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The Finnish Prisoner
''The Finnish Prisoner'' is an opera by Orlando Gough set to an English-language libretto written by Stephen Plaice who based it on the true story of Finnish prisoners of war incarcerated in England during the Åland War, part of the Crimean War. Background When the Russian fortress of Bomarsund, in Åland in the eastern Baltic off the coast of Finland, was destroyed during the Åland War, many hundreds of prisoners were taken, some 340 of whom were taken to Lewes, in Sussex, England. While the officers were Russian, the men were mostly Finnish conscripts – the Grand Duchy of Finland was part of the Russian Empire at the time. The officers were housed with local families, allowed complete freedom of movement, and integrated themselves into local society. The men, confined in the Naval Prison, were given facilities to produce wooden toys for sale to the public. The prison, which was open to visitors, became a major tourist attraction, and both the toys and their makers we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Gough
Orlando Gough ( ; born 1953 in Brighton, Sussex) is a British composer, educated at Oxford, and noted for projects written for ballet, contemporary dance and theatre. Collaborators have included Siobhan Davies, Alain Platel, Shobana Jeyasingh and Ashley Page of The Royal Ballet. He is artistic director of The Shout, which he founded in 1998 with Richard Chew. The choir won the Time Out Award for Classical Artist of the Year in 2001. He released one album titled ''Message from the Border'' that was released on Catalyst/BMG Records. His 2001 commission from Fretwork, called ' Birds on Fire' was recorded by them for Harmonia Mundi under the same title and was released in 2008. He composed the music for the closing ceremony of the 2008 European Capital of Culture, Stavanger. Members of the choir include Carol Grimes, Melanie Pappenheim and Manickam Yogeswaran. In 2010 the Turner Contemporary commissioned Gough to compose a work for its opening ceremonies: "The Red Volcano" – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewes Prison
His Majesty's Prison Lewes is a local category B prison located in Lewes in East Sussex, England. The term local means that the prison holds people on remand to the local courts, as well as sentenced prisoners. The prison is operated by His Majesty's Prison Service. History Lewes is a Victorian prison, built in 1853. The present day prison was constructed to replace the original Lewes Gaol which despite being enlarged in 1818 to hold 70 cells along with a treadmill had become too small. Built in 1791 Lewes Gaol was situated at the corner of North Street and Lancaster Street in Lewes. Lewes Gaol was sold to the Admiralty in 1853 to help house PoWs from the Crimean War and was finally demolished in 1963. An early prisoner at Lewes was George Witton, a Lieutenant in the Bushveldt Carbineers in the Boer War in South Africa. He was imprisoned after being implicated in the shooting murder of Boer prisoners. While imprisoned in the UK from 1902, George Ramsdale Witton wrote the book ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finnish National Opera
The Finnish National Opera and Ballet ( fi, Suomen Kansallisooppera ja -baletti; sv, Finlands Nationalopera och -balett) is a Finnish opera company and ballet company based in Helsinki. It is headquartered in the Opera House on the coast of the Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate Properties. The Opera House features two auditoriums, the main auditorium with 1,350, seats and a smaller studio auditorium with 300–500 seats. History Regular opera performances began in Finland in 1873 with the founding of the Finnish Opera by Kaarlo Bergbom. Prior to that, opera had been performed in Finland sporadically by touring companies, and on occasion by Finnish amateurs, the first such production being ''The Barber of Seville'' in 1849. However, the Finnish Opera company soon plunged into a financial crisis and folded in 1879. During its six years of operation, Bergbom's opera company had given 450 performances of a total of 26 operas, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susannah Waters
Susannah Waters is a British writer and director. Born in Kent, England, she attended both Bennington College in America and the Guildhall School of Music, in London, as well as the National Opera Studio. Actor Mark Rylance is one of her brothers. For twelve years, she worked as an opera singer, performing principal roles in many of the world's leading opera houses, including the Royal Opera House, Glyndebourne Festival Opera, Welsh National Opera, Scottish Opera, New York City Opera, Santa Fe Opera Festival, LA Opera, Seattle Opera, Théâtre du Châtelet, and Royal Swedish Opera. In 2002, she left singing to become a writer and stage director. Her first novel, ''Long Gone Anybody'', was published by Black Swan in 2004, and short-listed for the Pendleton May Award and Geoffrey Faber Award. . Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera (British Magazine)
''Opera'' is a monthly Great Britain, British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes (musicologist), Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in ISO 216, A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
