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The Man Outside
''The Man Outside'' (, literally ''Outside, at the door'') is a play by Wolfgang Borchert, written in a few days in the late autumn of 1946. It made its debut on German radio on 13 February 1947. ''The Man Outside'' describes the hopelessness of a post-war soldier called Beckmann who returns from Russia to find that he has lost his wife and his home, as well as his illusions and beliefs. He finds every door he comes to closed; even nature seems to reject him. Due to its release during the sensitive immediate postwar period, Borchert subtitled his play "''A play that no theatre wants to perform and no audience wants to see.''" Despite this, the first radio broadcast (February 1947) was very successful. The first theatrical production of ''The Man Outside'' (at the ''Hamburger Kammerspiele'') opened on the day after Borchert's death, 21 November 1947. The play consists of five scenes in one act. It makes use of expressionist forms and Brechtian techniques, such as the '' Verfre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seine
) , mouth_location = Le Havre/Honfleur , mouth_coordinates = , mouth_elevation = , progression = , river_system = Seine basin , basin_size = , tributaries_left = Yonne, Loing, Eure, Risle , tributaries_right = Ource, Aube, Marne, Oise, Epte The Seine ( , ) is a river in northern France. Its drainage basin is in the Paris Basin (a geological relative lowland) covering most of northern France. It rises at Source-Seine, northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and into the English Channel at Le Havre (and Honfleur on the left bank). It is navigable by ocean-going vessels as far as Rouen, from the sea. Over 60 percent of its length, as far as Burgundy, is negotiable by large barges and most tour boats, and nearly its whole length is available for recreational boating; excursion boats offer sightseeing tours of the river banks in the capital city, Paris. There are 37 bridges in P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Literature
German literature () comprises those literature, literary texts written in the German language. This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora. German literature of the modern period is mostly in Standard German, but there are some currents of literature influenced to a greater or lesser degree by German dialects, dialects (e.g. Alemannic literature, Alemannic). Medieval German literature is literature written in Germany, stretching from the Carolingian dynasty; various dates have been given for the end of the German literary Middle Ages, the Protestant Reformation, Reformation (1517) being the last possible cut-off point. The Old High German period is reckoned to run until about the mid-11th century; the most famous works are the ''Hildebrandslied'' and a heroic epic known as the ''Heliand''. Middle High German starts in the 12t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zero Hour (1945)
Zero hour (german: Stunde Null) is a term referring to midnight on 8 May 1945 in Germany. It marked the end of World War II in Europe and the start of a new, non-Nazi Germany. It was partly an attempt by Germany to dissociate itself from the Nazis. Denazification was encouraged by the Allies occupying Germany. The term implies "an absolute break with the past and a radical new beginning" or a "sweeping away of old traditions and customs". People at the time were living in a devastated country – roughly 80 percent of its infrastructure was in need of repair or reconstruction – which helped the idea that Germany was entering a new phase of history. History of the term The term was first used in World War I, and it was used to say "a time at which some great military action has to take place". The term 'zero hour' appears in various sources throughout post-world war one history. It is mostly used in terms of a militaristic concept (as it was when it was first coined), Richard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Climax (rhetoric)
In rhetoric, a climax ( grc-gre, κλῖμαξ, ''klîmax'', "staircase" or "ladder") is a figure of speech in which words, phrases, or clauses are arranged in order of increasing importance. In its use with clauses, it is also sometimes known as auxesis (rhetoric), auxesis ( "growth"). Usage Climax is frequently used in persuasion (particularly advertising) to create false dilemmas and to focus attention on the positive aspects of the subject at hand. The initial inferior options make the final term seem still better by comparison than it would appear in isolation: "X is good, Y is better, Z is best" is a standard format. It can also be used in reverse to make the initial term seem better by comparison: "A isn't perfect but B is worse and C is worst." Examples * From the ''First Epistle to the Corinthians, First Letter to the Corinthians'': "There are three things that will endure: faith, hope, and love. But the greatest of these is love." * George Wald from ''A Generat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interrogative
An interrogative clause is a clause whose form is typically associated with question-like meanings. For instance, the English sentence "Is Hannah sick?" has interrogative syntax which distinguishes it from its declarative counterpart "Hannah is sick". Also, the additional question mark closing the statement assures that the reader is informed of the interrogative mood. Interrogative clauses may sometimes be embedded within a phrase, for example: "Paul knows who is sick", where the interrogative clause "who is sick" serves as complement of the embedding verb "know". Languages vary in how they form interrogatives. When a language has a dedicated interrogative inflectional form, it is often referred to as interrogative grammatical mood. Interrogative mood or other interrogative forms may be denoted by the glossing abbreviation . Question types Interrogative sentences are generally divided between yes–no questions, which ask whether or not something is the case (and invite an an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (narrative)
