The Fiction We Live
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The Fiction We Live
''The Fiction We Live'' is the second studio album by the American post-hardcore band From Autumn to Ashes. It was produced by Garth Richardson and released September 9, 2003, through Vagrant Records. Melanie Wills of One True Thing makes a guest appearance once again, contributing to the vocals on "Autumns Monologue." This is the last album to feature Scott Gross and Mike Pilato. It peaked at number 73 on the ''US ''Billboard'' 200'' charts. Videos Three music videos were produced for ''The Fiction We Live'': "The After Dinner Payback", "Lilacs & Lolita," and "Milligram Smile." They aired on ''Headbangers Ball'' upon release. Musical style The album features more clean vocals than the previous album, '' Too Bad You're Beautiful''. Four songs have no screaming vocals, "No Trivia", "Autumns Monologue", "The Fiction We Live", and "I'm the Best at Ruining My Life." "Autumns Monologue" is a re-working of "The Fiction We Live" with the collaboration of Melanie Wills. Track listing ...
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From Autumn To Ashes
From Autumn to Ashes is a post-hardcore band based in Long Island, New York. The group formed in 2000 under the name Who's to Blame. While the band had gone through many line-up changes, the members include Francis Mark (lead vocals, drums), Scott Gross (guitars), Benjamin Perri (screamed vocals), Brian Deneeve (guitars, backing vocals), Stephen Salvio (guitars), Josh Newton (bass guitar, backing vocals), Mike Pilato (bass guitar, backing vocals), Rob Lauritsen (guitars), Jonathan Cox (guitars) and Jeff Gretz (drums, backing vocals). Described as "melody and lushness meets brutality," the band released their debut full-length album '' Too Bad You're Beautiful'' in 2001. The album featured former band member Benjamin Perri on harsh vocals, with Mark providing the clean vocals and acted as drummer. The year 2003 saw the release of '' The Fiction We Live'' and 2005, the release of ''Abandon Your Friends'', the last From Autumn to Ashes album with Perri and Mark in their respective ...
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Scott Gross
Scott Gross is an American musician, guitarist, composer, producer, audio engineer and writer known as a member of the band From Autumn To Ashes and owner and founder of Hit And Run Studios in Long Island, New York. Before From Autumn To Ashes he was in a local band called Who's To Blame with Francis Mark. Gross was one of the songwriters in From Autumn To Ashes and also wrote lyrics for the first two albums along with Perri and Mark. He also is named as a producer on Jordan White’s 2016 EP “High Road.” Musical career Scott entered music after listening to the Pearl Jam album Ten and his mom bought him an electric guitar for Christmas. Who's To Blame (1998–2000) Who's To Blame was a local band from the Long Island, New York area. The band consisted of Francis Mark, Scott Gross, Mike Pilato, and others. From Autumn To Ashes (2000–2004) Scott and a friend started talking about a new project while they still were in "Who's To Blame". They wanted to do something mu ...
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Howie Weinberg
Howie Weinberg is an American audio mastering engineer with over 2,257 mastering credits, three TEC Awards, 21 Grammy Awards, two Juno Awards, and one Mercury Prize. Career Weinberg mastered Herbie Hancock's 1983 album ''Future Shock''. Other mastering works include the Beastie Boys' ''Licensed to Ill'' and Nirvana's ''Nevermind''. Weinberg began working in the mail room at Masterdisk in 1979, delivering recording tapes in New York City. Mastering engineer Bob Ludwig acted as his mentor. In January 2011, he left Masterdisk to set up his own mastering company in Los Angeles, Howie Weinberg Mastering, which appeared in ''Voyage LA''s "Most Inspiring Stories" on February 11, 2021. In 1993, Weinberg worked on the Payolas' song " Eyes of a Stranger". In 1997, ''Polythene'' by Feeder was met with critical acclaim and made the UK Top 75. He appeared on a panel discussion at the 2009 SXSW music festival titled Producers "On Making Classic Records" sometimes working in a teaching cap ...
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Mixing (music Production)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing co ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Lead Guitar
Lead guitar (also known as solo guitar) is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs. History The first form of lead guitar emerged in the 18th century, in the form of classical guitar styles, which evolved from the Baroque guitar, and Spanish Vihuela. Such styles were popular in much of Western Europe, with notable guitarists including Antoine de Lhoyer, Fernando Sor, and Dionisio Aguado. It was through this period of the classical shift to romanticism the six-string guitar was first used for solo composing. Through the 19th century ...
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Rhythm Guitar
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section (e.g., drum kit, bass guitar); and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums. In ensembles or bands playing within the acoustic, country, blues, rock or metal genres (among others), a guitarist playing the rhythm part of a composition plays the role of supporting the melodic lines and improvised solos played on the lead instrument or instruments, be they strings, wind, brass, keyboard or even percus ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Lead Vocals
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role (such as strumming a guitar part), or playing a lead instrument/instrumental solo role when they are not singing (as in the case of lead singer-guitar virtuoso Jimi Hendrix). The lead singer also typically guides the vocal ensem ...
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Francis Mark
Francis Mark is an American drummer, singer, guitarist, songwriter and artist known as a member of the bands From Autumn to Ashes, Warship, Biology, and Tidal Arms. Mark currently resides in Brooklyn, New York and plays with Tidal Arms. Before From Autumn To Ashes, he was in a local band named Who's to Blame with Scott Gross. Mark has also filled in for vocalist Jeffrey Moreira at a handful of Poison the Well shows in September 2001 and played drums for Reggie and the Full Effect in 2008. Selected discography with Tidal Arms * 2013 – Tidal Arms * 2011 – The Sun Exploding with Warship *2008 – Supply and Depend (Vagrant Records) with Biology * 2005 – Making Moves (Vagrant Records) with From Autumn to Ashes * 2007 – Holding a Wolf by the Ears (Vagrant Records) * 2005 – Abandon Your Friends (Vagrant Records) * 2003 – The Fiction We Live (Vagrant Records) * 2001 – Too Bad You're Beautiful (Ferret Music) * 2000 – Sin, Sorrow, and Sadness (Tribunal Re ...
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