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The Idea (1932 Film)
''The Idea'' (french: L'Idée) is a 1932 French animated film by Austro-Hungarian filmmaker Berthold Bartosch (1893–1968), based on the 1920 wordless novel of the same name by Flemish artist Frans Masereel (1889–1972). The protagonist is a naked woman who represents a thinker's idea; as she goes out into the world, the frightened authorities unsuccessfully try to cover up her nudity. A man who stands up for her is executed, and violent suppression by big business greets a workers' revolution she inspires. Bartosch spent two years animating the film, initially in collaboration with Masereel. Bartosch used complicated techniques with multiple layers of superimposed animation to create the intricately detailed film. The film features an electronic music score by Swiss composer Arthur Honegger (1892–1955), possibly the earliest in film history. Synopsis A thinker sits by a window, and an idea comes to him in the form of a doll-sized naked woman. The thinker puts the woma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berthold Bartosch
Berthold Bartosch (29 December 1893 – 13 November 1968) was a film-maker, born in Polaun, in the Bohemia region of Austria-Hungary (now part of the Czech Republic). Work with Lotte Reiniger He moved to Berlin in 1920 and collaborated with Lotte Reiniger on her paper silhouette animations: *''The Ornament of the Loving Heart'' *''The Battle of Skagerrak'' *''The Adventures of Prince Achmed'' *''Doctor Dolittle'' Bartosch created what some consider the first multiplane camera in order to achieve some of the effects for these films. Early career In 1911, Berthold Bartosch studied architecture in Vienna, where he met Erwin Hanslick, a teacher at the Fine Art School that was a crucial influence for Bartosch. Hanslick proposed Bartosch collaborate in educational animated films "for the masses", and Bartosch accepted. They created geographical and politically oriented films, which were the only apprenticeship that Bartosch received. In 1919, Bartosch opened a branch of Hanslick's p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austria-Hungary
Austria-Hungary, often referred to as the Austro-Hungarian Empire,, the Dual Monarchy, or Austria, was a constitutional monarchy and great power in Central Europe between 1867 and 1918. It was formed with the Austro-Hungarian Compromise of 1867 in the aftermath of the Austro-Prussian War and was dissolved shortly after its defeat in the First World War. Austria-Hungary was ruled by the House of Habsburg and constituted the last phase in the constitutional evolution of the Habsburg monarchy. It was a multinational state and one of Europe's major powers at the time. Austria-Hungary was geographically the second-largest country in Europe after the Russian Empire, at and the third-most populous (after Russia and the German Empire). The Empire built up the fourth-largest machine building industry in the world, after the United States, Germany and the United Kingdom. Austria-Hungary also became the world's third-largest manufacturer and exporter of electric home appliances, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Lang
Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 63. One of the best-known ''émigrés'' from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time. Lang's most celebrated films include the groundbreaking futuristic ''Metropolis'' (1927) and the influential '' M'' (1931), a film noir precursor. His 1929 film ''Woman in the Moon'' showcased the use of a multi-stage rocket, and also pioneered the concept of a rocket launch pad (a rocket standing upright against a tall building before launch having been slowly rolled into place) and the rocket-launch countdown clock. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constructivism (art)
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favor of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde. Constructivist architecture and art had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was widespread, with major effects upon architecture, sculpture, graphic design, industrial design, theatre, film, dance, fashion and, to some extent, music. Beginnings Constructivism was a post-World War I development of Russian Futurism, and particularly of the 'counter reliefs' of Vladimir Tatlin, which had been exhibited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Expressionism
German Expressionism () consisted of several related creative movements in Germany before the First World War that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in north and central European culture in fields such as architecture, dance, painting, sculpture and cinema. This article deals primarily with developments in German Expressionist cinema before and immediately after World War I, approximately from 1910 to the 1930s. History The German Expressionist movement was initially confined to Germany due to the country's isolation during World War I. In 1916, the government banned foreign films, creating a sharp increase in the demand for domestic film production: from 24 films in 1914, to 130 films in 1918. With inflation also on the rise, Germans were attending films more freely because they knew that their money's value was constantly diminishing.Thompson, Kristin. Bordwell, David. ''Film History: An Intro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondes Martenot
The ondes Martenot ( ; , "Martenot waves") or ondes musicales ("musical waves") is an early electronic musical instrument. It is played with a keyboard or by moving a ring along a wire, creating "wavering" sounds similar to a theremin. A player of the ondes Martenot is called an ondist. The ondes Martenot was invented in 1928 by the French inventor Maurice Martenot. Martenot was inspired by the accidental overlaps of tones between military radio oscillators, and wanted to create an instrument with the expressiveness of the cello. The ondes Martenot is used in more than 100 orchestral compositions. The French composer Olivier Messiaen used it in pieces such as his 1949 symphony ''Turangalîla-Symphonie,'' and his sister-in-law Jeanne Loriod was a celebrated player of the instrument. It appears in numerous film and television soundtracks, particularly science fiction and horror films. Jonny Greenwood of the English rock band Radiohead is credited with bringing the ondes to a large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondes Martenot
