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The Gallant Conversation
''The Gallant Conversation'' is an oil-on-canvas painting from circa 1654 by Gerard ter Borch (the Younger). A late 18th century French print of the work is titled ''The Paternal Admonition'', apparently believing it showed a father reprimanding his daughter, but modern art historians see it as a conversation between two prospective lovers, either a discussion of a betrothal or, more likely, a customer propositioning a prostitute in a brothel. There are two versions made by the painter, one at the Rijksmuseum, in Amsterdam, and the other at the Gemäldegalerie Berlin.The two paintings are dated to around 1654. The Amsterdam version is 71 cm by 73 cm, with the extra centimeters on the right being taken up by a dog and a door. The dimensions of the Berlin painting is smaller, 70 by 60 cm. Description The painting shows a man talking to a young woman. The woman is dressed in an exquisite silver satin gown which immediately draws the viewer's attention to her as the focus of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Ter Borch
Gerard ter Borch (; December 1617 – 8 December 1681), also known as Gerard Terburg (), was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johannes Vermeer. According to Arthur K. Wheelock Jr., Ter Borch "established a new framework for subject matter, taking people into the sanctum of the home", showing the figures' uncertainties and expertly hinting at their inner lives. His influence as a painter, however, was later surpassed by Vermeer. Biography Gerard ter Borch was born in December 1617 in Zwolle in the province of Overijssel in the Dutch Republic. He received an excellent education from his father Gerard ter Borch the Elder, also an artist, and developed his talent very early. The inscription on a study of a head proves that Ter Borch was at Amsterdam in 1632, where he studied possibly under Willem Cornelisz Duyster or Pieter Codde. Duyster's influence can be traced in a pic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixed-breed Dog
A mongrel, mutt or mixed-breed dog is a dog that does not belong to one officially recognized breed and including those that are the result of intentional breeding. Although the term ''mixed-breed dog'' is sometimes preferred, many mongrels have no known purebred ancestors. Crossbreed dogs, and " designer dogs", while also a mix of breeds, differ from mongrels in being intentionally bred. At other times, the word ''mongrel'' has been applied to informally purpose-bred dogs such as curs, which were created at least in part from mongrels, especially if the breed is not officially recognized. Although mongrels are viewed as of less commercial value than intentionally bred dogs, they are thought to be less susceptible to genetic health problems associated with inbreeding (based on the theory of heterosis), and have enthusiasts and defenders who prefer them to intentionally bred dogs. Estimates place the prevalence of mongrels at 150 million animals worldwide. Terminology Cros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dogs In Art
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status. Dog portraits became increasingly popular in the 18th century, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Gemäldegalerie, Berlin
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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