The Fat Man (song)
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The Fat Man (song)
"The Fat Man" is a song by American rhythm and blues recording artist Fats Domino. It was written by Domino and Dave Bartholomew, and recorded on December 10, 1949. It is often cited as one of the first rock and roll records or at least a strong influence on the genre. This was a "rollicking" song, according to ''The Guardian'' "but what made it a rocker was Fats's barrelling piano triplets, combined with a solid big beat". The recording is one of four Fats Domino songs to have been named to the Grammy Hall of Fame. Domino received a Grammy Lifetime Achievement Award in 1987. Recording The song was recorded for Imperial Records in Cosimo Matassa's J&M studio on Rampart Street in New Orleans, Louisiana on Saturday, December 10, 1949. Imperial's Lew Chudd had previously asked Dave Bartholomew to show him some locally popular talent, and was most impressed with the 21-year-old Fats Domino, then playing at a working class dive in the 9th Ward of New Orleans. Domino sang and play ...
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Fats Domino
Antoine Dominique Domino Jr. (February 26, 1928 â€“ October 24, 2017), known as Fats Domino, was an American pianist, singer and songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single " The Fat Man" is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song's co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price's "Lawdy Miss Clawdy" (1952) and scoring a string of mainstream hits beginning with "Ain't That a Shame" (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold. Domino was shy and modest by nature but made a significant contribution to the rock and roll genre. Elvis Presley declared Domino a "h ...
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Ernest McLean
Ernest J. McLean (March 23, 1925 – February 24, 2012) was an American rhythm and blues and jazz guitarist. Career Born in New Orleans, McLean was the son of musician Richard McLean, who played banjo in a government music project band, and his wife Beatrice.Jeff Hannusch, "Obituary: Ernest McLean", ''Offbeat.com''
Retrieved 28 August 2015
He began learning guitar at the age of 11. After the end of , he joined 's band. The band featured drummer

Wah-wah (music)
Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable ''wah''. The wah-wah effect is a spectral glide, a "modification of the vowel quality of a tone". Etymology The word is derived from the sound of the effect itself; an imitative or onomatopoeia word. The effect's "wa-wa" sound was noted by jazz player Barney Bigard when he heard Tricky Sam Nanton use the effect on his trombone in the early 1920s. History Acoustic The wah-wah effect is believed to have originated in the 1920s, with brass instrument players finding they could produce an expressive crying tone by moving a mute, or plunger, in and out of the instrument's bell. In 1921, trumpet player Johnny Dunn's use of this style inspired Tricky Sam Nanton to use the mute with the trombone. Electronic By the early 1960s, the sound of the acoustic technique had been emulated with electro ...
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Scat Singing
In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice as an instrument rather than a speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos. Characteristics Structure and syllable choice Though scat singing is improvised, the melodic lines are often variations on scale and arpeggio fragments, stock patterns and riffs, as is the case with instrumental improvisers. As well, scatting usually incorporates musical structure. All of Ella Fitzgerald's scat performances of "How High the Moon", for instance, use the same tempo, begin with a chorus of a straight reading of the lyric, move to a "specialty chorus" introducing the scat chorus, and then the scat itself. Will Friedwald has compared Ella Fitzgerald to Chuck Jones directing his Roadrunner cartoon—each us ...
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Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ...
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Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as fu ...
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Tipitina
"Tipitina" is a song written and made famous by Professor Longhair. The song has been widely covered, and the Professor Longhair version was recorded in 1953 for Atlantic Records. "Tipitina" was first released in 1953. A previously unreleased alternate take (also recorded in 1953) was released on the album ''New Orleans Piano'' in 1972. Although the nature of his contributions are unknown, recording engineer Cosimo Matassa is listed as the song's co-writer along with Roy Byrd, Professor Longhair's legal name. The song, which is considered a New Orleans music standard, was added to the US National Recording Registry in 2011 because of its cultural significance. The subject of "Tipitina" is unknown. According to an interview and a recording by Dr. John (Mac Rebennack) played at the WWOZ Piano Night concert in 2020, Tipitina was a type of or name of a bird. Rebennack said he had never heard of that before or since. The New Orleans music venue, Tipitina's, was named for the song ...
