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The Beggar-Laddie
The Beggar-Laddie is a traditional English ballad existing in several variants. It was collected by Francis James Child as Child ballad 280 (Roud 119Sehere). Synopsis A man tells a woman that he is a beggar, making his living from spindles or similar items. She loves him and follows him. After a time, she finds it very hard, but then he takes her on to his father's hall, or sometimes his brother's. His brothers express envy of his bride, and she gains a husband of high birth. First editions The first known record, probably, dates from 1805; it was included in the ''Old Lady's Collection''. Other early versions were collected in the D. Kinloch's MS and C. Motherwell's MS (both written before 1850). The first publication of the song could be found in Christie's ''Traditional Ballad Airs'' (1876, I). See also *The Jolly Beggar The Jolly Beggar, also known as The Gaberlunzieman, is Child ballad 279. The song's chorus inspired lines in Lord Byron's poem "So, we'll go no more ...
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Ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ...
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Francis James Child
Francis James Child (February 1, 1825 – September 11, 1896) was an American scholar, educator, and folklorist, best known today for his collection of English and Scottish ballads now known as the Child Ballads. Child was Boylston professor of rhetoric and oratory at Harvard University, where he produced influential editions of English poetry. In 1876 he was named Harvard's first Professor of English, a position which allowed him to focus on academic research. It was during this time that he began work on the Child Ballads. The Child Ballads were published in five volumes between 1882 and 1898. While Child was primarily a literary scholar with little interest in the music of the ballads, his work became a major contribution to the study of English-language folk music. Biography Francis James Child was born in Boston, Massachusetts. His lifelong friend, scholar and social reformer Charles Eliot Norton, described Child's father, a sailmaker, as "one of that class of intelligent a ...
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Child Ballad
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ...
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Roud
The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs collected from oral tradition in the English language from all over the world. It is compiled by Steve Roud (born 1949), a former librarian in the London Borough of Croydon. Roud's Index is a combination of the Broadside Index (printed sources before 1900) and a "field-recording index" compiled by Roud. It subsumes all the previous printed sources known to Francis James Child (the Child Ballads) and includes recordings from 1900 to 1975. Until early 2006, the index was available by a CD subscription; now it can be found online on the Vaughan Williams Memorial Library website, maintained by the English Folk Dance and Song Society (EFDSS). A partial list is also available at List of folk songs by Roud number. Purpose of index The primary function of the Roud Folk Song Index is as a research aid correlating versions of traditional English-language folk song lyrics independently documented over ...
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Manuscript
A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became available, typewritten – as opposed to mechanically printing, printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include ''any'' written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same. Before the arrival of printing, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations. Terminology The study of the writing in surviving manuscripts, the "hand", is termed palaeography (or paleography). The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS., ms or ms. for singular, and MSS., mss or ms ...
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William Christie (Dean Of Moray, Ross And Caithness)
William Christie (26 January 1817 – 12 December 1885) was a Scottish clergyman, inaugural Dean of the United Diocese of Moray, Ross, and Caithness, having been the Dean of Ross since 1860.The Times, Friday, Nov 18, 1864; pg. 11; Issue 25033; col A '' Ecclesiastical News'' Christie was born in Monquhitter, the son of William Christie, dancing-master of Monquhitter, and his wife Mary (). He studied at King's College, Aberdeen. In addition to his ecclesiastical achievements, he was a folk song Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be c ... collector who published two volumes of songs entitled ''Traditional Ballad Airs'', in 1876 and 1881. He died in Fochabers. References 1816 births 1885 deaths People from Formartine Alumni of the University of Aberdee ...
