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The Jolly Beggar
The Jolly Beggar, also known as The Gaberlunzieman, is Child ballad 279. The song's chorus inspired lines in Lord Byron's poem "So, we'll go no more a roving". Synopsis A beggar comes over the hills one day, and knocks on the door of a local farmer and asks for a roof for the night. Curiously, he will not accept a bed in the barn, but wishes only to sleep by the kitchen fire. Late at night, the farmer's daughter comes down to lock the kitchen door. The beggar and daughter exchange words, and fall in love. They sleep together, and through some unmentioned premise, the daughter accuses the man of being a nobleman come dressed as a beggar to woo her. He convinces her that he is indeed only a beggar, and she kicks him out. However, it turns out he was, in fact, a noble. Versions * Planxty have recorded a version of this song on their eponymous 1973 album as "The Jolly Beggar". According to the group, the Jolly Beggar in question was King James V of Scotland. * The Corries recorded a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Ballad
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Byron
George Gordon Byron, 6th Baron Byron (22 January 1788 – 19 April 1824), known simply as Lord Byron, was an English romantic poet and Peerage of the United Kingdom, peer. He was one of the leading figures of the Romantic movement, and has been regarded as among the greatest of English poets. Among his best-known works are the lengthy Narrative poem, narratives ''Don Juan (poem), Don Juan'' and ''Childe Harold's Pilgrimage''; many of his shorter lyrics in ''Hebrew Melodies'' also became popular. Byron was educated at Trinity College, Cambridge, later traveling extensively across Europe to places such as Italy, where he lived for seven years in Venice, Ravenna, and Pisa after he was forced to flee England due to lynching threats. During his stay in Italy, he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died leading a campaign during that war, for which Greeks rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
So, We'll Go No More A Roving
"So, we'll go no more a roving" is a poem, written by (George Gordon) Lord Byron (1788–1824), and included in a letter to Thomas Moore on 28 February 1817. Moore published the poem in 1830 as part of '' Letters and Journals of Lord Byron''. It evocatively describes how the youth at that time wanted to do something different. Byron wrote the poem at the age of twenty-nine. In the letter to Thomas Moore, the poem is preceded by an account of its genesis: :At present, I am on the invalid regimen myself. The Carnivalthat is, the latter part of it, and sitting up late o' nightshad knocked me up a little. But it is overand it is now Lent, with all its abstinence and sacred music... Though I did not dissipate much upon the whole, yet I find 'the sword wearing out the scabbard,' though I have just turned the corner of twenty-nine. The poem may have been suggested in part by the refrain of a Scottish song known as " The Jolly Beggar". "The Jolly Beggar" was published in He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Planxty
Planxty were an Irish folk music band formed in January 1972, consisting initially of Christy Moore (vocals, acoustic guitar, bodhrán), Andy Irvine (vocals, mandolin, mandola, bouzouki, hurdy-gurdy, harmonica), Dónal Lunny (bouzouki, guitars, bodhrán, keyboards), and Liam O'Flynn (uilleann pipes, tin whistle). They transformed and popularized Irish folk music, touring and recording to great acclaim. Subsequently, Johnny Moynihan, Paul Brady, Matt Molloy (flute), Bill Whelan (keyboards), Nollaig Casey (fiddle) and, briefly, Noel Hill (concertina) and Tony Linnane (fiddle) were also temporary members. Planxty broke up twice, first in December 1975 and again in April 1983. The original quartet reunited in October 2003 and their final performance was on 31 January 2005. History Formation and first run (1972–1975) Christy Moore and Dónal Lunny had been friends since school days in Newbridge, County Kildare, Lunny having taught Moore how to play both guitar and bodhrán. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Planxty (album)
