The Jolt (album)
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The Jolt (album)
''The Jolt'' is the sole album by Scottish mod revival band The Jolt, released in July 1978 by Polydor Records. Release The first single released by the band was the double-A-sided "You're Cold!" / "All I Can Do". However, "You're Cold!" wasn't included on the original release of the album. "All I Can Do" was included on the album and was released as a single in Germany, with "You're Cold!" as the B-side. The next two singles, a cover of the Small Faces "Whatcha Gonna Do About It" and "I Can't Wait" also flopped. The album was reissued on CD in 2002 by Captain Mod, a sub-imprint of Captain Oi! Records, and includes the B-sides from The Jolt's singles as well as the four tracks from the EP ''Maybe Tomorrow''. Reception Reviewing the album for ''Record Mirror'', Bev Briggs wrote "Three things to get your name in lights – expertise, exploitation or experimentation. The three 'E's to success. Surely The Jolt could have managed one of them. The finesse isn't there – but ...
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The Jolt
The Jolt were a Scottish band formed in Wishaw, Scotland in September 1976. History At the time, Robbie Collins and Jim Doaks were clerks in the civil service and Iain Shedden was a music journalist for a local paper. They had known each other from their schooldays at Wishaw High School and had been thinking about forming a band since the beginning of 1975. They started out playing 1960s covers and then sped up their music, playing a mix of punk rock and power pop. The lineup was Collins on guitar and vocals, Doak on bass and vocals and Iain Shedden on drums. The band built up its following playing at the Crown Hotel, Wishaw. They enjoyed moderate success during the punk and early new wave era. They moved to London, England and signed to Polydor Records on a reported four-year deal worth £90,000, making them the first Scottish punk/ new wave band to sign with a major label. The first single released was "All I Can Do" in September 1977, before releasing a cover of th ...
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B-sides
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Polydor Records Albums
Polydor Records Ltd. is a German-British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. Notable current and past artists signed to the label include ABBA, Cream, The Moody Blues, The Who, Ringo Starr, Bee Gees, The Jam, Bing Crosby, The Shadows, James Brown, Level 42, Ellie Goulding, Juice WRLD, Piri & Tommy, James Last, Eric Clapton, Marie Osmond, Keith O'Conner Murphy, Yngwie Malmsteen, Lana Del Rey, Haim, and Buckingham Nicks. Label history Beginnings Polydor Records was founded on 2 April 1913 by German Polyphon-Musikwerke AG in Leipzig and registered on 25 July 191 ...
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Strawberry Studios
Strawberry Studios was a recording studio in Stockport, England. Founded in 1968, it operated until the early 1990s. Formation The facility was originally called Inter-City Studios and located above a music store in the town centre. In early 1968 it was bought by Peter Tattersall, a former road manager for Billy J. Kramer and the Dakotas. Tattersall invited Eric Stewart, then lead guitarist and singer of the Mindbenders and later a member of 10cc, to join him as a partner in July 1968. The pair moved to larger premises at No. 3 Waterloo Road in October, with Stewart choosing the studio's new name in honour of his favourite Beatles song, "Strawberry Fields Forever". Within months songwriter and future 10cc member Graham Gouldman joined the pair as an investor. The studio was used extensively by Stewart, Gouldman and the other two musicians who would join them to form 10cc, Lol Creme and Kevin Godley. In a 1976 interview Stewart described the studio's early days: "It was a ver ...
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Morgan Studios
Morgan Studios (founded as Morgan Sound Studios) was an independent recording studio in Willesden in northwest London. Founded in 1967, the studio was the location for recordings by such notable artists as Jethro Tull, the Kinks, Paul McCartney, Yes, Black Sabbath, Donovan, Joan Armatrading, Cat Stevens, Rod Stewart, UFO and many more. Morgan sold its studios in the early 1980s, with some of its studios succeeded by Battery Studios. History Morgan Sound Studios was founded in 1967 by Barry Morgan, Monty Babson, Jerry Allen, and Leon Clavert, who were operating a jazz record label at Lansdowne Studios and wanting dedicated office space for their label. Upon securing a location at 169–171 High Road, in the Willesden area of northwest London, the musicians decided to also build a recording studio. They hired ex-Olympic Studios engineer Terry Brown to manage the studio, who appointed another Olympic Studios alumni, Andy Johns as chief engineer. Roy Thomas Baker, who would later ...
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David Garland (musician)
David Garland (born December 17, 1954) is a singer-songwriter, composer, instrument designer, illustrator, graphic designer, journalist, and former New York city radio personality. Music projects A multi-instrumentalist and vocalist, Garland has recorded with Christian Marclay, John Zorn, Shelly Hirsch, Ikue Mori, Sufjan Stevens, Arto Lindsay, Sussan Deyhim, Sean Lennon, Guy Klucevsek, Michael Gira, Karen Mantler, Brian Dewan, and Meredith Monk, among others. He has performed at New York City’s Knitting Factory, The Kitchen, and Carnegie Hall, in Europe, on WNYC’s ''New Sounds'' and other venues, and has recorded several albums of his music. In 1993 he released an album, ''I Guess I Just Wasn’t Made For These Times'', which features Garland, along with accompanists Ikue Mori and Cinnie Cole, interpreting songs by Brian Wilson of the Beach Boys. His most recent album, ''Conversations with the Cinnamon Skeleton'', released in 2012, features guest appearances by Vashti Buny ...
