The Noble Gentleman
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The Noble Gentleman
''The Noble Gentleman'' is a Jacobean era stage play, a comedy in the canon of John Fletcher and his collaborators that was first published in the first Beaumont and Fletcher folio of 1647. It is one of the plays in Fletcher's canon (see ''Love's Cure'' and ''Thierry and Theodoret'' for other examples) that presents significant uncertainties about its date and authorship. Performance The earliest certain fact known about the play is that it was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 3 February 1626 (new style). The play was acted by the King's Men at the Blackfriars Theatre. Authorship Broadly speaking, there are two competing scenarios for ''The Noble Gentleman:'' * The play is a "Beaumont and Fletcher play" – either a direct and overt collaboration between the two dramatists, or a work by Beaumont that was later revised by Fletcher. In the context of this hypothesis, dates for the play have been postulated that range from 1606 to 16 ...
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Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Fri ...
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Blackfriars Theatre
Blackfriars Theatre was the name given to two separate theatres located in the former Blackfriars Dominican priory in the City of London during the Renaissance. The first theatre began as a venue for the Children of the Chapel Royal, child actors associated with the Queen's chapel choirs, and who from 1576 to 1584 staged plays in the vast hall of the former monastery. The second theatre dates from the purchase of the upper part of the priory and another building by James Burbage in 1596, which included the Parliament Chamber on the upper floor that was converted into the playhouse. The Children of the Chapel played in the theatre beginning in the autumn of 1600 until the King's Men took over in 1608. They successfully used it as their winter playhouse until all the theatres were closed in 1642 when the English Civil War began. In 1666, the entire area was destroyed in the Great Fire of London. First theatre Blackfriars Theatre was built on the grounds of the former Dominic ...
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Duke Of Burgundy
Duke of Burgundy (french: duc de Bourgogne) was a title used by the rulers of the Duchy of Burgundy, from its establishment in 843 to its annexation by France in 1477, and later by Holy Roman Emperors and Kings of Spain from the House of Habsburg who claimed Burgundy proper and ruled the Burgundian inheritance in the Low Countries. The Duchy of Burgundy was a small portion of the traditional lands of the Burgundians west of the river Saône which, in 843, was allotted to Charles the Bald's West Franks, kingdom of West Franks. Under the Ancien Régime, the Duke of Burgundy was the premier lay Peerage of France, peer of the kingdom of France. Beginning with Robert II of France, the title was held by the House of Capet, Capetians, the French royal family. It was granted to Robert's younger son, Robert I, Duke of Burgundy, Robert, who founded the House of Burgundy. When the senior line of the House of Burgundy became extinct, it was inherited by John II of France through proximity of ...
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1688 In Literature
This article contains information about the literary events and publications of 1688. Events *February – John Locke returns to England in the escort of Princess Mary, the same year that the first abstract of his seminal ''An Essay Concerning Human Understanding'' appears in Leclerc's ''Bibliotheque universelle'', although the work itself is not published until the following year. *December – John Dryden refuses to swear allegiance to the new monarchy after the Glorious Revolution and is dismissed as Poet Laureate of the United Kingdom. He is the only laureate not to die in office until the initiation of fixed-term appointments with Andrew Motion in 1999. *''unknown date'' – The fourth, first illustrated edition of John Milton's ''Paradise Lost'' is published by Jacob Tonson in London. The illustrators include John Baptist Medina. New books Prose *David Abercromby – ''Ars explorandi medicas facultates plantarum ex solo sapore'' * Etienne Baluze – ''Marca hispanica'' *A ...
