The Musical Times
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The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publi ...
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Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surv ...
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List Of Chief Music Critics
Western classical music has a substantial history of music criticism, and many individuals have established careers as music critics. However, concert reviews are not always credited in the daily and weekly newspapers, especially those in the early to mid-20th Century. This selective list of chief music critics (or equivalent title, influence or status) aims to make it easier to find the likely author of a review, or at least the influence of the chief music critic on what was covered and how. Journalistic newspaper criticism of Western music did not properly emerge until the 1840s. Before then, in England, Joseph Addison had contributed essays on music to ''The Spectator'' in Handel's era. Former opera impresario Willian Ayrton began writing occasional musical criticism for ''The Morning Chronicle'' (1813–26) and '' The Examiner'' (1837–51) and founded the monthly music journal ''The Harmonicon'' in 1823. Arts and literary magazines such as '' The Athenæum'' (and its criti ...
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Quarterly Journals
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a '' journal'' has continuous pagination throughout a volume. Thus '' Business Week'', which starts each issue anew with page one, is a magazine, but the ''Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic ...
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Publications Established In 1844
To publish is to make content available to the general public.Berne Convention, article 3(3)
URL last accessed 2010-05-10.
Universal Copyright Convention, Geneva text (1952), article VI
. URL last accessed 2010-05-10.
While specific use of the term may vary among countries, it is usually applied to text, images, or other content, including paper (

Basil Ramsey
Basil Ramsey (26 April, 1929 – 12 June, 2018), was an English music publisher, journalist, editor and organist. Ramsey was born in Chelmsford and grew up in London. He joined the music publisher Novello and Co in 1949, becoming Director of Publications in 1963. While there he worked with composers including Peter Dickinson, Geoffrey Bush, John Joubert and John McCabe. In 1974 he set up his own publishing business (Basil Ramsey/Banks Music Publications) with his friend, the composer Bernard Herrmann – though Herrmann unfortunately died the following year. Ramsey published many pieces by the musical medium Rosemary Brown. He also became the publisher of the Maltese composer Charles Camilleri. He was the editor of and contributor to various publications, including ''Organists’ Review'' (1972–84), ''Music & Musicians'' (1989–90), and ''The Musical Times ''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and cur ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicology, musicologist, music critic, and editor. He was editor of the sixth edition of the ''Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turne ...
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Andrew Porter (music Critic)
Andrew Brian Porter (26 August 19283 April 2015) was a British music critic, opera librettist, opera director, scholar, and organist.''Opera''"Opera Magazine Editorial Board"(archived 9 May 2011 at Internet Archive), originally accessed 2 January 2011. Biography Born in Cape Town, South Africa, Porter studied organ at University College, Oxford in the late 1940s. He then began writing music criticism for various London newspapers, including ''The Times'' and ''The Daily Telegraph''. In 1953, he joined ''The Financial Times'', where he served as the lead critic until 1972, where his successor was Ronald Crichton. Stanley Sadie, in the 2001 edition of the ''Grove Dictionary of Music and Musicians'', wrote that Porter "built up a distinctive tradition of criticism, with longer notices than were customary in British daily papers, based on his elegant, spacious literary style and always informed by a knowledge of music history and the findings of textual scholarship as well as an e ...
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Harold Rutland
Harold Rutland (August 21, 1900 – July 23, 1977) was a British pianist, music critic and composer. He began studying at the Guildhall School of Music, became organ scholar at Queen's College, Cambridge, and completed his studies at the Royal College of Music with Herbert Fryer, Arthur Bliss and Adrian Boult.Obituary, ''The Musical Times'', Vol. 118, No. 1614, August 1977), p. 663 A contemporary at the RCM in the early 1920s was Constant Lambert. Earning his living as an organist, choirmaster and pianist, he lived in Cheyne Walk, Chelsea during the late 1920s. In the early part of the war he toured the provinces with Lambert, playing the piano for the Sadler's Wells Ballet (then known as the Vic Wells Ballet), substituting for an orchestra. From 1941 until 1956 he worked at the BBC and was a frequent contributor to the ''Radio Times'', a broadcaster of talks on music and an accompanist. From 1957 to 1960 he was editor of the ''Musical Times''. He then took on the role of lecture ...
