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The Misery Of Civil War
''The Misery of Civil War'' is a 1680 tragedy by the English writer John Crowne. It was originally staged by the Duke's Company at the Dorset Garden Theatre in London. The play was staged at the height of the Popish Plot, something Crowne addressed in his prologue. Although he states that "by his feeble skill 'tis built alone, The Divine Shakespeare did not lay one Stone" the plot in fact drew heavily on '' Henry VI, Part 2'' and '' Part 3'' The original cast included Joseph Williams as Henry the Sixth, William Smith as Edward, John Bowman as Duke of Clarence, Thomas Gillow as Richard, Thomas Betterton as Earl of Warwick, Thomas Percival as Old Lord Clifford, John Wiltshire as Young Clifford, Mary Lee as Queen Margaret, Mary Betterton as Lady Grey and Elizabeth Currer Elizabeth Currer was an Irish stage actress of the Restoration Era. She was a member of the Duke's Company during the 1670s and subsequently part of the merged United Company from 1682. Although she was ...
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John Crowne
John Crowne (6 April 1641 – 1712) was a British dramatist. His father "Colonel" William Crowne, accompanied the earl of Arundel on a diplomatic mission to Vienna in 1637, and wrote an account of his journey. He emigrated to Nova Scotia where he received a grant of land from Cromwell, but the French took possession of his property, and the home government did nothing to uphold his rights. Biography He was born in London on 6 April 1641, and emigrated to Nova Scotia in 1657 with his father, a joint proprietor of the colony, aboard the ship ''Satisfaction'', and studied at Harvard College. While studying at Harvard, Crowne lived with Puritan divine John Norton. Crowne left without graduating, however, and returned to England with his father in 1660. When the son came to England his poverty compelled him to act as gentleman usher to an independent lady of quality, and his enemies asserted that his father had been an Independent minister. He began his literary career with a ro ...
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Thomas Betterton
Thomas Patrick Betterton (August 1635 – 28 April 1710), the leading male actor and theatre manager during Restoration England, son of an under-cook to King Charles I, was born in London. Apprentice and actor Betterton was born in August 1635 in Tothill Street, Westminster.''The National Cyclopaedia of Useful Knowledge'', Vol.III, London, Charles Knight, 1847, p.273 He was apprenticed to John Holden, Sir William Davenant's publisher, and possibly later to a bookseller named John Rhodes, who had been wardrobe-keeper at the Blackfriars Theatre. In 1659, Rhodes obtained a license to set up a company of players at the Cockpit Theatre in Drury Lane; and on the reopening of this theatre in 1660, Betterton made his first appearance on the stage. Betterton's talents at once brought him into prominence, and he was given leading parts. On the opening of the new theatre in Lincoln's Inn Fields in 1661, Davenant, the patentee of the Duke's Company, engaged Betterton and all Rhodes' ...
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Plays Set In England
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times ...
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Plays By John Crowne
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times ...
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Plays Based On Actual Events
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ...
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Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a frac ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dir ...
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1680 Plays
Year 168 ( CLXVIII) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Paullus (or, less frequently, year 921 ''Ab urbe condita''). The denomination 168 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius and his adopted brother Lucius Verus leave Rome, and establish their headquarters at Aquileia. * The Roman army crosses the Alps into Pannonia, and subdues the Marcomanni at Carnuntum, north of the Danube. Asia * Emperor Ling of Han succeeds Emperor Huan of Han as the emperor of the Chinese Han Dynasty; the first year of the ''Jianning'' era. Births * Cao Ren, Chinese general (d. 223) * Gu Yong, Chinese chancellor (d. 243) * Li Tong, Chinese general (d. 209) Deaths * Anicetus, pope of R ...
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Elizabeth Currer
Elizabeth Currer was an Irish stage actress of the Restoration Era. She was a member of the Duke's Company during the 1670s and subsequently part of the merged United Company from 1682. Although she was likely acting in London several years earlier than this, her first known role was in '' The Conquest of China'' in 1675. Due to the irregular spelling of the time her surname is sometimes written as Carrier, Corer and Currier amongst other variants.Highfill, Burnim & Langhans p.98-99 Selected roles * Alcinda in '' The Conquest of China'' by Elkanah Settle (1675) * Betty Frisque in ''The Country Wit'' by John Crowne (1676) * Asteria in ''Ibrahim'' by Elkanah Settle (1676) * Clarinda in '' The Virtuoso'' by Thomas Shadwell (1676) * Mrs Hadland in ''The Counterfeit Bridegroom'' by Aphra Behn (1677) * Lady Fancy in ''Sir Patient Fancy'' by Aphra Behn (1678) * Madame Tricklove in ''Squire Oldsapp'' by Thomas Durfey (1678) * Marcella in ''The Feign'd Curtizans'' by Aphra Behn (1679) * ...
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Mary Betterton
Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses. Stage career Her most notable accomplishments are her being the first female actress to portray several of Shakespeare's woman characters on the professional stage. She was the first to portray Juliet in ''Romeo and Juliet'', Lady Macbeth in ''Macbeth'', and other female roles in '' The Tempest'', ''Hamlet'' (as Ophelia), ''Measure for Measure'', ''Much Ado About Nothing'', ''Twelfth Night'', ''King Lear''. In Shakespeare's day, female roles were played by teenage boys, as women and young girls were not allowed on the stage. By the 1660s, however, the laws in England had changed, allowing females to act professionally. Mary's connections through her husband, Thomas, who was also a famous actor, allowed her to play several significant roles. Saunderson ...
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Mary Slingsby
Mary, Lady Slingsby, born Aldridge (perhaps died 1693), was an English actress. After a marriage lasting 1670 to 1680 to John Lee, an actor, during which she was on the stage as Mrs. Lee, she was widowed. She then married Sir Charles Slingsby, 2nd Baronet, a nephew of Sir Robert Slingsby, and performed as Lady Slingsby. Theatre historians have pointed out the difficulty in identifying her roles in the period when Elinor Leigh, wife of Anthony Leigh, was performing as Mrs. Leigh, because the homophones "Lee" and "Leigh" were not consistently spelled at the time. Stage career In 1671 Mrs Lee appeared at Lincoln's Inn Fields in the character of Daranthe in Edward Howard's tragi-comedy ''Woman's Conquest'', and as Leticia in ''Town-Shifts, or the Suburb-Justice'', attributed to Edward Revet, and licensed on 2 May 1672. Next, at Dorset Garden, where Mrs Lee remained for ten years, she played opposite Æmilia in Joseph Arrowsmith's ''Reformation'' (1672). In ''Henry VI, Part I, wi ...
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John Wiltshire (stage Actor)
John Wiltshire was an English stage actor of the Restoration Era. He joined the King's Company in 1675, before transferring to the rival Duke's Company in 1679 possibly as a replacement for Matthew Medbourne who was arrested in the Popish Plot and subsequently died in Newgate. From 1682 until his death he was part of the merged United Company. According to the autobiography of Colley Cibber he subsequently joined the English Army as captain and was killed in action fighting with William III's forces in Flanders during the Nine Years' War.Highfill, Burnim & Langhans p.181 His surname is also sometimes spelled as Wilshire. Selected roles * Justice Crabb in '' Psyche Debauched'' by Thomas Duffet (1675) * Plush in '' The Country Innocence'' by John Leanerd (1677) * Thessalus in ''The Rival Queens'' by Nathaniel Lee (1677) * Oswold in '' King Edgar and Alfreda'' by Edward Ravenscroft (1677) * Another Roman Officer in ''Mithridates, King of Pontus'' by Nathaniel Lee (1678) * Sir Gene ...
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