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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ...
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UK Film Council
The UK Film Council (UKFC) was a non-departmental public body set up in 2000 to develop and promote the film industry in the UK. It was constituted as a private company limited by guarantee, owned by the Secretary of State for Culture, Media and Sport, and governed by a board of 15 directors. It was funded from various sources including The National Lottery. John Woodward was the Chief Executive Officer of the UKFC. On 26 July 2010, the government announced that the council would be abolished. Although one of the parties elected into that government had, for some months, promised a ''bonfire of the Quangos'', Woodward said that the decision had been taken with "no notice and no consultation". UKFC closed on 31 March 2011, with many of its functions passing to the British Film Institute. In June 2008, the company had 90 full-time members of staff. It distributed more than £160m of lottery money to over 900 films.''The Guardian'', 26 July 2010UK Film Council axed/ref> Lord Puttn ...
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London Film Festival
The BFI London Film Festival is an annual film festival founded in 1957 and held in the United Kingdom, running for two weeks in October with co-operation from the British Film Institute. It screens more than 300 films, documentaries and shorts from approximately 50 countries. History At a dinner party in 1953 at the home of film critic Dilys Powell of '' The Sunday Times'' and at which film administrator James Quinn attended, the notion of a film festival for London was raised. Quinn went on to start the first London Film Festival which took place at the new National Film Theatre (now renamed BFI Southbank) from 16–26 October 1957. The first festival screened 15–20 films from a selection of directors to show films successful at other festivals, including Akira Kurosawa's '' Throne of Blood'' (which opened the festival), Satyajit Ray's ''Aparajito'', Andrzej Wajda's ''Kanał'', Luchino Visconti's ''White Nights'', Ingmar Bergman's '' The Seventh Seal'', Federico Fellin ...
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Deimantas Narkevicious
Deimantas is a Lithuanian masculine given name A given name (also known as a forename or first name) is the part of a personal name quoted in that identifies a person, potentially with a middle name as well, and differentiates that person from the other members of a group (typically a fa .... The feminine form of the Deimantas is Deimantė. People bearing the name Deimantas include: * Deimantas Bička (born 1972), Lithuanian footballer * Deimantas Narkevičius (born 1964), Lithuanian sculptor and artist * Deimantas Petravičius (born 1995), Lithuanian footballer {{given name Lithuanian masculine given names ...
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Iain Forsyth And Jane Pollard
Iain Forsyth and Jane Pollard are British artists and filmmakers. Life and work Forsyth and Pollard met and began working collaboratively while studying Fine Art and Art Theory at Goldsmiths College, graduating together in 1995. They initially focused on live performance events, but since 2003 their work has been predominantly film and video based. They returned to Goldsmiths in 2002, receiving an MA degree in Fine Art in 2004. They have restaged David Bowie's farewell performance as Ziggy Stardust, a 1973 video work by Vito Acconci (working with rap artist Plan B) and a 1968 work by Bruce Nauman. In 2003 the artists recreated the 1978 Cramps performance at the Napa Mental Institute at the ICA in a work entitled ''File under Sacred Music''. The work caused some controversy by including an audience of patients undergoing psychiatric care. The musicians were assembled by Forsyth and Pollard for the project and included Alfonso Pinto from The Parkinsons as Lux Interior, Holly ...
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Patrick Keiller
Patrick Keiller (born 1950) is a British film-maker, writer and lecturer. Biography Keiller was born in 1950, in Blackpool and studied at the Bartlett School of Architecture, University College London. In 1979 he joined the Royal College of Art's Department of Environmental Media as a postgraduate student. For a time he taught architecture at the University of East London and fine art at Middlesex University. His first film was ''Stonebridge Park'' (1981) followed by ''Norwood'' (1983), ''The End'' (1986), ''Valtos'' (1987) and ''The Clouds'' (1989). These films are typified by their use of subjective camera and voice-over. This was a technique that was further refined in his longer films ''London'' (1994) and ''Robinson in Space'' (1997), both of which are narrated by an unnamed character (voiced by Paul Scofield) who accompanies his friend and onetime lover, the unseen Robinson, in a series of excursions around London. Robinson is involved with research into the "problems" of ...
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BFI Gallery
The BFI Gallery was the BFI's contemporary art gallery dedicated to artists' moving image housed within BFI Southbank, the British Film Institute's flagship venue in London (previously known as the National Film Theatre). The space was funded by the BFI with Arts Council England support and opened on 14 March 2007, to coincide with the reopening of the site. Its programme of new commissions, events and associated artists' film screenings was curated by Elisabetta Fabrizi, BFI Head of Exhibitions. The programme included exhibitions by Michael Snow, John Akomfrah, Apichatpong Weerasethakul, Pierre Bismuth, Jane & Louise Wilson, Peter Campus, Patrick Keiller, Phil Collins, Matt Collishaw, Yvonne Rainer, Julian Rosensfeld, Michel Gondry, Deimantas Narkevicious, Mark Lewis. Film programmes linked to the gallery exhibitions included a retrospective of the films of Sergei Paradjanov and of Michael Snow.Fabrizi, Elisabetta (Ed.), 'The BFI Gallery Book', BFI, 2011 As stated in the BFI An ...
