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The Fleuron
''The Fleuron'' was a British journal of typography and book arts published in seven volumes from 1923 to 1930. A fleuron is a floral ornament used by typographers. In 1922 Stanley Morison — the influential typographical advisor to Monotype — together with Francis Meynell, Holbrook Jackson, Bernard Newdigate and Oliver Simon, founded the Fleuron Society in London. ''The Fleuron'' was the Fleuron Society's journal of typography and it was produced in seven lavish volumes. Each volume contained a rich variety of papers, illustrations, specimens, inserts and facsimiles along with essays by leading writers of typography and the book arts. ''The Fleuron'' is significant in containing influential essays and typographic material still relevant to the history and use of typefaces. The Fleuron is also significant as one of a series of British typographic journals embodied in diverse formats and titles: the ''Monotype Recorder'', ''Signature (typography journal)'' (1935–1940 and 1946- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magazine
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a ''journal'' has continuous pagination throughout a volume. Thus '' Business Week'', which starts each issue anew with page one, is a magazine, but the '' Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Garamond
Claude Garamont (–1561), known commonly as Claude Garamond, was a French type designer, publisher and punch-cutter based in Paris. Garamond worked as an engraver of punches, the masters used to stamp matrices, the moulds used to cast metal type. He worked in the tradition now called old-style serif design, which produced letters with a relatively organic structure resembling handwriting with a pen but with a slightly more structured and upright design. Considered one of the leading type designers of all time, he is recognised to this day for the elegance of his typefaces. Many old-style serif typefaces are collectively known as Garamond, named after the designer. Garamond was one of the first independent punchcutters, specialising in type design and punch-cutting as a service to others rather than working in house for a specific printer. His career therefore helped to define the future of commercial printing with typefounding as a distinct industry to printing books. Early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magazines Established In 1923
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a ''journal'' has continuous pagination throughout a volume. Thus ''Business Week'', which starts each issue anew with page one, is a magazine, but the '' Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic , th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Defunct Magazines Published In The United Kingdom
{{Disambiguation ...
Defunct (no longer in use or active) may refer to: * ''Defunct'' (video game), 2014 * Zombie process or defunct process, in Unix-like operating systems See also * * :Former entities * End-of-life product * Obsolescence Obsolescence is the state of being which occurs when an object, service, or practice is no longer maintained or required even though it may still be in good working order. It usually happens when something that is more efficient or less risky r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Arts Magazines Published In The United Kingdom
The visual system comprises the sensory organ (the eye) and parts of the central nervous system (the retina containing photoreceptor cells, the optic nerve, the optic tract and the visual cortex) which gives organisms the sense of sight (the ability to detect and process visible light) as well as enabling the formation of several non-image photo response functions. It detects and interprets information from the optical spectrum perceptible to that species to "build a representation" of the surrounding environment. The visual system carries out a number of complex tasks, including the reception of light and the formation of monocular neural representations, colour vision, the neural mechanisms underlying stereopsis and assessment of distances to and between objects, the identification of a particular object of interest, motion perception, the analysis and integration of visual information, pattern recognition, accurate motor coordination under visual guidance, and more. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perpetua And Felicity
Perpetua and Felicity ( la, Perpetua et Felicitas) were Christian martyrs of the 3rd century. Vibia Perpetua was a recently married, well-educated noblewoman, said to have been 22 years old at the time of her death, and mother of an infant son she was nursing. Felicity, an enslaved woman imprisoned with her and pregnant at the time, was martyred with her. They were put to death along with others at Carthage in the area of Africa in the Roman province of Africa (now known as Tunisia). ''The Passion of Perpetua and Felicity'' narrates their death. According to the passion narrative, five people were arrested and executed at the military games in celebration of the Emperor Septimius Severus's birthday. Along with Felicitas and Perpetua, these included two free men, Saturninus and Secundulus, and an enslaved man named Revocatus; all were catechumens or Christians being instructed in the faith but not yet baptized. To this group of five was added a further man named Saturus, who vol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Gill
