The Merry Widow (1925 Film)
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The Merry Widow (1925 Film)
''The Merry Widow'' is a 1925 American silent romantic drama/black comedy film directed and written by Erich von Stroheim. Released by Metro-Goldwyn-Mayer, the film stars Mae Murray, John Gilbert, Roy D'Arcy, and Tully Marshall, with pre-fame uncredited appearances by Joan Crawford and Clark Gable. The film is based on the Franz Lehár's 1905 operetta of the same name, and was its second film adaptation, the first being a 1918 Hungarian film directed by Michael Curtiz. A print of the film still survives, and the end sequence shot in two-tone Technicolor is available online. Plot As described in a film magazine reviews, Prince Danilo meets Sally the dancer and, when he proposes marriage, his uncle, King Nikita I of Monteblanco and Queen Milena object because she is a commoner. Sally marries Baron Sadoja, an old wealthy roue who later dies from a stroke. Prince Danilo’s parents now encourage the marriage. A slurring remark is the cause of a duel between the cousins and Dani ...
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Erich Von Stroheim
Erich Oswald Hans Carl Maria von Stroheim (born Erich Oswald Stroheim; September 22, 1885 – May 12, 1957) was an Austrian-American director, actor and producer, most noted as a film star and avant-garde, visionary director of the silent era. His 1924 film '' Greed'' (an adaptation of Frank Norris's 1899 novel ''McTeague'') is considered one of the finest and most important films ever made. After clashes with Hollywood studio bosses over budget and workers' rights problems, Stroheim found it difficult to find work as a director and subsequently became a well-respected character actor, particularly in French cinema. For his early innovations as a director, Stroheim is still celebrated as one of the first of the auteur directors.Obituary '' Variety'', May 15, 1957, page 75. He helped introduce more sophisticated plots and noirish sexual and psychological undercurrents into cinema. He died of prostate cancer in France in 1957, at the age of 71. Beloved by Parisian neo- Surrealists ...
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Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer Studios Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by Amazon through MGM Holdings, founded on April 17, 1924 and based in Beverly Hills, California. MGM was formed by Marcus Loew by combining Metro Pictures, Goldwyn Pictures, and Louis B. Mayer Pictures into one company. It hired a number of well known actors as contract players—its slogan was "more stars than there are in heaven"—and soon became Hollywood's most prestigious film studio, producing popular musical films and winning many Academy Awards. MGM also owned film studios, movie lots, movie theaters and technical production facilities. Its most prosperous era, from 1926 to 1959, was bracketed by two productions of '' Ben Hur''. After that, it divested itself of the Loews movie theater chain, and, in the 1960s, diversified into television production. In 1969, Kirk Kerkorian bought 4 ...
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Technicolor
Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and celebrated for its highly s ...
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Michael Curtiz
Michael Curtiz ( ; born Manó Kaminer; since 1905 Mihály Kertész; hu, Kertész Mihály; December 24, 1886 April 10, 1962) was a Hungarian-American film director, recognized as one of the most prolific directors in history. He directed classic films from the silent era and numerous others during Hollywood's Golden Age, when the studio system was prevalent. Curtiz was already a well-known director in Europe when Warner Bros. invited him to Hollywood in 1926, when he was 39 years of age. He had already directed 64 films in Europe, and soon helped Warner Bros. become the fastest-growing movie studio. He directed 102 films during his Hollywood career, mostly at Warners, where he directed ten actors to Oscar nominations. James Cagney and Joan Crawford won their only Academy Awards under Curtiz's direction. He put Doris Day and John Garfield on screen for the first time, and he made stars of Errol Flynn, Olivia de Havilland, and Bette Davis. He himself was nominated five times a ...
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Hungary
Hungary ( hu, Magyarország ) is a landlocked country in Central Europe. Spanning of the Pannonian Basin, Carpathian Basin, it is bordered by Slovakia to the north, Ukraine to the northeast, Romania to the east and southeast, Serbia to the south, Croatia and Slovenia to the southwest, and Austria to the west. Hungary has a population of nearly 9 million, mostly ethnic Hungarians and a significant Romani people in Hungary, Romani minority. Hungarian language, Hungarian, the Languages of Hungary, official language, is the world's most widely spoken Uralic languages, Uralic language and among the few non-Indo-European languages widely spoken in Europe. Budapest is the country's capital and List of cities and towns of Hungary, largest city; other major urban areas include Debrecen, Szeged, Miskolc, Pécs, and Győr. The territory of present-day Hungary has for centuries been a crossroads for various peoples, including Celts, Ancient Rome, Romans, Germanic peoples, Germanic trib ...