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Lawdy Miss Clawdy
"Lawdy Miss Clawdy" is a song by New Orleans singer/songwriter Lloyd Price that "grandly introduced '' The New Orleans Sound''". It was first recorded by Price in 1952 with Fats Domino and Dave Bartholomew during his first session for Art Rupe and Specialty Records. The song became one of the biggest selling R&B records of 1952 and crossed over to other audiences. "Lawdy Miss Clawdy" inspired many songs and has been recorded by a variety of artists. Background While still in high school, Lloyd Price was working for New Orleans radio station WBOK. He provided jingles (music for radio advertisements) for various products, including those hawked by disc jockey James "Okey Dokey" Smith. One of Smith's catch phrases was "Lawdy Miss Clawdy", which he used in ad slogans such as "Lawdy Miss Clawdy, eat Mother's Homemade Pies and drink Maxwell House coffee!" Price's accompanying tune proved popular with the radio audience and he developed it into a full-length song. In 1952, Art ...
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Lloyd Price
Lloyd Price (March 9, 1933May 3, 2021) was an American singer-songwriter, record executive and bandleader, known as "Mr. Personality", after his 1959 million-selling hit, "Personality". His first recording, "Lawdy Miss Clawdy", was a hit for Specialty Records in 1952. He continued to release records, but none were as popular until several years later, when he refined the New Orleans beat and achieved a series of national hits. He was inducted into the Rock and Roll Hall of Fame in 1998. Early life, family and education Price was born on March 9, 1933, in Kenner, Louisiana, a suburb of New Orleans, and raised in Kenner. His mother, Beatrice Price, owned the Fish 'n' Fry Restaurant. Price picked up lifelong interests in business and food from her. He and his younger brother Leo were both musical. He had formal training on trumpet and piano, sang in his church's gospel choir, and was a member of a combo in high school. Career Art Rupe, the owner of Specialty Records, based in Lo ...
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Willie Hall (pianist)
Willie Hall (died 1930), best known by his nickname Drive 'Em Down, was a New Orleans blues and boogie woogie piano player. He never recorded, but has had a great influence on blues and rock and roll. According to Champion Jack Dupree, who called Drive 'Em Down his "father" and cited him as "teaching me his style", Hall played in barrelhouses. His earthy song, "Junker's Blues", with its stories about needles and reefer and the Angola prison farm was recorded by Dupree in 1940. In 1949 Fats Domino reworked the song as " The Fat Man", the first of his 35 Top 40 hits. The melody was used by Professor Longhair for "Tipitina" and by Lloyd Price for "Lawdy Miss Clawdy." Willy DeVille recorded the song in 1990 on his ''Victory Mixture'' album. The song also directly inspired the song "Junco Partner "Junco Partner", also known as "Junco Partner (Worthless Man)", is a blues song first recorded by James Waynes in 1951.
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Junker Blues
Junker Blues is a piano blues song first recorded in 1940 by Champion Jack Dupree. It formed the basis of several later songs including the 1949 " The Fat Man" by Fats Domino and the 1952 "Lawdy Miss Clawdy" by Lloyd Price. The song is about a drug user's conflict with life and the law, makes references to cocaine, " needles", " reefers", and life in the penitentiary, and contains admonishments against the use of hard drugs. History The song was written sometime in the 1920s by Willie Hall, known as "Drive 'em Down" Hall, a blues and boogie-woogie pianist from New Orleans. Hall never recorded nor received credit for the song. In 1940, Champion Jack Dupree, an American pianist who referred to Hall as his "father", recorded the song for the first time on Okeh Records (OKeh 06152). In 1958, a different version of this song, Junker's Blues, penned by Dupree himself, and which focuses on the allure of hard drugs, appeared on Dupree's first album, ''Blues from the Gutter'', featuring ...
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