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A Fool's Preferment
''A Fool's Preferment; Or, The Three Dukes Of Dunstable'' is a 1688 comedy play by the English writer Thomas D'Urfey. It is a reworking of John Fletcher's Jacobean work ''The Noble Gentleman''. It was first performed by the United Company at the Dorset Garden Theatre in London. Henry Purcell composed the play's incidental music. It was his first major work composing for the theatre in seven years since ''Sir Barnaby Whigg''. The original cast featured James Nokes as Cocklebrain, Anthony Leigh as Justice, William Mountfort as Lyonel, Edward Kynaston as Clermont, George Powell as Longevile, John Bowman as Bewford, Thomas Jevon as Toby, Martin Powell as Usher and Elizabeth Boutell Elizabeth Boutell (early 1650s?—1715), was a British actress. Life She joined, soon after its formation, the company at the Theatre Royal, subsequently known as Drury Lane, and was accordingly one of the first women to appear on the English st ... as Aurelia.Van Lennep p.362-63 References Bibl ...
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Thomas D'Urfey
Thomas d'Urfey (a.k.a. Tom Durfey; 165326 February 1723) was an English writer and wit. He wrote plays, songs, jokes, and poems. He was an important innovator and contributor in the evolution of the ballad opera. Life D'Urfey was born in Devonshire and began his professional life as a scrivener, but quickly turned to the theatre. In personality, he was considered so affable and amusing that he could make friends with nearly everyone, including such disparate characters as Charles II of England and his brother James II, and in all layers of society. D'Urfey lived in an age of self-conscious elitism and anti-egalitarianism, a reaction against the "leveling" tendencies of the previous Puritan reign during the Interregnum. D'Urfey participated in the Restoration's dominant atmosphere of social climbing: he claimed to be of French Huguenot descent, though he might not have been; and he added an apostrophe to the plain English name Durfey when he was in his 30s. He wrote 500 songs, a ...
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English Restoration
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and J ...
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University Of Massachusetts Press
The University of Massachusetts Press is a university press that is part of the University of Massachusetts Amherst. The press was founded in 1963, publishing scholarly books and non-fiction. The press imprint is overseen by an interdisciplinary faculty committee. Juniper Prizes The press also publishes fiction and poetry through its annual Juniper Prizes.Herman (2007) The Juniper Prize was named in honor of local poet Robert Francis and his house ('Fort Juniper'). The Juniper Prizes include: * 2 prizes for poetry: one for a previously published poet, one for a poet not previously published * 2 prizes for fiction: one for a novel, one for a collection of short stories * creative non-fiction The poetry award began in 1975, the fiction award in 2004, and the award for creative non-fiction in 2018. Notes References * External linksUniversity of Massachusetts Press official website Press Press may refer to: Media * Print media or news media, commonly called "the press" * P ...
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Cyrus Hoy
Cyrus Henry Hoy (February 26, 1926 – April 27, 2010) was an American literary scholar of the English Renaissance stage who taught at the University of Virginia and Vanderbilt University, and was the John B. Trevor Professor of English (emeritus, 1994) at the University of Rochester. He wrote and published on a wide range of topics in English literature, though he is best known for his works on William Shakespeare, Beaumont and Fletcher, and other figures in English Renaissance theatre. Probably his most frequently-cited work is his study of authorship problems in the Beaumont/Fletcher plays. Titled "The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon," it was published in seven annual issues of the journal ''Studies in Bibliography,'' published by the Bibliographical Society of the University of Virginia (1956–62). Hoy identified specific linguistic markers for individual dramatists, most notably a highly distinctive pattern of preferences for ...
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Beaumont And Fletcher
Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I (1603–25). They became known as a team early in their association, so much so that their joined names were applied to the total canon of Fletcher, including his solo works and the plays he composed with various other collaborators including Philip Massinger and Nathan Field. The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. While scholars and critics will probably never render a unanimous verdict on the authorship of all these plays—especially given the difficulties of some of the individual cases—contemporary scholarship has arrived at a corpus of about 12 to 15 plays that are the work of both men. (See the individual pages on Beaumont and Fletcher for more details.) Works The plays generally r ...
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King's Men (playing Company)
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession. Chronologically typed To 1610 In their first winter season, between December 1603 and February 1604 the company performed eight times at Court and eleven times in their second, from N ...
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Comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ...
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