In narrative, a motif ( ) is a distinctive repeating feature or idea; often, it helps develop other narrative (or literary) aspects such as theme or mood.James H. Grayson. ''Myths and Legends from Korea: An Annotated Compendium of Ancient and Modern Materials'' (p. 9). New York and Abingdon: Routledge Curzon, 2000. . Alain Silver and James Ursini, (2004Some Visual Motifs of ''Film Noir'' A narrative motif can be created through the use of imagery, structural components, language, and other elements throughout literature. The flute in Arthur Miller's play ''Death of a Salesman'' is a recurrent sound motif that conveys rural and idyllic notions. Another example from modern American literature is the green light found in the novel ''The Great Gatsby'' by F. Scott Fitzgerald. Narratives may include multiple motifs of varying types. In Shakespeare's play ''Macbeth'', he uses a variety of narrative elements to create many different motifs. Imagistic references to blood a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Personification
Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their breath", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death. In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petite Bourgeoisie
''Petite bourgeoisie'' (, literally 'small bourgeoisie'; also anglicised as petty bourgeoisie) is a French term that refers to a social class composed of semi-autonomous peasants and small-scale merchants whose politico-economic ideological stance in times of socioeconomic stability is determined by reflecting that of a ''haute bourgeoisie'' ('high' bourgeoisie) with which the ''petite bourgeoisie'' seeks to identify itself and whose bourgeois morality it strives to imitate. The term is politico-economic and references historical materialism. It originally denoted a sub-stratum of the middle classes in the 18th and early-19th centuries. In the mid-19th century, the German economist Karl Marx and other Marxist theorists used the term ''petite bourgeoisie'' to identify the socio-economic stratum of the bourgeoisie that consists of small shopkeepers and self-employed artisans. Definition The ''petite bourgeoisie'' is economically distinct from the proletariat and the ''Lumpen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatis Personae
Dramatis personae (Latin: 'persons of the drama') are the main characters in a dramatic work written in a list. Such lists are commonly employed in various forms of theatre, and also on screen. Typically, off-stage characters are not considered part of the dramatis personae. It is said to have been recorded in English since 1730, and is also evident in international use. It is customary to give a cast list, which also has next to each character in a second column the name of the actor or actress playing the part; an alternative version lists the names of the actors who played the parts originally. In order not to give away vital parts of the plot some names may be altered, for example, mixed up with another name. Some minor characters may be listed just as the actors who perform the parts. Other uses In a wider sense, the term can be applied to any situation in which people or characters play a role, or appear to do so—such as a metaphor, a drama, or a court case. It may al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colloquialism
Colloquialism (), also called colloquial language, everyday language or general parlance, is the style (sociolinguistics), linguistic style used for casual (informal) communication. It is the most common functional style of speech, the idiom normally employed in conversation and other informal context (language use), contexts. Colloquialism is characterized by wide usage of Interjection, interjections and other expressive devices; it makes use of non-specialist terminology, and has a rapidly changing lexicon. It can also be distinguished by its usage of formulations with incomplete logical and syntax (linguistics), syntactic ordering. A specific instance of such language is termed a ''colloquialism''. The most common term used in dictionaries to label such an expression is ''colloquial''. Explanation Colloquialism or general parlance is distinct from public speaking, formal speech or formal writing.colloquial. (n.d.) Dictionary.com Unabridged (v 1.1). Retrieved September 10, 2008 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monologue
In theatre, a monologue (from el, μονόλογος, from μόνος ''mónos'', "alone, solitary" and λόγος ''lógos'', "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media (plays, films, etc.), as well as in non-dramatic media such as poetry. Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices. Similar literary devices Monologues are similar to poems, epiphanies, and others, in that, they involve one 'voice' speaking but there are differences between them. For example, a soliloquy involves a character relating their thoughts and feelings to themself and to the audience without addressing any of the other characters. A monologue is the thoughts of a person spoken out l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
