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Brian Potter (musician)
Brian August Potter is a British-born American pop music songwriter and record producer. With his writing partner, Dennis Lambert, Potter wrote and produced hits songs for the Four Tops, Tavares, the Grass Roots, Hamilton, Joe Frank & Reynolds, Evie Sands, Coven, Hall and Oates, and Glen Campbell. Potter and Lambert were nominated for a Grammy Award for their production on ''Rhinestone Cowboy''. Career Hailing from Billericay in Essex, England, Potter began his music career in the 1960s in London. In 1969, while Dennis Lambert was in London, the two met, with Potter eventually moving to the U.S. to begin their songwriting partnership. By 1972, they were both working for ABC Dunhill Records in Los Angeles, California, who had signed the Four Tops, after the group's decision to leave Motown Records. Lambert and Potter changed the group's sound to a West Coast R&B style, then wrote and produced the ''Keeper of the Castle'' album. Their writing credits on the album included the top- ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Dunhill Records
Dunhill Records was started in 1964 by Lou Adler, Jay Lasker, Pierre Cossette and Bobby Roberts as Dunhill Productions to release the music of Johnny Rivers on Imperial Records. It became a record label the following year and was distributed by ABC Records. The first Dunhill single was "My Prayer/Pretty Please" (catalog #D-4001) by Shelley Fabares, who was married to Adler at the time. In the summer of 1967 Adler sold his shares to ABC Records, creating ABC-Dunhill Records, after which he started yet another label Ode Records (which was first distributed by CBS and later by A&M Records). Until 1975, ABC continued to release records on the Dunhill label, after which all remaining artists were absorbed into the ABC Records roster before MCA Records bought the label outright in 1979. Buluu Dunhill Records was an offshoot of the ABC/Dunhill days using catalog series #B-73001 (45 RPM singles) and #B-60001 (LP). Today, the Dunhill catalog is managed by Geffen Records. A later ind ...
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The Original Caste
The Original Caste is a Canadian folk group. The band formed in Calgary, Alberta, Canada, in 1966 under the name The North Country Singers. Because the name sounded too much like a folk group, it was changed in 1968. Instrumentally, the group consists of guitar, keyboard and bass. History Songwriter and guitarist Bruce Innes formed the group in Calgary, Alberta, in 1966. Initially, Bruce Innes, Graham Bruce and Bliss Mackie worked as a trio and Dixie Lee (Stone) Innes joined the group in 1967, contributing rich vocals. At that time, Dixie Lee Stone was a secretary at Pacific Petroleums in Calgary, and she sang on the weekly television programme '' Calgary Safety Roundup'' on CFCN-TV. Bruce Innes sang and played by himself while Graham Bruce worked as an accounts executive at Royal Trust. Bliss Mackie had worked as a Coca-Cola truck driver and a manager of a department store. In early 1968 Peter Brown (Seattle) became the first drummer in the group. Joe Cavender played with an ...
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One Tin Soldier
"One Tin Soldier" is a 1960s counterculture era anti-war song written by Dennis Lambert and Brian Potter. Canadian pop group The Original Caste (consisting of Dixie Lee Innes, Bruce Innes, Graham Bruce, Joseph Cavender and Bliss Mackie) first recorded it in 1969 for both the TA label and its parent Bell label. The song, recorded by various artists, charted each year from 1969 to 1974 on various charts in the United States and Canada. However, it did not chart outside North America. "One Tin Soldier" went to number 6 on the ''RPM Magazine'' charts, hit the number 1 position on CHUM AM in Toronto on 27 December 1969, and reached number 34 on the Billboard Hot 100 Chart in early 1970. It was a bigger hit on the Billboard Easy Listening Chart (Adult Contemporary), reaching number 25 and number 5 on the Canada Adult Contemporary Chart. A 1971 cover was a hit in the U.S. for Jinx Dawson, lead vocalist of Coven, whose recording was featured in the film ''Billy Jack''. The singl ...
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Small Faces
Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band was one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", " Lazy Sunday", " All or Nothing" and "Tin Soldier", as well as their concept album ''Ogdens' Nut Gone Flake''. They evolved into one of the UK's most successful psychedelic bands until 1969. When Marriott left to form Humble Pie, the remaining three members collaborated with Ronnie Wood, Ronnie's older brother Art Wood, Rod Stewart and Kim Gardner, briefly continuing under the name Quiet Melon, and then, with the departure of Art Wood and Gardner, as Faces. In North America, Faces' debut album was credited to Small Faces. Following the breakup of both Faces and Humble Pie in 1975, the classic line-up of Small Faces re-form ...