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The Lost World Of Tibet
''The Lost World of Tibet'' is a BBC documentary film produced in conjunction with the British Film Institute. The 90-minute film was broadcast on BBC Two in November 2006. The film is presented by Dan Cruickshank and features footage shot in Tibet prior to the 1950s with commentary from the Tenzin Gyatso, 14th Dalai Lama, and other people featured. This is one of a number of BFI television series featuring footage from the BFI National Archive and produced in partnership with the BBC: *''The Lost World of Mitchell & Kenyon'' *''The Lost World of Friese-Greene ''The Lost World of Friese-Greene'' is a BBC documentary series produced in conjunction with the British Film Institute. Three one-hour episodes were broadcast on BBC Two in spring 2006. The series, presented by Dan Cruickshank, retraces a ro ...'' *''The Lost World of Tibet'' External links * * BBC television documentaries about history British Film Institute 2006 British television series debuts History ...
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The Lost World Of Friese-Greene
''The Lost World of Friese-Greene'' is a BBC documentary series produced in conjunction with the British Film Institute. Three one-hour episodes were broadcast on BBC Two in spring 2006. The series, presented by Dan Cruickshank, retraces a road trip that Claude Friese-Greene took between 1924 and 1926 from Land's End to John o' Groats. It also showcases ''The Open Road'', a 26-reel film made by Friese-Greene along the way. ''The Open Road'' was filmed using the Biocolour process originally invented by his father William Friese-Greene, the moving picture pioneer, later developed further by Claude after his father's death. ''The Open Road'' was donated to the BFI National Archive by Friese-Greene's son in the 1950s and the job of restoration and explanation took several decades. The British Film Institute used computer processing of the images to minimise the red and green fringes around rapidly moving objects. According to Dan Cruickshank, the purpose of recreating Friese-Green ...
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The Lost World Of Mitchell & Kenyon
''The Lost World of Mitchell & Kenyon'' is a BBC documentary series produced in conjunction with the British Film Institute. Three one-hour episodes were broadcast on BBC One in January 2005 and released on Region 2 DVD soon after. The episodes are titled as follows: 1. Life and Times 2. Sport and Pleasure 3. Saints and Sinners The series showcases films made by Mitchell and Kenyon, lost for almost a century, rediscovered in 1994 and restored by the BFI. Most of the films are simply records of life, sport and culture at the beginning of the 20th century. Dan Cruickshank presents and narrates the series; in addition, descendants of some of the people featured in the original films provide commentaries upon them; and (in what many critics considered the series' weakest feature) scenes from the life and work of filmmakers Sagar Mitchell and James Kenyon are dramatized in speeded-up form like incorrectly screened silent movies (although the actual film excerpts are shown at the c ...
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Still Frame
In filmmaking, video production, animation, and related fields, a frame is one of the many '' still images'' which compose the complete '' moving picture''. The term is derived from the historical development of film stock, in which the sequentially recorded single images look like a framed picture when examined individually. The term may also be used more generally as a noun or verb to refer to the edges of the image as seen in a camera viewfinder or projected on a screen. Thus, the camera operator can be said to keep a car in frame by panning with it as it speeds past. Overview When the moving picture is displayed, each frame is flashed on a screen for a short time (nowadays, usually 1/24, 1/25 or 1/30 of a second) and then immediately replaced by the next one. Persistence of vision blends the frames together, producing the illusion of a moving image. The frame is also sometimes used as a unit of time, so that a momentary event might be said to last six frames, the actual d ...
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BFI Film & TV Database
The BFI Film & TV Database (ftvdb) is an online database created by the British Film Institute containing information related to movies, television shows, actors, production crew personnel, video games and fictional characters featured in visual entertainment media, from the UK. It was previously featured on a BFI website under this name, but on 26 June 2014, every page was changed to redirect to listings on the BFI's main site. See also * Allmovie * Allmusic – a similar database, but for music * Animator.ru - article about the Russian website * Films considered the greatest ever This is a list of films considered the best in national and international surveys of critics and the public. Some surveys focus on all films, while others focus on a particular genre or country. Voting systems differ, and some surveys suffe ... References External links * Film archives in the United Kingdom British film websites Online film databases Film and TV Database {{film ...
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Blu-ray
The Blu-ray Disc (BD), often known simply as Blu-ray, is a digital optical disc data storage format. It was invented and developed in 2005 and released on June 20, 2006 worldwide. It is designed to supersede the DVD format, and capable of storing several hours of high-definition video (HDTV 720p and 1080p). The main application of Blu-ray is as a medium for video material such as feature films and for the physical distribution of video games for the PlayStation 3, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series X. The name "Blu-ray" refers to the blue laser (which is actually a violet laser) used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs. The polycarbonate disc is in diameter and thick, the same size as DVDs and CDs. Conventional or pre-BD-XL Blu-ray Discs contain 25  GB per layer, with dual-layer discs (50 GB) being the industry standard for fea ...
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