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Martin Cooper (musicologist)
Martin du Pré Cooper (17 January 1910 – 15 March 1986) was an English musicologist and author. Copper was born in Winchester and studied at Hertford College, Oxford, before a period of study in Vienna with Egon Wellesz. Fluent in half-a-dozen languages, he taught modern languages at Stow College and Winchester College while simultaneously establishing himself as a music critic, first at the ''London Mercury'' (1935–9), then (interrupted by the war) the ''Daily Herald'' (1946–50) and ''The Spectator'' (1947–54). In 1950 he joined ''The Daily Telegraph'' as assistant to Richard Capell, succeeding him as chief music critic four years later when Capell died. He remained at the ''Telegraph'' until his retirement in 1976 and was succeeded by Peter Stadlen. He was also editor of ''The Musical Times'' between 1953 and 1956. Cooper is best known for his book ''French Music'', first published in 1951. He was a lifelong enthusiast of Gluck and a champion of the often vilifi ...
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Harvey Grace
Harvey Grace (1874–1944) was an English musician: composer, conductor, editor, teacher. In 1916 he married Dorothy Kirby, and together they had three children, Dorothy, Mary and Robert. Harvey Grace died in February 1944 in Bromley Hospital while awaiting surgery.'Harvey Grace" 1874–1944' in ''The Musical Times'' (Vol. 85, No. 1213. March 1944). 73–8. Early years His music education began as a chorister, alongside his four brothers, in the Abbey church at Romsey, his home town. Here was where he first began to play the organ. Later life Grace continued his practical musical education at Southwark Cathedral under Alfred Madeley Richardson (1868–1949). At the same time his academic music education was undertaken by R. J. Pitcher (sometime organist of St Mary Kilburn and Professor of Singing at the Guildhall School of Music and Drama). (date?–date?). Organist of All Saints, Binfield, Berkshire. (date?)–1905. Organist of St Alphege's, Southwark, London. 1905. Grace p ...
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William Gray McNaught
William Gray McNaught (30 March 1849 – 13 October 1918) was an English music teacher, journalist and editor who became an adjudicator and inspector of music for schools.''Baker's Biographical Dictionary of Music'', 7th. ed. (1984), p. 1,500 Born in Mile End, London, McNaught learned tonic sol-fa in the school classroom and sang in concerts for the Tonic Sol-fa Association at The Crystal Palace. While working as a coffee importer, he taught himself violin and conducting, then began teaching music classes in his spare time. He studied at the Royal Academy of Music from 1872-6 under George Macfarren. While there he became friendly with fellow student Edward German. In 1883, he was appointed as an assistant inspector of music in training colleges by John Stainer, and soon became an expert in the practical side of school music making. He also became editor of Novello's ''School Music Review'', founded in 1892. But on Stainer's death in 1901 he expected to succeed him as Inspector ...
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Wikisource
Wikisource is an online digital library of free-content textual sources on a wiki, operated by the Wikimedia Foundation. Wikisource is the name of the project as a whole and the name for each instance of that project (each instance usually representing a different language); multiple Wikisources make up the overall project of Wikisource. The project's aim is to host all forms of free text, in many languages, and translations. Originally conceived as an archive to store useful or important historical texts (its first text was the ), it has expanded to become a general-content library. The project officially began on November 24, 2003 under the name Project Sourceberg, a play on the famous Project Gutenberg. The name Wikisource was adopted later that year and it received its own domain name. The project holds works that are either in the public domain or freely licensed; professionally published works or historical source documents, not vanity products. Verification was ini ...
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