The Mask Of Orpheus
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The Mask Of Orpheus
''The Mask of Orpheus'' is an opera with music by Harrison Birtwistle, electronic music realised by Barry Anderson (composer), Barry Anderson and a libretto by Peter Zinovieff. It was premiered in London at the English National Opera on 21 May 1986 to great critical acclaim. The work has only been fully staged twice, both at the English National Opera. A recorded version conducted by Andrew Davis (conductor), Andrew Davis and Martyn Brabbins has also received good reviews. The work is around three hours long. Synopsis The structure of the opera's plot is complex. Rather than telling a story by starting at A and going through B to C, ''The Mask of Orpheus'' explores the Orpheus myth in a number of directions at once, examining the various contradictions which are in the various versions of the myth. This is done by a very elaborate stage design, whereby the stage is divided into a number of different areas, each containing its own part of the action. In addition, each of the majo ...
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Harrison Birtwistle
Sir Harrison Birtwistle (15 July 1934 – 18 April 2022) was an English composer of contemporary classical music best known for his operas, often based on mythological subjects. Among his many compositions, his better known works include ''The Triumph of Time'' (1972) and the operas ''The Mask of Orpheus'' (1986), ''Gawain'' (1991), and '' The Minotaur'' (2008). The last of these was ranked by music critics at ''The Guardian'' in 2019 as the third-best piece of the 21st-century. Even his compositions that were not written for the stage often showed a theatrical approach. A performance of his saxophone concerto ''Panic'' during the BBC's Last Night of the Proms caused "national notoriety". He received many international awards and honorary degrees. Life and career Early life Harrison Birtwistle was born in Accrington, a mill town in Lancashire around 20 miles north of Manchester. His parents, Fred and Madge Birtwistle, ran a bakery, and his interest in music was encouraged by ...
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