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The Merry Widow (1918 Film)
''The Merry Widow'' ( hu, A Víg özvegy) is a 1918 Hungarian musical film directed by Michael Curtiz. It is based on the 1905 operetta by Franz Lehár. Cast * Mihály Várkonyi * Berta Valero * Endre Boross * Árpád id. Latabár * Miklós Szomory * József Bánhidy See also * Michael Curtiz filmography Michael Curtiz (1886–1962) was a Hungarian-born American film director whose career spanned from 1912 to 1961. During this period he directed, wholly or in part, 181 films. He began his cinematic career in Hungary, then moved to Austria and f ... External links * Films directed by Michael Curtiz 1918 films Hungarian black-and-white films Hungarian musical films Hungarian silent feature films Films based on operettas {{Hungary-film-stub ...
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Clark Gable
William Clark Gable (February 1, 1901November 16, 1960) was an American film actor, often referred to as "The King of Hollywood". He had roles in more than 60 motion pictures in multiple genres during a career that lasted 37 years, three decades of which was as a leading man. Gable died of a heart attack at the age of 59; his final on-screen appearance was as an aging cowboy in '' The Misfits'', released posthumously in 1961. Born and raised in Ohio, Gable traveled to Hollywood where he began his film career as an extra in silent films between 1924 and 1926. He progressed to supporting roles for Metro-Goldwyn-Mayer, and his first leading role in ''Dance, Fools, Dance'' (1931) was alongside Joan Crawford, who requested him for the part. His role in the romantic drama '' Red Dust'' (1932) with reigning sex symbol Jean Harlow, made him MGM's biggest male star. Gable won the Academy Award for Best Actor for Frank Capra's romantic comedy ''It Happened One Night'' (1934), co-starring ...
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Joan Crawford
Joan Crawford (born Lucille Fay LeSueur; March 23, [uncertain year from 1904 to 1908] was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway theatre, Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally-known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Great Depression, Depression-era audiences and were popular with women. Crawford became one of Hollywood, Los Angeles, California, Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she ...
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Harrison's Reports And Film Reviews
''Harrison's Reports and Film Reviews'' is the 15-volume reprint of the complete run of the weekly magazine ''Harrison's Reports'' from its founding in 1919 to its demise in 1962. Volumes 1 through 14 are facsimile reprints of the more than 2,000 weekly issues. The reprints were edited by D. Richard Baer and published 1992-1995 by Hollywood Film Archive. Film review index Volume 15 is an alphabetical index of the films reviews, approximately 17,000 in all. Films are also indexed by alternate titles and original foreign language titles. Over 99% of the reprints were reproduced from original issues, the rest from photocopies or microfilm blowups. The index volume includes a two-page narrative titled “A Brief History of these Reprints” about how all the issues were gathered. Volumes and years covered Volume summaries At the front of each volume is a one-page summary of the more important issues discussed in the editorials of that period. Original indexes reprinted ''Harrison's ...
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Variety Film Reviews
''Variety Film Reviews'' is the 24-volume hardcover reprint of feature film reviews by the weekly entertainment tabloid-size magazine '' Variety'' from 1907 to 1996. Film reviews continued to be published in the weekly magazine after the reprints were discontinued. Original series From 1983 to 1985, Garland Publishing, which is now wholly owned by Routledge, published the first 15 volumes of review reprints. Their 16th volume is an alphabetical index of more than 50,000 titles. Perhaps 10% are alternate titles and original foreign titles, so 45,000 review reprints is a realistic estimate for the first 15 volumes. Bi-annual supplements The eight additional bi-annual volumes (for 1981–1996) have at least 15,000 additional reprinted film reviews, making an estimated total of 60,000 or more film reviews in the 24-volume series. Volume 18 has the title index for 1981–1984. Each subsequent volume includes its own title index. Edition binding The 19 volumes published by Garland are b ...
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Black Comedy
Black comedy, also known as dark comedy, morbid humor, or gallows humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss. Writers and comedians often use it as a tool for exploring vulgar issues by provoking discomfort, serious thought, and amusement for their audience. Thus, in fiction, for example, the term ''black comedy'' can also refer to a genre in which dark humor is a core component. Popular themes of the genre include death, crime, poverty, suicide, war, violence, terrorism, discrimination, disease, racism, sexism, and human sexuality. Black comedy differs from both blue comedy—which focuses more on crude topics such as nudity, sex, and Body fluids—and from straightforward obscenity. Whereas the term ''black comedy'' is a relatively broad term covering humor relating to many serious subjects, ''gallows humor'' tends to be used more ...
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Romantic Drama
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, ...
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