Arthur Eric Rowton Gill, (22 February 1882 – 17 November 1940) was an English sculptor, letter cutter, typeface designer, and printmaker. Although the ''Oxford Dictionary of National Biography'' describes Gill as ″the greatest artist-craftsman of the twentieth century: a letter-cutter and type designer of genius″, he is also a figure of considerable controversy following revelations of his sexual abuse of two of his daughters. Gill was born in Brighton and grew up in Chichester, where he attended the local college before moving to London. There he became an apprentice with a firm of ecclesiastical architects and took evening classes in stone masonry and calligraphy. Gill abandoned his architectural training and set up a business cutting memorial inscriptions for buildings and headstones. He also began designing chapter headings and title pages for books. As a young man, Gill was a member of the Fabian Society, but later resigned. Initially identifying with the Arts an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutetia
The Gallo-Roman town of ''Lutetia'' (''Lutetia Parisiorum'' in Latin, in French ''Lutèce'') was the predecessor of the modern-day city of Paris. It was founded in about the middle of the 3rd century BCE by the Parisii, a Gallic tribe. Traces of an earlier Neolithic settlement have also been found at the former site of the city. Lutetia was an important crossing point of the Seine, and was located at the intersection of land and water trade routes. In the 1st century BCE, it was conquered by Romans and was gradually rebuilt into a Roman city. Ruins including a forum, amphitheater, and Roman baths still remain. In the 5th century it became the capital of the Merovingian dynasty of French kings, and thereafter was known simply as Paris. Etymology The settlement is attested in Ancient Greek as ''Loukotokía'' (Λoυκoτοκία) by Strabo and ''Leukotekía'' (Λευκοτεκία) by Ptolemy. Likely origins are Celtic root "Lut" meaning "a swamp or marsh", or the Latin term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bembo
Bembo is a serif typeface created by the British branch of the Monotype Corporation in 1928–1929 and most commonly used for body text. It is a member of the " old-style" of serif fonts, with its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman". Bembo is named for Manutius's first publication with it, a small 1496 book by the poet and cleric Pietro Bembo. The italic is based on work by Giovanni Antonio Tagliente, a calligrapher who worked as a printer in the 1520s, after the time of Manutius and Griffo. Monotype created Bembo during a period of renewed interest in the printing of the Italian Renaissance, under the influence of Monotype executive and printing historian Stanley Morison. It followed a previous more faithful revival of Manutius's work, Poliphilus, whose reputation it largely eclipsed. Monotype also created a second, much more eccentric italic for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centaur (typeface)
Centaur is a serif typeface by book and typeface designer Bruce Rogers, based on the Renaissance-period printing of Nicolas Jenson around 1470. He used it for his design of the Oxford Lectern Bible. It was given widespread release by the British branch of Monotype, paired with an italic designed by calligrapher Frederic Warde and based on the slightly later work of calligrapher and printer Ludovico Vicentino degli Arrighi. The italic has sometimes been named separately as the "Arrighi" italic. Centaur is an elegant and quite slender design, lighter on the page than Jenson's work and most other revivals, an effect possibly amplified in the digital release compared to the metal type. It has been popular in fine book printing and is often used both for printing body text and especially titles and headings. One of its most notable uses has been in the designs of Penguin Books, who have regularly used it for titling. Historical background Rogers' primary influence was Nicholas Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perpetua (typeface)
Perpetua is a serif typeface that was designed by English sculptor and stonemason Eric Gill for the British Monotype Corporation. Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, at a time when Gill's reputation as a leading artist-craftsman was high. Perpetua was intended as a crisp, contemporary design not following any specific historic model, with a structure influenced by Gill's experience of carving lettering for monuments and memorials. Perpetua is commonly used for covers and headings and also sometimes for body text; it has been particularly popular in fine book printing. Perpetua was released with characters for the Greek alphabet and a matching set of titling capitals for headings. Perpetua is named for the Christian martyr Vibia Perpetua, an account of whose life was used in one of its first showings; its companion italic is named "Felicity" for her companion of that name. The choice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Koch
Rudolf Koch (20 November 1876 – 9 April 1934) was a German type designer, professor, and a master of lettering, calligraphy, typography and illustration. Commonly known for his typefaces created for the Klingspor Type Foundry, his most widely used typefaces include Neuland and Kabel. Overview Koch spent his teenage years working in Hanau as an apprentice in a metal goods workshop, whilst also attending art school, where he learned to draw, and soon after went to the Academy of Fine Arts, Nuremberg. Between 1897 and 1906 he worked for various businesses in the book trade in Leipzig, illustrating and designing book covers in the Art Nouveau style that was popular at the time. In 1906 Koch began working for the Rudhard Type foundry in Offenbach, later known as the Klingspor Type foundry. Other notable designers who worked for the foundry include Otto Eckmann and Peter Behrens. Koch was deeply spiritual and a devout Lutheran, spending much of his time working on religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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