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The League Of Extraordinary Gentlemen (film)
''The League of Extraordinary Gentlemen'', also promoted as ''LXG'', is a 2003 dieselpunk superhero film loosely based on the first volume of the comic book series of the same name by Alan Moore and Kevin O'Neill. Distributed by 20th Century Fox, it was released on 11 July 2003 in the United States, and 17 October in the United Kingdom. It was directed by Stephen Norrington and starred Sean Connery, Naseeruddin Shah, Peta Wilson, Tony Curran, Stuart Townsend, Shane West, Jason Flemyng, and Richard Roxburgh. It was Connery's final role in a theatrically released live-action film before his retirement in 2006 and death in 2020. As with the comic book source material, the film features prominent pastiche and crossover themes set in the late 19th century. It features an assortment of fictional literary characters appropriate to the period who act as Victorian era superheroes. It draws on the works of Jules Verne, H. G. Wells, Bram Stoker, Sir Arthur Conan Doyle, H. Rider Haggard, ...
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Stephen Norrington
Stephen Norrington (born 1964) is an English filmmaker and special effects artist known for his work in the horror and action genres. Beginning his career as a sculptor and makeup artist, he worked under Dick Smith, Rick Baker, and Stan Winston on a number of well-known, effects-driven films of the 1980s and 90s. His directorial credits include the cult sci-fi horror film '' Death Machine'' and the comic book adaptations '' Blade'' and '' The League of Extraordinary Gentlemen''. He portrayed Michael Morbius in the alternate ending to ''Blade''. Career Norrington first worked in film as a special effects artist, doing so for several years, which included work on the films ''Alien''s and ''Split Second''. His debut as a director was in the 1994 movie '' Death Machine'' but it was directing ''Blade'' in 1998 that gained him international status as the film became a box office hit. Despite the film's success, he turned down directing the sequel. He directed '' League of Extrao ...
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Dan Laustsen
Dan Laustsen, , (born 15 June 1954) is a Danish cinematographer. He is a member of the Danish Society of Cinematographers and the American Society of Cinematographers. His career spans four decades and he has been nominated and won many prestigious awards, chiefly the Robert Awards. Laustsen has repeatedly collaborated with the Danish director Ole Bornedal on films such as '' Nightwatch'' and ''Just Another Love Story'', and internationally with Guillermo del Toro, notably on the films such as '' Mimic'', ''Crimson Peak'', '' The Shape of Water'', and '' Nightmare Alley'' (the latter two for which he was nominated for the Academy Award for Best Cinematography), and with Chad Stahelski for '' John Wick: Chapter 2'' and '' John Wick: Chapter 3 – Parabellum'' in the ''John Wick'' film series. Laustsen is also known for his work on the films ''Silent Hill'' and ''The League of Extraordinary Gentlemen'', where the visual side of ''The League of Extraordinary Gentlemen'' was hailed as ...
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Superhero
A superhero or superheroine is a stock character that typically possesses ''superpowers'', abilities beyond those of ordinary people, and fits the role of the hero, typically using his or her powers to help the world become a better place, or dedicating themselves to protecting the public and fighting crime. Superhero fiction is the genre of fiction that is centered on such characters, especially, since the 1930s, in American comic books (and later in Hollywood films, film serials, television and video games), as well as in Japanese media (including kamishibai, tokusatsu, manga, anime and video games). Superheroes come from a wide array of different backgrounds and origins. Some superheroes (for example, Batman and Iron Man) derive their status from advanced technology they create and use, while others (such as Superman and Spider-Man) possess non-human or superhuman biology or study and practice magic to achieve their abilities (such as Zatanna and Doctor Str ...
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Victorian Era
In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardian period, and its later half overlaps with the first part of the '' Belle Époque'' era of Continental Europe. There was a strong religious drive for higher moral standards led by the nonconformist churches, such as the Methodists and the evangelical wing of the established Church of England. Ideologically, the Victorian era witnessed resistance to the rationalism that defined the Georgian period, and an increasing turn towards romanticism and even mysticism in religion, social values, and arts. This era saw a staggering amount of technological innovations that proved key to Britain's power and prosperity. Doctors started moving away from tradition and mysticism towards a science-based approach; medicine advanced thanks to the a ...