The ondes Martenot ( ; , "Martenot waves") or ondes musicales ("musical waves") is an early electronic musical instrument. It is played with a keyboard or by moving a ring along a wire, creating "wavering" sounds similar to a theremin. A player of the ondes Martenot is called an ondist. The ondes Martenot was invented in 1928 by the French inventor Maurice Martenot. Martenot was inspired by the accidental overlaps of tones between military radio oscillators, and wanted to create an instrument with the expressiveness of the cello. The ondes Martenot is used in more than 100 orchestral compositions. The French composer Olivier Messiaen used it in pieces such as his 1949 symphony ''Turangalîla-Symphonie,'' and his sister-in-law Jeanne Loriod was a celebrated player of the instrument. It appears in numerous film and television soundtracks, particularly science fiction and horror films. Jonny Greenwood of the English rock band Radiohead is credited with bringing the ondes to a large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Napoléon (1927 Film)
''Napoléon'' is a 1927 French Silent film, silent Epic film, epic historical film, produced, and directed by Abel Gance that tells the story of Napoleon's early years. On screen, the title is ''Napoléon vu par Abel Gance'', meaning "Napoleon as seen by Abel Gance". The film is recognised as a masterwork of fluid camera motion, produced in a time when most camera shots were static. Many innovative techniques were used to make the film, including fast cutting, extensive close-ups, a wide variety of hand-held camera shots, location shooting, point of view shots, multiple-camera setups, multiple exposure, superimposition, underwater camera, kaleidoscopic images, film tinting, Split screen (filmmaking), split screen and mosaic shots, multi-screen projection, and other visual effects. A revival of ''Napoléon'' in the mid-1950s influenced the filmmakers of the French New Wave. The film used the Keller-Dorian cinematography for its color sequences. The film begins in Brienne-le-Chât ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Roue
''La Roue'' (, 'The Wheel') is a French silent film, directed by Abel Gance, who also directed ''Napoléon'' and ''J'accuse''. It was released in 1923. The film used then-revolutionary lighting techniques, and rapid scene changes and cuts. Plot Railroad engineer Sisif (Severin-Mars) rescues a small orphan, whose name he learns is Norma (Ivy Close), following a disastrous crash. He raises the little girl as his own, along with his son Elie (Gabriel de Gravone), whose mother died during his birth. In time, Norma becomes a lively and playful young woman. Her greatest joy is time spent with Elie, by now a handsome violin maker, whom she believes to be her natural brother. But Sisif, to his own horror, finds himself falling in love with his adopted daughter. Sisif confesses to a wealthy colleague, Hersan (Pierre Magnier), Norma's origin and that he is attracted to her. Hersan threatens Sisif with blackmail if he does not consent to give Norma to him in marriage. Norma herself is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abel Gance
Abel Gance (; born Abel Eugène Alexandre Péréthon; 25 October 188910 November 1981) was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: ''J'accuse'' (1919), ''La Roue'' (1923), and ''Napoléon'' (1927). Early life Born in Paris in 1889, Abel Gance was the illegitimate son of a prosperous doctor, Abel Flamant, and a working-class mother, Françoise Péréthon (or Perthon). Initially taking his mother's name, he was brought up until the age of eight by his maternal grandparents in the coal-mining town of Commentry in central France. He then returned to Paris to rejoin his mother, who had by then married Adolphe Gance, a chauffeur and mechanic, whose name Abel then adopted. Although he later fabricated the history of a brilliant school career and middle-class background, Gance left school at the age of 14, and the love of literature and art which sustained him throughout his l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Auric
Georges Auric (; 15 February 1899 – 23 July 1983) was a French composer, born in Lodève, Hérault, France. He was considered one of ''Les Six'', a group of artists informally associated with Jean Cocteau and Erik Satie. Before he turned 20 he had orchestrated and written incidental music for several ballets and stage productions. He also had a long and distinguished career as a film composer. Early life and education Georges Auric began his musical career at a young age, performing a piano recital at the Société musicale indépendante at the age of 14. Several songs that he had written were then performed in the following year by Société Nationale de Musique. Along with his early successes professionally, Auric studied music at the Paris Conservatoire, as well as composition with Vincent d'Indy at the Schola Cantorum de Paris and Albert Roussel. Having gained recognition as a child prodigy both in composition and piano performance, he became a protégé of Erik Satie durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposure (photography)
In photography, exposure is the amount of light per unit area (the image plane's illuminance times the exposure time) reaching a frame of photographic film or the surface of an electronic image sensor, as determined by shutter speed, lens F-number, and scene luminance. Exposure is measured in lux seconds, and can be computed from exposure value (EV) and scene luminance in a specified region. An "exposure" is a single shutter cycle. For example, a long exposure refers to a single, long shutter cycle to gather enough dim light, whereas a multiple exposure involves a series of shutter cycles, effectively layering a series of photographs in one image. The accumulated ''photometric exposure'' (''H''v) is the same so long as the total exposure time is the same. Definitions Radiant exposure Radiant exposure of a ''surface'', denoted ''H''e ("e" for "energetic", to avoid confusion with photometric quantities) and measured in , is given by :H_\mathrm = E_\mathrmt, where *''E'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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