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The Jolly Beggar
The Jolly Beggar, also known as The Gaberlunzieman, is Child ballad 279. The song's chorus inspired lines in Lord Byron's poem "So, we'll go no more a roving". Synopsis A beggar comes over the hills one day, and knocks on the door of a local farmer and asks for a roof for the night. Curiously, he will not accept a bed in the barn, but wishes only to sleep by the kitchen fire. Late at night, the farmer's daughter comes down to lock the kitchen door. The beggar and daughter exchange words, and fall in love. They sleep together, and through some unmentioned premise, the daughter accuses the man of being a nobleman come dressed as a beggar to woo her. He convinces her that he is indeed only a beggar, and she kicks him out. However, it turns out he was, in fact, a noble. Versions * Planxty have recorded a version of this song on their eponymous 1973 album as "The Jolly Beggar". According to the group, the Jolly Beggar in question was King James V of Scotland. * The Corries recorded a ...
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Dugall Quin
Dugall Quin is Child ballad 294. Synopsis Dugall Quin woos Lisie Meanes, asking her how she likes him in his ragged dress; she answers that she likes him and asks how he likes her in her fine clothing; he likes her and asks her to come with him. Her father asks her not to go. She defies him. Dugall tells her that if he comes with him, he will make her a lady. She goes, and he marries her. See also *List of the Child Ballads * Lizie Lindsay *The Beggar-Laddie The Beggar-Laddie is a traditional English ballad existing in several variants. It was collected by Francis James Child as Child ballad 280 (Roud 119Sehere). Synopsis A man tells a woman that he is a beggar, making his living from spindles or sim ... * Glasgow Peggie * Bonny Lizie Baillie External links''Dugall Quin'' Child Ballads Songwriter unknown Year of song unknown {{Folk-song-stub ...
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Lizie Lindsay
Lizie Lindsay is Child ballad 226 (Roud 94), existing in several variants (also known as "Lizzie Lindsay" or "Leezie Lindsay"). Synopsis A highland Laird courts Lizie Lindsay in Edinburgh, sometime after his mother had warned him not to hide his highland origins. Her family warns him off, but her maid encourages her. She finds the highlands hard, but finally he brings her to his family, where he is a lord, and makes her the lady of a great castle. In some variants, she is told when he is wooing her in Edinburgh that he is a lord, and that is what persuades her to go. See also *Dugall Quin *The Beggar-Laddie *Glasgow Peggie *Bonny Lizie Baillie Bonny Lizie Baillie is Child ballad 227 (Roud 341). Some traditions claim it recounts an actual courtship. Synopsis Lizie Baillie meets a Highlander, Duncan Grahame, who courts her. She says she does not know how to work at a farm, and he promi ... External links''Lizie Lindsay''
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Glasgow Peggie
Glasgow Peggie or Glasgow Peggy is Child ballad 228 (Roud 95), existing in several variants. Synopsis A Highlander comes to steal Peggie. In most variants, her father (and in some, her mother), declare that he might steal their animals, but not their daughter. He carries her off anyway. A few variants end there. Some also include either her parents or a local earl regretting that he got away with it. Peggie laments their harsh conditions. The Highlander assures her, or shows her, that he has plenty of property, and is, indeed, a lord (often the lord of Skye), and makes her his lady. Some variants explicitly include that he is richer than her parents. See also * Bonny Lizie Baillie * Lizie Lindsay * Dugall Quin *The Beggar-Laddie The Beggar-Laddie is a traditional English ballad existing in several variants. It was collected by Francis James Child as Child ballad 280 (Roud The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs coll ...
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Bonny Lizie Baillie
Bonny Lizie Baillie is Child ballad 227 (Roud 341). Some traditions claim it recounts an actual courtship. Synopsis Lizie Baillie meets a Highlander, Duncan Grahame, who courts her. She says she does not know how to work at a farm, and he promises to teach her. She will not have any Lowlander or Englishman, and though he brought her home, she could not forget him. They run away together, she giving up her silk dress for tartan, and marry. She assures her father that they have married, and leaves her family. See also * Glasgow Peggie * Lizie Lindsay * Dugall Quin *The Beggar-Laddie The Beggar-Laddie is a traditional English ballad existing in several variants. It was collected by Francis James Child as Child ballad 280 (Roud The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs collec ... References External links''Bonny Lizie Baillie''
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Child Ballads
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous coll ...
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