolishes all restrictions on Jewish marriage, choice of occupation, place of residence, and property ownership, but exclusion from government employment and discrimination in social relations remain in effect. * January 21 – Giuseppe Garibaldi's group of French and Italian volunteer troops, in support of the French Third Republic, win a battle against the Prussians in the Battle of Dijon. * February 8 – 1871 French legislative election elects t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Alexander Serov
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian-language Operas
Russian (russian: русский язык, russkij jazyk, link=no, ) is an East Slavic language mainly spoken in Russia. It is the native language of the Russians, and belongs to the Indo-European language family. It is one of four living East Slavic languages, and is also a part of the larger Balto-Slavic languages. Besides Russia itself, Russian is an official language in Belarus, Kazakhstan, and Kyrgyzstan, and is used widely as a lingua franca throughout Ukraine, the Caucasus, Central Asia, and to some extent in the Baltic states. It was the ''de facto'' language of the former Soviet Union, Constitution and Fundamental Law of the Union of Soviet Socialist Republics, 1977: Section II, Chapter 6, Article 36 and continues to be used in public life with varying proficiency in all of the post-Soviet states. Russian has over 258 million total speakers worldwide. It is the most spoken Slavic language, and the most spoken native language in Europe, as well as the most geographica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Taruskin
Richard Filler Taruskin (April 2, 1945 – July 1, 2022) was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives, has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including ''The New York Times''. He researched a wide variety of areas, but a central topic was the Russian music of the 18th century to present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume ''Oxford History of Western Music''. He received several awards, including the first Noah Greenberg Award from the American Musicological Society in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogneda (opera)
''Rogneda'' (russian: Рогнеда) is an opera in five acts, composed by Alexander Serov between 1863 and 1865. The scenario, by the composer, was based on the novel '' Askold's Grave'' (''Аскольдова могила'', 1833) by Mikhail Zagoskin and the poem ''Rogneda'' (ca. 1825) by Kondraty Ryleyev. The actual Russian libretto was created by Dmitry Averkiev in the same manner as with the composer's previous opera, '' Judith'', with the words written to fit the vocal lines ''after'' the music had been composed. This opera forms a sequel of sorts to Alexey Verstovsky's highly successful singspiel, ''Askold's Grave'', which premiered in 1835, just the year before Glinka's ''A Life for the Tsar'' reached the stage. No less a patriotic opera than those two, ''Rogneda'' in its plot combines elements of the life of the title character with the Christianization of Russia, dated in 988 with the conversion of Vladimir I of Kiev. With its huge cast and sprawling plot, the opera d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judith (Serov)
''Judith'' (russian: Юдифь, translit=Yudíf – stress on second syllable) is an opera in five acts, composed by Alexander Serov during 1861–1863. Derived from renditions of the story of Judith from the Old Testament Apocrypha, the Russian libretto, though credited to the composer, has a complicated history. The premiere took place in 1863 in Saint Petersburg. This stage debut, supplemented with his next opera ''Rogneda'', made Serov the most important Russian opera composer of the 1860s. Composition history The Italian play ''Giuditta'' by Paolo Giacometti, produced in Saint Petersburg in 1860, first inspired the Serov to work on the project as a vehicle for the Italian opera troupe in Saint Petersburg. Using Serov's scenario, Ivan Antonovich Giustiniani wrote a libretto in Italian. When an Italian production of the proposed opera proved legally impossible, the Italian libretto was translated into Russian by Konstantin Zvantsov and Dmitry Lobanov, and some verses were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir, Russia
Vladimir ( rus, Влади́мир, p=vlɐ'dʲimʲɪr, a=Ru-Владимир.ogg) is a city and the administrative center of Vladimir Oblast, Russia, located on the Klyazma River, east of Moscow. It is served by a railway and the M7 motorway. Population: History Vladimir was one of the medieval capitals of Russia, with significant buildings surviving from the 12th century. Two of its Russian Orthodox cathedrals, a monastery, and associated buildings have been designated as among the White Monuments of Vladimir and Suzdal, a UNESCO World Heritage Site. In the past, the city was also known as Vladimir-on-Klyazma () and Vladimir-Zalessky (), to distinguish it from another Vladimir in Volhynia (modern Ukraine). Foundation The founding date of Vladimir is disputed between 990 and 1108. In the ''Novgorod First Chronicle'', Vladimir is mentioned under the year 1108, and during the Soviet period, this year was decreed to be its foundation year with the view that attributes the fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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