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The Horrors EP
''The Horrors'' (also known as ''We Are the Horrors'') is the debut EP by English rock band the Horrors, released on 24 October 2006 by record label Stolen Transmission. It consists of the A- and B-sides to the two singles previously released by the band: "Death at the Chapel" and "Sheena Is a Parasite". Content "Crawdaddy Simone" is a cover of a 1965 single by the Syndicats (featuring Ray Fenwick), produced by Joe Meek. Release ''The Horrors'' was released on 24 October 2006 by record label Stolen Transmission. At first it was only released in America, but was eventually released in the UK. A slightly different version with a white cover was released in Japan and Australia. Reception ''The Horrors'' was generally well received by critics. Heather Phares of AllMusic wrote, "Even without the eye candy, their music holds up well; this self-titled EP, which collects the songs from their U.K. singles from spring and summer 2006, is a very entertaining snapshot of their hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Horrors
The Horrors are an English rock band formed in Southend-on-Sea in 2005, consisting of lead vocalist Faris Badwan, guitarist Joshua Hayward, keyboardist and synthesizer player Tom Furse, bassist Rhys Webb, and drummer and percussionist Joe Spurgeon. Their music has been classified as garage rock, garage punk, gothic rock, shoegaze and post-punk revival. The band have released five studio albums: '' Strange House'' (2007), ''Primary Colours'' (2009), ''Skying'' (2011), '' Luminous'' (2014) and '' V'' (2017) all of which charted within the UK Top 40. History Origins (2005–2006) In the early 2000s, the Horrors coalesced around shared interests in obscure vinyl and DJing. During trips to London and on the Southend circuit, Webb met Badwan (formerly of the Rotters) and Furse through their mutual interest in 1960s garage rock and new wave as well as post-punk bands such as the Birthday Party and Bauhaus. In 2005, the three formed a band with Hayward and Spurgeon. The band was ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Meek
Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Charting singles Meek produced for other artists include "Johnny Remember Me" (John Leyton, 1961), "Just Like Eddie" ( Heinz, 1963), "Angela Jones" ( Michael Cox, 1960), "Have I the Right?" (the Honeycombs, 1964), and "Tribute to Buddy Holly" ( Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack The Ripper (song)
"Jack the Ripper" is a song written by Clarence Stacy, his brother Charles Stacy, Walter Haggin and Joe Simmons, and first recorded by Clarence Stacy in 1961. His recording, arranged by Lor Crane, was issued that year as a single on the Carol record label in New York City. The most famous recording was by English musician Screaming Lord Sutch, released as a 7" single in the UK and Germany in 1963 on Decca. It was credited as written by "Stacey, Hagen, Symonds", produced by Joe Meek and recorded in his Holloway Road studio in Islington, England. The song was banned by the BBC upon its release. Musical composition Sutch's version of "Jack the Ripper" is two minutes and forty-eight seconds long, in the key of B-flat major, and 4/4 time. It begins with the sound of footsteps and a woman screaming, followed by a rendition of the " Danger Ahead" motif by the guitar and drum kit, accompanied by a ghoulish moan from Screaming Lord Sutch. The song itself is a three-chord song, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheena Is A Parasite
"Sheena Is a Parasite" is the debut single by English rock band the Horrors, released in April 2006 by Loog Records. Content The title and content were adapted from the Ramones single "Sheena Is a Punk Rocker" as well as the Cramps' "Sheena's in a Goth Gang", and chronicled the demise of punk music and its cultural influence. The B-side is a cover of the Screaming Lord Sutch song "Jack the Ripper". Release It did not chart, as it contained both stickers and inserts, therefore breaking chart rules. Music video The music video was directed by Chris Cunningham, ending a seven-year music video hiatus for the much respected Cunningham, who admitted to being "mildly obsessed" with the track after coming across it on MySpace. Following several Aphex Twin videos in Cunningham's filmography, the video was expected to be suitably twisted and quirky. The video starred Academy Award nominee Samantha Morton as the song's manic, transmogrifying subject who whipped around like a bansh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death At The Chapel
''Strange House'' is the debut studio album by English rock band the Horrors, released on 5 March 2007 by Loog Records. Content The band announced the title via a MySpace bulletin on 11 January 2007. The album subtitle, "Psychotic Sounds for Freaks and Weirdos", was created by a fan from the official Horrors forum. The album consists mostly of previously released material, although several of these tracks were re-recorded or remixed. Release ''Strange House'' was released on 5 March 2007 by Loog Records. It reached No. 37 in the UK Albums Chart. A special edition including a DVD in a gatefold digipak was also released, which contained three music videos ("Sheena Is a Parasite", "Count in Fives" and "Gloves"), three live performances (one full-length and two short sets), an interview and a photo gallery. Reception A review in ''PopMatters'' said, "The Horrors bring a dose of dark glamour to an increasingly anodyne British alternative music scene... They blend their twi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Punk
A garage is a covered structure built for the purpose of parking, storing, protecting, maintaining, and/or repairing vehicles. Specific applications include: * Garage (residential), a building or part of a building for storing one or more vehicles *Automobile repair shop, also called a garage, where vehicles are serviced and repaired * Bus garage, a building or complex used for storage of buses when not in use *Filling station, an automotive service station where vehicles take on fuel or recharge *Multistorey car park, or parking garage, a building serving as a public parking facility Other meanings of garage may include: Arts, entertainment, and media Films * ''Garage'' (film), a 2007 film by Lenny Abrahamson * ''The Garage'' (1920 film), a film by Roscoe Arbuckle * ''The Garage'' (1980 film), a film by Eldar Ryazanov Video game * ''Garage'' (video game), a 1999 Japanese horror adventure video game Music Groups and genres * Garage (band), a Czech rock band * Garage house, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Punk
Horror punk is a music genre that mixes punk rock and 1950s-influenced doo-wop and rockabilly sounds with morbid and violent imagery and lyrics which are often influenced by horror films and science fiction B-movies. The genre was pioneered by the Misfits in the late 1970s and early 1980s. Subsequent bands formed in the Misfits' wake like Mourning Noise, the Undead and Samhain, solidifying horror punk's first wave. In the late 1990s and early 2000s the genre gained attention through the reunion of the Misfits and success of groups like AFI, Son of Sam and the Murderdolls. This popularity continued to the modern day with Blitzkid, Calabrese and Creeper. Characteristics Horror punk is defining by its fusion of punk rock music with the imagery and lyrical topics common in the horror film genre. Typically it references B movies, doing so in a way that emphasises cheesiness. However, some artists and songs in the genre also discuss events of real life horror. Due to this, horror ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Fenwick
Raymond John Fenwick (18 July 1946 – 30 April 2022) was an English guitarist and session musician, best known for his work in The Syndicats and in The Spencer Davis Group in the 1960s, and as the lead guitarist of Ian Gillan's post-Deep Purple solo project, the Ian Gillan Band. Career Fenwick's first professional group was a ska and bluebeat group called Ray and the Red Devils. In 1964, he joined The Syndicats, replacing Steve Howe, and in turn being replaced by Peter Banks. In 1965, he joined the Dutch group Tee-Set, from which developed another group After Tea. He was with The Spencer Davis Group from 1967 to 1969. He also co-wrote the theme music to the 1970s television series ''Magpie'', which was credited to "The Murgatroyd Band", which was basically The Spencer Davis Group at the time. Fenwick wrote all songs on the group's 1969 album ''Funky'' (briefly released in the US in 1970; full release only in 1997) and recorded his own album ''Keep America Beautiful, Get a Hair ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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