The Man From Mo'Wax
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The Man From Mo'Wax
''The Man From Mo'Wax'' is a 2016 documentary film about DJ and record label boss James Lavelle. Directed by Matthew Jones, and produced by M.J. McMahon, Matthew Jones and Brian A. Hoffman. ''The Man From Mo'Wax'' had its European premiere as part of the 2016 BFI London Film Festival on 14 October 2016 and was given a cinema release in the United Kingdom on 30 October 2018. Overview The film follows Lavelle's life from childhood, documenting his rapid rise to fame following the founding of his record label Mo' Wax. The film focuses on various pivotal moments in Lavelle's career, starting with his days writing for '' Straight No Chaser'', and putting on club nights in London. Lavelle's shift from A&R man to musical artist as part of UNKLE becomes the central theme, with his fractious relationship with DJ Shadow unfolding throughout. Development The film was initially produced under the working title ''The Man From UNKLE'', and later ''Artist & Repertoire''. The film makes exte ...
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James Lavelle
James Lavelle (born 22 February 1974) is an English electronic musician, record label owner and curator. He founded the Mo'Wax record label in 1992, and has been the only constant member of UNKLE. He directed the 2014 edition of the Meltdown festival on London's South Bank, and curated the 2016 exhibition "Daydreaming with Stanley Kubrick" at Somerset House. He is the subject of 2016 documentary film ''The Man from Mo'Wax''. Career Lavelle founded Mo'Wax in 1992. The label was not co-founded by Tim Goldsworthy, as is often reported. In 1996 Mo' Wax released one of electronic music's most celebrated albums, DJ Shadow's seminal '' Endtroducing.....''. Soon after this Lavelle started work on an album with DJ Shadow under the name UNKLE. The resulting release '' Psyence Fiction'' featured collaborations with Richard Ashcroft, Mike D, Badly Drawn Boy and Thom Yorke. In 2003, he released a follow-up to Psyence Fiction, titled ''Never, Never, Land'', though this album saw DJ Sha ...
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BFI London Film Festival
The BFI London Film Festival is an annual film festival founded in 1957 and held in the United Kingdom, running for two weeks in October with co-operation from the British Film Institute. It screens more than 300 films, documentaries and shorts from approximately 50 countries. History At a dinner party in 1953 at the home of film critic Dilys Powell of ''The Sunday Times'' and at which film administrator James Quinn attended, the notion of a film festival for London was raised. Quinn went on to start the first London Film Festival which took place at the new National Film Theatre (now renamed BFI Southbank) from 16–26 October 1957. The first festival screened 15–20 films from a selection of directors to show films successful at other festivals, including Akira Kurosawa's ''Throne of Blood'' (which opened the festival), Satyajit Ray's '' Aparajito'', Andrzej Wajda's ''Kanał'', Luchino Visconti's ''White Nights'', Ingmar Bergman's ''The Seventh Seal'', Federico Fellini's ...
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2016 Films
2016 in film is an overview of events, including the highest-grossing films, award ceremonies, festivals, and a list of films released and deaths. Evaluation of the year In his article highlighting the best films of 2016, Richard Brody of ''The New Yorker'' stated, "Hollywood is the world's best money-laundering machine. It takes in huge amounts of money from the sale of mass-market commodities and cleanses some of it with the production of cinematic masterworks. Earning billions of dollars from C.G.I. comedies for children, superhero movies, sci-fi apocalypses, and other popular genres, the big studios channel some of those funds into movies by Wes Anderson, Sofia Coppola, Spike Lee, Martin Scorsese, James Gray, and other worthies. Sometimes there's even an overlap between the two groups of movies, as when Ryan Coogler made '' Creed'', or when Scorsese made the modernist horror instant-classic ''Shutter Island'', or when Clint Eastwood makes just about anything." Highest-gross ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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Time Out (magazine)
''Time Out'' is a global magazine published by Time Out Group. ''Time Out'' started as a London-only publication in 1968 and has expanded its editorial recommendations to 328 cities in 58 countries worldwide. In 2012, the London edition became a free publication, with a weekly readership of over 307,000. ''Time Out''s global market presence includes partnerships with Nokia and mobile apps for iOS and Android (operating system), Android operating systems. It was the recipient of the International Consumer Magazine of the Year award in both 2010 and 2011 and the renamed International Consumer Media Brand of the Year in 2013 and 2014. History ''Time Out'' was first published in 1968 as a London listings magazine by Tony Elliott (publisher), Tony Elliott, who used his birthday money to produce a one-sheet pamphlet, with Bob Harris (radio presenter), Bob Harris as co-editor. The first product was titled ''Where It's At'', before being inspired by Dave Brubeck's album ''Time Out ...