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Whatcha Gonna Do About It
"Whatcha Gonna Do About It" is the debut single released by the English rock group Small Faces, released in the UK on 6 August 1965. The song peaked at number 14 in the UK Singles Chart, and stayed on chart for a total of 14 weeks. It reached number 28 in Canada. Song profile The songwriting duo of the group Steve Marriott and Ronnie Lane already had the melody for the song, the inspiration coming from Solomon Burke's hit record "Everybody Needs Somebody to Love." However they had no lyrics, so their manager, Don Arden, brought in Ian Samwell and Brian Potter to provide the words for the song. The song entered the UK Singles Chart at number 27 and rose to number 14, just missing the all important Top Ten. Kenney Jones recalled to ''Uncut'' magazine: "We hadn't fully established our own songwriting abilities – our stage show was mainly covers of things like Otis Redding's 'Shake' – and this really suited the power of Steve's voice. The style was very indicative of the ti ...
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Producer Of The Year
The Grammy Award for Producer of the Year, Non-Classical is an honor presented to record producers for quality non-classical music at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". The award was first presented at the Grammy Awards in 1975. According to the category description guide for the 52nd Grammy Awards, the award is presented to producers who "represent consistently outstanding creativity in the area of record production". The award was presented during the "Premiere Ceremony" and was acknowledged during the main ceremony. Recipients Each year is linked to the article about the Grammy Awards held that year.an ...
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Grammy Award For Record Of The Year
The Grammy Award for Record of the Year is presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to sales or chart position." The Record of the Year award is one of the four "General Field" categories at the awards (alongside Best New Artist, Song of the Year and Album of the Year) presented annually since the 1st Annual Grammy Awards in 1959. According to the 54th Annual Grammy Awards description guide, the award is presented: Arrangers, songwriters, musicians and background singers of a winning recording can apply for a Winners Certificate. Songwriters can only apply for a certificate if it is a new song. Since the 55th Annual Grammy Awards in 2013, mastering engineers are considered nominees and award recipients in this category. Record of the Year is related to but is conceptually different from Song of the Year or Al ...
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The Mojo Collection
''Mojo'' is a popular music magazine published monthly in the United Kingdom, initially by Emap, and since January 2008 by Bauer. Following the success of the magazine '' Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender'' and ''Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, Paul Trynka and Pat Gilbert. While some criticise it for its frequent coverage of classic rock act ...
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Concept Album
A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music critics as to the specific criteria for what a "concept album" is. The format originates with folk singer Woody Guthrie's ''Dust Bowl Ballads'' (1940) and was subsequently popularized by traditional pop/jazz singer Frank Sinatra's 1940s–50s string of albums, although the term is more often associated with rock music. In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the invention of progressive rock and rock opera. Since then, many concept albums have been released across numerous musical genres. Definiti ...
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Capitol Records
Capitol Records, LLC (known legally as Capitol Records, Inc. until 2007) is an American record label distributed by Universal Music Group through its Capitol Music Group imprint. It was founded as the first West Coast-based record label of note in the United States in 1942 by Johnny Mercer, Buddy DeSylva, and Glenn E. Wallichs. Capitol was acquired by British music conglomerate EMI as its North American subsidiary in 1955. EMI was acquired by Universal Music Group in 2012, and was merged with the company a year later, making Capitol and the Capitol Music Group both distributed by UMG. The label's circular headquarters building is a recognized landmark of Hollywood, California. Both the label itself and its famous building are sometimes referred to as "The House That Nat Built." This refers to one of Capitol's most famous artists, Nat King Cole. Capitol is also well known as the U.S. record label of the Beatles, especially during the years of Beatlemania in America from 1964 ...
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Ain't No Woman (Like The One I've Got)
"Ain't No Woman (Like the One I've Got)" is a song written by Dennis Lambert and Brian Potter, released as a single by the Four Tops on the ABC/Dunhill record label, from the album ''Keeper of the Castle''. It peaked at number four on the U.S. ''Billboard'' Hot 100 the weeks of April 7 and 14, 1973,The Hot 100, Week of April 14, 1973 – ''Billboard''.
Retrieved December 26, 2020 number one on the '''' Top 100 the latter of those two weeks, and became a gold record. The song was originally recorded by the singing trio of