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The Fat Man (song)
"The Fat Man" is a song by American rhythm and blues recording artist Fats Domino. It was written by Domino and Dave Bartholomew, and recorded on December 10, 1949. It is often cited as one of the first rock and roll records or at least a strong influence on the genre. This was a "rollicking" song, according to ''The Guardian'' "but what made it a rocker was Fats's barrelling piano triplets, combined with a solid big beat". The recording is one of four Fats Domino songs to have been named to the Grammy Hall of Fame. Domino received a Grammy Lifetime Achievement Award in 1987. Recording The song was recorded for Imperial Records in Cosimo Matassa's J&M studio on Rampart Street in New Orleans, Louisiana on Saturday, December 10, 1949. Imperial's Lew Chudd had previously asked Dave Bartholomew to show him some locally popular talent, and was most impressed with the 21-year-old Fats Domino, then playing at a working class dive in the 9th Ward of New Orleans. Domino sang and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fats Domino
Antoine Dominique Domino Jr. (February 26, 1928 – October 24, 2017), known as Fats Domino, was an American pianist, singer and songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single " The Fat Man" is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song's co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price's " Lawdy Miss Clawdy" (1952) and scoring a string of mainstream hits beginning with " Ain't That a Shame" (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold. Domino was shy and modest by nature but made a significant contribution to the rock and roll genre. Elvis Presley declared Domino a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest McLean
Ernest J. McLean (March 23, 1925 – February 24, 2012) was an American rhythm and blues and jazz guitarist. Career Born in New Orleans, McLean was the son of musician Richard McLean, who played banjo in a government music project band, and his wife Beatrice.Jeff Hannusch, "Obituary: Ernest McLean", ''Offbeat.com'' Retrieved 28 August 2015 He began learning guitar at the age of 11. After the end of , he joined 's band. The band featured drummer [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah-wah (music)
Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable ''wah''. The wah-wah effect is a spectral glide, a "modification of the vowel quality of a tone". Etymology The word is derived from the sound of the effect itself; an imitative or onomatopoeia word. The effect's "wa-wa" sound was noted by jazz player Barney Bigard when he heard Tricky Sam Nanton use the effect on his trombone in the early 1920s. History Acoustic The wah-wah effect is believed to have originated in the 1920s, with brass instrument players finding they could produce an expressive crying tone by moving a mute, or plunger, in and out of the instrument's bell. In 1921, trumpet player Johnny Dunn's use of this style inspired Tricky Sam Nanton to use the mute with the trombone. Electronic By the early 1960s, the sound of the acoustic technique had been emulated with elec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scat Singing
In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice as an instrument rather than a speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos. Characteristics Structure and syllable choice Though scat singing is improvised, the melodic lines are often variations on scale and arpeggio fragments, stock patterns and riffs, as is the case with instrumental improvisers. As well, scatting usually incorporates musical structure. All of Ella Fitzgerald's scat performances of "How High the Moon", for instance, use the same tempo, begin with a chorus of a straight reading of the lyric, move to a "specialty chorus" introducing the scat chorus, and then the scat itself. Will Friedwald has compared Ella Fitzgerald to Chuck Jones directing his Roadrunner cartoon—each u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the peri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music) In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and s |