''Planxty'' is the first album by the Irish folk group Planxty, recorded in London during early September 1972 and released in early 1973. Overview Because of its dark cover, ''Planxty'' is sometimes referred to as "the black album." Author Leagues O'Toole has written that the album "crystallises the 1972 set" performed live by the band during their first year of touring. The album features a variety of traditional and modern Irish folk songs and tunes. It was influential in popularising this genre. The last track revealed the impact of Balkan folk music on mandolinist Andy Irvine. The traditional song "The Blacksmith" concludes with Irvine playing "Blacksmithereens", a tune reflecting the influences he gathered during his travels in Eastern Europe. Although ''Planxty'' is nominally the first album by the band, all four members performed together on Christy Moore's previous album '' Prosperous'', which opened with the same song, "Raggle Taggle Gypsy/ Tabhair dom do Lámh". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James V Of Scotland
James V (10 April 1512 – 14 December 1542) was List of Scottish monarchs, King of Scotland from 9 September 1513 until his death in 1542. He was crowned on 21 September 1513 at the age of seventeen months. James was the son of James IV of Scotland, King James IV and Margaret Tudor, and during his childhood Kingdom of Scotland, Scotland was governed by regents, firstly by his mother until she remarried, and then by his second cousin, John Stewart, Duke of Albany, John, Duke of Albany. James's personal rule began in 1528 when he finally escaped the custody of his stepfather, Archibald Douglas, 6th Earl of Angus, Archibald Douglas, Earl of Angus. His first action was to exile Angus and confiscate the lands of the Clan Douglas, Douglases. James greatly increased his income by tightening control over royal estates and from the profits of justice, customs and feudal rights. He founded the College of Justice in 1532, and also acted to end lawlessness and rebellion in the Anglo-Scotti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Corries
The Corries were a Scottish folk group that emerged from the Scottish folk revival of the early 1960s. The group was a trio from their formation until 1966 when founder Bill Smith left the band but Roy Williamson and Ronnie Browne continued as a duo until Williamson's death in 1990. They are particularly known for the song "Flower of Scotland", written by Williamson, which has become an unofficial national anthem of Scotland. History Early years In the early 1960s, Bill Smith (born in 1936 in Edinburgh), Ron Cruikshank and Andy Turner had formed a trio called The Corrie Voices. The trio was named after Smith's daughter, Corrie Smith, but because a corrie is a deep bowl in a mountain, the name was particularly appropriate as it evokes imagery of the Scottish landscape. After Turner dropped out in 1962, Roy Williamson teamed up with Smith and Cruikshank to form the Corrie Folk Trio. Their first performance was in the Waverley Bar in St Mary's Street, Edinburgh. After a few we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of The Child Ballads
The Child Ballads is the colloquial name given to a collection of 305 ballads collected in the 19th century by Francis James Child Francis James Child (February 1, 1825 – September 11, 1896) was an American scholar, educator, and folklorist, best known today for his collection of English and Scottish ballads now known as the Child Ballads. Child was Boylston professor of ... and originally published in ten volumes between 1882 and 1898 under the title ''The English and Scottish Popular Ballads.'' The ballads Following are synopses of the stories recounted in the ballads in Child's collection. Since Child included multiple versions of most ballads, the details of a story can vary widely. The synopses presented here reflect the summaries in Child's text, but also rely on other sources as well as the ballads themselves. References {{Francis James Child Child Ballads Murder ballads ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beggar-Laddie
The Beggar-Laddie is a traditional English ballad existing in several variants. It was collected by Francis James Child as Child ballad 280 (Roud 119Sehere). Synopsis A man tells a woman that he is a beggar, making his living from spindles or similar items. She loves him and follows him. After a time, she finds it very hard, but then he takes her on to his father's hall, or sometimes his brother's. His brothers express envy of his bride, and she gains a husband of high birth. First editions The first known record, probably, dates from 1805; it was included in the ''Old Lady's Collection''. Other early versions were collected in the D. Kinloch's MS and C. Motherwell's MS (both written before 1850). The first publication of the song could be found in Christie's ''Traditional Ballad Airs'' (1876, I). See also *The Jolly Beggar The Jolly Beggar, also known as The Gaberlunzieman, is Child ballad 279. The song's chorus inspired lines in Lord Byron's poem "So, we'll go no more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Ballads
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
