The Interpretation Of Music
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The Interpretation Of Music
''The Interpretation of Music'' is a book by Thurston Dart. It is described by the '' Encyclopædia Britannica'' as "the best direct and concise account of the issues of performance". This book deals with correct performance conventions and procedures relevant to different periods and styles (for example Gregorian intonation, divisions upon parts, French baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ... over-dotting, etc.). It covers these various topics in a chronological order, also giving descriptions of period instruments and their uses. It is a book useful for those wishing to compose in a more authentic antiquated style, and for those wishing to make performances more historically "correct". References Music books {{music-publication-stub ...
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Thurston Dart
Robert Thurston ("Bob") Dart (3 September 1921 – 6 March 1971), was an English musicologist, conductor and keyboard player. Along with Nigel Fortune, Oliver Neighbour and Stanley Sadie he was one of Britain's leading musicologists of the post-World War II generation. From 1964 until his death he was King Edward Professor of Music at the University of London, based at King's College London. Early life Dart was born on 3 September 1921 in Surbiton, then part of Surrey. His father, Henry Thurston Dart, married his mother, Elisabeth Martha (née Orf) in 1915. Dart attended Hampton Grammar School and he sang in the choir at Hampton Court. Dart studied keyboard instruments at the Royal College of Music in London from 1938 to 1939, and then studied mathematics at University College, Exeter, being awarded his degree in 1942. He served as a Junior Scientific Officer and then as a statistician and researcher for the RAF Strategic Bombing Planning Unit under Air Vice Marshall Basil E ...
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Encyclopædia Britannica
The (Latin for "British Encyclopædia") is a general knowledge English-language encyclopaedia. It is published by Encyclopædia Britannica, Inc.; the company has existed since the 18th century, although it has changed ownership various times through the centuries. The encyclopaedia is maintained by about 100 full-time editors and more than 4,000 contributors. The 2010 version of the 15th edition, which spans 32 volumes and 32,640 pages, was the last printed edition. Since 2016, it has been published exclusively as an online encyclopaedia. Printed for 244 years, the ''Britannica'' was the longest running in-print encyclopaedia in the English language. It was first published between 1768 and 1771 in the Scottish capital of Edinburgh, as three volumes. The encyclopaedia grew in size: the second edition was 10 volumes, and by its fourth edition (1801–1810) it had expanded to 20 volumes. Its rising stature as a scholarly work helped recruit eminent con ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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