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Hugh Jones (producer)
Hugh Jones is a British record producer with many important post-punk, new wave and alternative rock albums to his credit. Career In the early 1970s, Jones worked as an apprentice engineer in IBC Studios in Central London, while acting as lead singer in the band Mistral. He made his name in the early 1980s, with a jangly sound that was better received than those of many of his contemporaries. Though many of his early clients were big-name acts— Echo & the Bunnymen,Adams, Chris (2002) ''Turquoise Days: The Weird World of Echo and The Bunnymen'', Soft Skull Press, , p. 61 The Sound, Modern English,99 Best Love Songs of All Time
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Paul Weller
Paul John Weller (born John William Weller; 25 May 1958) is an English singer-songwriter and musician. Weller achieved fame with the punk rock/ new wave/mod revival band the Jam (1972–1982). He had further success with the blue-eyed soul music of the Style Council (1983–1989), before establishing himself as a solo artist with his eponymous 1992 album. Despite widespread critical recognition as a singer, lyricist, and guitarist, Weller has remained a national, rather than international, star and much of his songwriting is rooted in English society. Many of his songs with the Jam had lyrics about working class life. He was the principal figure of the 1970s and 1980s mod revival, often referred to as "The Modfather", and an influence on Britpop bands such as Oasis. Early life (1958–1975) Weller was born on 25 May 1958 in Woking, Surrey, England, to John and Ann Weller (née Craddock). Although born John William Weller, he became known as Paul by his parents. His fathe ...
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Nelson Riddle
Nelson Smock Riddle Jr. (June 1, 1921 – October 6, 1985) was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid-1980s. He worked with many world-famous vocalists at Capitol Records, including Frank Sinatra, Ella Fitzgerald, Nat King Cole, Judy Garland, Dean Martin, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith. He scored and arranged music for many films and television shows, earning an Academy Award and three Grammy Awards. He found commercial and critical success with a new generation in the 1980s, in a trio of Platinum albums with Linda Ronstadt. Early years Riddle was born in Oradell, New Jersey, the only child to survive to birth, and after, of Marie Albertine Riddle (a native of Mulhouse, France, whose father was Spanish) and Nelson Smock Riddle, who was of English-Irish and Dutch descent. His mother had suffered six miscarriages and one stillbirth in her lifetime. It was his mother's secon ...
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Ian Samwell
Ian Ralph Samwell (19 January 1937 – 13 March 2003) was an English musician, singer-songwriter and record producer. He is best known as the writer of Cliff Richard's debut single "Move It", and his association with the rock band America, with whom he had his biggest commercial success with their hit single, "A Horse with No Name". He also worked with rock bands, such as the Small Faces, The Grateful Dead, Frank Zappa, Joni Mitchell, John Mayall and Hummingbird. Samwell wrote for many other British artists, including Joe Brown, Elkie Brooks, Kenny Lynch and Dusty Springfield. Several of his songs were recorded in Spanish by the Mexican group, Los Teen Tops and were released in Latin America and the Spanish-speaking territories of the world. He also worked as a record producer with Sounds Incorporated, Georgie Fame, John Mayall and the mod band The Small Faces, co-writing their 1965 hit single "Whatcha Gonna Do About It". Career In 1958, Samwell heard Harry Webb performing a ...
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Brian Potter (musician)
Brian August Potter is a British-born American pop music songwriter and record producer. With his writing partner, Dennis Lambert, Potter wrote and produced hits songs for the Four Tops, Tavares, the Grass Roots, Hamilton, Joe Frank & Reynolds, Evie Sands, Coven, Hall and Oates, and Glen Campbell. Potter and Lambert were nominated for a Grammy Award for their production on ''Rhinestone Cowboy''. Career Hailing from Billericay in Essex, England, Potter began his music career in the 1960s in London. In 1969, while Dennis Lambert was in London, the two met, with Potter eventually moving to the U.S. to begin their songwriting partnership. By 1972, they were both working for ABC Dunhill Records in Los Angeles, California, who had signed the Four Tops, after the group's decision to leave Motown Records. Lambert and Potter changed the group's sound to a West Coast R&B style, then wrote and produced the ''Keeper of the Castle'' album. Their writing credits on the album included the top- ...
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Iain Shedden
Iain Shedden (6 January 1957 – 16 October 2017) was a Scottish-born Australian musician and journalist. Shedden was born in Lanark, Scotland. He worked for the local newspaper in his home town of Wishaw in North Lanarkshire while playing with his first band, The Jolt. In 1982 he was invited to play in Europe with the Australian band the Saints and drummed with them periodically through the 1980s. as well as Snakes of Shake and Summerhill.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 509-510 In 1992 Shedden migrated to Australia, initially to seek work as a musician. With opportunities in the music industry limited, Shedden returned to journalism and was employed at ''The Australian'' — initially as a sub-editor and later as the music editor. Shedden worked for ''The Australian'' until his sudden and unexpected death from haemopericardium, caused by a thoracic aortic aneurysm rupture, on 16 October 2017. The ARIA Awards has since paid tribute to ...
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