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Fictional Crossover
A crossover is the placement of two or more otherwise discrete fictional characters, settings, or universes into the context of a single story. They can arise from legal agreements between the relevant copyright holders, unofficial efforts by fans, or common corporate ownership. Background Official Crossovers often occur in an official capacity in order for the intellectual property rights holders to reap the financial reward of combining two or more popular, established properties. In other cases, the crossover can serve to introduce a new concept derivative of an older one. Crossovers generally occur between properties owned by a single holder, but they can, more rarely, involve properties from different holders, provided that the inherent legal obstacles can be overcome. They may also involve using characters that have passed into the public domain with those concurrently under copyright protection. A crossover story may try to explain its own reason for the crossov ...
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Pastiche
A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is a French cognate of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it ...
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Comic Book
A comic book, also called comicbook, comic magazine or (in the United Kingdom and Ireland) simply comic, is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually, dialogue contained in word balloons emblematic of the comics art form. " Comic Cuts" was a British comic published from 1890 to 1953. It was preceded by " Ally Sloper's Half Holiday" (1884) which is notable for its use of sequential cartoons to unfold narrative. These British comics existed alongside of the popular lurid " Penny dreadfuls" (such as "Spring-heeled Jack"), boys' " Story papers" and the humorous Punch (magazine) which was the first to use the term "cartoon" in its modern sense of a humorous drawing. The interweaving of drawings and the written word had been pioneered by, among others, William Blake (1757 - 1857) in works such as Blake's "The Descent Of Ch ...
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The League Of Extraordinary Gentlemen, Volume One
''The League of Extraordinary Gentlemen, Volume One'' is a comic book limited series written by Alan Moore and illustrated by Kevin O'Neill, published under the America's Best Comics imprint of DC Comics in the United States and under Vertigo in the United Kingdom. It is the first story in the larger ''League of Extraordinary Gentlemen'' series. The story takes place in 1898 in a fictional world where all of the characters and events from Victorian literature (and possibly the entirety of fiction) coexist. The characters and plot elements borrow from works of writers such as Jules Verne, Sir Arthur Conan Doyle, Bram Stoker, H. G. Wells and Robert Louis Stevenson. Plot Issue 1: Empire Dreams In 1898, one year after her encounter with Dracula, Mina Murray has divorced her husband and now works for the British government. She meets with MI5 agent Campion Bond (the grandfather of James Bond), who gives her the task of gathering selected members for the League of Extraordinary Gentlem ...
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Superhero Film
A superhero film (or superhero movie) is a film that focuses on the actions of superheroes. Superheroes are individuals who possess superhuman abilities and are dedicated to protecting the public. These films typically feature action, adventure, fantasy, or science fiction elements. The first film of a particular character often focuses on the hero's origin story or the story of how they got their special powers. The first film frequently introduces the hero's nemesis. (See also: supervillain or archnemesis.) Many superhero films are based on superhero comics. By contrast, films such as the ''Ultraman'', ''Kamen Rider'' and ''Super Sentai'' franchises, the ''RoboCop'' series, '' The Meteor Man'', the ''Unbreakable'' film series, '' Hancock'' and '' They Call Me Jeeg,'' are original for the screen. While ''The Green Hornet'' is based primarily on the original radio series and its 1960s television adaptation, both ''Underdog'' and ''The Powerpuff Girls'' are based on animated ...
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Dieselpunk
Dieselpunk is a retrofuturistic subgenre of science fiction similar to steampunk or cyberpunk that combines the aesthetics of the diesel-based technology of the interwar period through to the 1950s with retro-futuristic technology and postmodern sensibilities. Coined in 2001 by game designer Lewis Pollak to describe his tabletop role-playing game '' Children of the Sun'', the term has since been applied to a variety of visual art, music, motion pictures, fiction, and engineering. Origin The name "dieselpunk" is a derivative of the science fiction subgenre cyberpunk, and represents the time period from World War I until the 1950s, when diesel-based locomotion was the main technological focus of Western culture. The "-‍punk" suffix attached to the name is representative of the counterculture nature of the genre with regard to its opposition to contemporary aesthetics. The term also refers to the tongue-in-cheek name given to a similar cyberpunk derivative, "steampunk", which ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ...
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British Board Of Film Classification
The British Board of Film Classification (BBFC, previously the British Board of Film Censors) is a non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works (such as television programmes, trailers, adverts, public information/campaigning films, menus, bonus content, etc.) released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray (including 3D and 4K UHD formats), and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification scheme which was abandoned before being implemented. History and overview The BBFC was established in 1912 as the British Board of Film Censors by members of the film industry, who preferred to manage their own censorship than to have national or local go ...
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