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The Man With The Horn
''The Man with the Horn'' is an album released by Miles Davis in 1981. This was Davis's first new studio album since 1972’s ''On the Corner'', his first recordings of any kind since 1975 and his first activity following a six-year retirement. The album title references his 1952 10-inch LP '' Young Man with a Horn''. Largely pop influenced, the album fuses 1980s rock, pop and R & B with improvisational funk and fusion styles. The album marked Davis's return to more traditional acoustic trumpet playing after having utilized electronics in the mid-1970s, although the title song "The Man with the Horn" does feature a wah-wah pedal on Davis's improvisation (along with a lead vocal by keyboardist Randy Hall). Track listing All tracks composed by Miles Davis; except where indicated # "Fat Time" – 9:53 # "Back Seat Betty" – 11:15 # "Shout" (Glenn Burris, Randy Hall, Robert Irving III) – 5:52 # "Aïda" – 8:10 # "The Man with the Horn" (Hall, Irving) – 6:32 # "Ursula" – 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimoog
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music. Production of the Minimoog stopped in the early 1980s after the sale of Moog Music. In 2002, founder Robert Moog regained the rights to the Moog brand, bought the company, and released an updated version of the Minimoog, the Minimoog Voyager. In 2016 and in 2022, Moog Music released another new version of the original Minimoog. Development In the 1960s, RA Moog Co manufactured Moog synthesizers, which helped bring electronic sounds to music but remained inaccessible to ordinary people. These modular synthesizers were difficult to use and required users to connect components manually with patch cables to create sounds. They were a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha CS30/CS30L Synthesizer
The Yamaha CS30/CS30L is an analog keyboard synthesizer that was released in 1977. It is the top of the range in Yamaha's original line-up of monophonic synthesizers, others in the range being the CS5, CS10 and CS15. It features two voltage controlled oscillators (VCOs), two voltage controlled filters (VCFs - both featuring low-pass, band-pass and high-pass options), two voltage controlled amplifiers (VCAs) and three envelope generators. It also sports a ring modulator and a voltage controlled low-frequency oscillator (LFO). It is fairly unusual for a hard-wired synthesizer in that it features a variety of switches which allow the user to re-route the signal flow from the usual VCO-VCF-VCA convention. For example, VCO 1 can output a square wave through VCF 1 whilst also outputting a high-pass filtered sawtooth wave through VCO 2. Another example is that the envelope generators can be assigned to any of the VCO, VCF and VCA modules and can also be inverted. Because the LFO is volta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans (saxophonist)
William D. Evans (born February 8, 1958) is an American jazz saxophonist, who was a member of the Miles Davis group in the 1980s and has since led several of his own bands, including Push and Soulgrass. Evans plays tenor and soprano saxophones. He has recorded over 17 solo albums and received two Grammy Award nominations. He recorded an award-winning album called ''Bill Evans – Vans Joint'' with the WDR Big Band in 2009. He has played a variety of music with his solo projects, including bluegrass, jazz, and funk. His style is influenced by Michael Brecker, Bob Berg, Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. Biography Evans was born in Clarendon Hills, Illinois, United States. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. Early in his studies he was able to hear such artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah Pedal
A wah-wah pedal, or simply wah pedal, is a type of electric guitar effects pedal that alters the tone and frequencies of the guitar signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah". The pedal sweeps the peak response of a frequency filter up and down in frequency to create the sound, a spectral glide, also known as "the wah effect". The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used as a fixed-filter to alter an instrument’s timbre (known as a “cocked-wah”); they may be used when a guitarist is soloing; or, classically, they may be used to create a "wack ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Irving III
Robert Irving III (born October 27, 1953) is an American pianist, composer, arranger and music educator. A native of Chicago, Irving was one of a group of young Chicago musicians that in the late '70s and early '80s formed the nucleus of Miles Davis' recording and touring bands. Irving left the Davis band in 1989, and has gone on to a prolific career as touring musician, composer, arranger, producer, educator and interdisciplinary artist. Irving resumed his career as a recording artist under his own name with the 2007 release of ''New Momentum'' and more recently with the release of "Our Space In Time" by Robert Irving III Generations (featuring students Irving mentored through the Jazz Institute of Chicago Jazz Links program). Early background Irving's first musical instrument was the bugle, followed by a range of brass instruments including cornet, French horn, and valve trombone. While he was a brass player, Irving also studied piano to further his knowledge of musical theor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Randy Hall
Randy Hall is an American singer, guitarist, and record producer who collaborated with Miles Davis during the 1980s. Hall helped Davis arrange '' The Man with the Horn'', and its title track featured lead vocals by Hall, who also played guitar, synthesizer and celesta on the track. Career Early career Randy Hall grew up in Chicago. His first instrument was the piano, but at the age of 13 he switched to guitar, taking lessons from British jazz guitarist Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to Wes Montgomery, whereby the thumb is used as a pick. Hall can play fast and explosively, as in the opening number "One Phone Call/Street Scenes" on the ESP 2 DVD '' A Tribute to Miles''. Hall met Miles's nephew (and future drummer) Vince Wilburn Jr in kindergarten and the two became lifelong friends. Wilburn's mother Dorothy, was Miles's sister. The two friends started playing together and at the age of 16 joined a local band called Time, Spac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah-wah (music)
Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable ''wah''. The wah-wah effect is a spectral glide, a "modification of the vowel quality of a tone". Etymology The word is derived from the sound of the effect itself; an imitative or onomatopoeia word. The effect's "wa-wa" sound was noted by jazz player Barney Bigard when he heard Tricky Sam Nanton use the effect on his trombone in the early 1920s. History Acoustic The wah-wah effect is believed to have originated in the 1920s, with brass instrument players finding they could produce an expressive crying tone by moving a mute, or plunger, in and out of the instrument's bell. In 1921, trumpet player Johnny Dunn's use of this style inspired Tricky Sam Nanton to use the mute with the trombone. Electronic By the early 1960s, the sound of the acoustic technique had been emulated with electro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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