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Rotten Tomatoes
Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wang. Although the name "Rotten Tomatoes" connects to the practice of audiences throwing rotten tomatoes in disapproval of a poor stage performance, the original inspiration comes from a scene featuring tomatoes in the Canadian film ''Léolo'' (1992). Since January 2010, Rotten Tomatoes has been owned by Flixster, which was in turn acquired by Warner Bros in 2011. In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast's Fandango. Warner Bros. retained a minority stake in the merged entities, including Fandango. History Rotten Tomatoes was launched on August 12, 1998, as a spare-time project by Senh Duong. His objective in creating Rotten Tomatoes was "to create a site where people can get access to reviews from ...
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Review Aggregator
A review aggregator is a system that collects reviews of products and services (such as films, books, video games, software, hardware, and cars). This system stores the reviews and uses them for purposes such as supporting a website where users can view the reviews, selling information to third parties about consumer tendencies, and creating databases for companies to learn about their actual and potential customers. The system enables users to easily compare many different reviews of the same work. Many of these systems calculate an approximate average assessment, usually based on assigning a numeric value to each review related to its degree of positive rating of the work. Review aggregation sites have begun to have economic effects on the companies that create or manufacture items under review, especially in certain categories such as electronic games, which are expensive to purchase. Some companies have tied royalty payment rates and employee bonuses to aggregate scores, and ...
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Limited Release
__FORCETOC__ Limited theatrical release is a film distribution strategy of releasing a new film in a few theaters across a country, typically art house theaters in major metropolitan markets. Since 1994, a limited theatrical release in the United States and Canada has been defined by Nielsen EDI as a film released in fewer than 600 theaters. The purpose is often used to gauge the appeal of specialty films, like documentaries, independent films and art films. A common practice by film studios is to give highly anticipated and critically acclaimed films a limited release on or before December 31 in Los Angeles County, California, to qualify for Academy Award nominations (as by its rules). Highly anticipated documentaries also receive limited releases at the same time in New York City, as the rules for the Academy Award for Best Documentary Feature mandate releases in both locations. The films are almost always released to a wider audience in January or February of the following y ...
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Straight No Chaser (magazine)
''Straight No Chaser'' is a British music magazine based in London. Originally published between 1988 and 2007, it restarted publishing in mid 2017 in a limited edition format, released once a year. The magazine covers various forms of black music and electronic music. The magazine was founded by journalists Paul Bradshaw, Neil Spencer, and Kathryn Willgress to cover music of black origin including hip hop, dance, reggae, Latin and African styles that were largely ignored by mainstream media. It emerged in June 1988 coinciding with the Second Summer of Love. Publishing It was published in the UK and distributed for sale across Britain, much of Europe, metropolitan area, metropolitan areas of the US and Japan. Claiming to be the first magazine to be designed and laid out exclusively on Apple Inc., Apple Macintosh, Mac computers, the first few issues were designed by Ian "Swifty" Swift at Neville Brody's studio where he worked as assistant designer of influential culture magazine ...
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Mo' Wax
Mo' Wax was a British record label founded by James Lavelle in 1992. The label was not co-founded by Tim Goldsworthy, as is often reported. Steve Finan became co-owner shortly after. Mo' Wax came to recognition for being at the forefront of trip hop, turntablism and alternative hip hop during the mid-1990s. The label is also responsible for bringing attention to the graffiti artist Futura 2000 by using his artwork on many of its releases in the early to mid-1990s. Lavelle signed partial ownership of Mo' Wax over to A&M Records (now part of the Universal Music Group) in 1996. When their deal expired he signed with Beggars Group, who still own some of the catalogue. The name derives from "Mo' Wax Please", the title of a column James Lavelle wrote in the magazine '' Straight No Chaser'' and the Oxford club night he ran. This in turn was influenced by the Freddie Roach LP, '' Mo' Greens Please'' on Blue Note records. The original Mo' Wax logo as used on the early releases was ...
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