The False Friend; Or, The Fate Of Disobedience
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The False Friend; Or, The Fate Of Disobedience
''The False Friend; or, the Fate of Disobedience'' is a she-tragedy written by Mary Pix, and first performed at Lincoln's Inn Fields in 1699. The play is a reworking of William Shakespeare's Othello. The original cast featured John Bowman as Viceroy of Sardinia, John Verbruggen as Emilius, John Thurmond as Lorenzo, John Hodgson as Bucarius, Joseph Harris as Roderigo, Elizabeth Barry as Adellaida, Elizabeth Bowman as Appamia, Anne Bracegirdle as Lovisa, and Abigail Lawson as Zelide. Plot The Spanish Emilius has secretly married the French Louisa. The play begins with their safe arrival in Sardinia, where Emilius' father is the Viceroy. Appamia (Emilius' foster-sister) is also in love with Emilius, and is shocked to hear of his marriage. She hopes to make the couple doubt each other's fidelity, and when this doesn't work, she tricks Emilius into giving Louisa poison. As Louisa convulses in agony, Appamia's plot is revealed to all. A distraught Emilius kills himself, and Lou ...
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Mary Pix
Mary Pix (1666 – 17 May 1709) was an English novelist and playwright. As an admirer of Aphra Behn and colleague of Susanna Centlivre, Pix has been called "a link between women writers of the Restoration and Augustan periods". Early years Mary Griffith Pix was born in 1666, the daughter of a rector, musician and Headmaster of the Royal Latin School, Buckingham, Buckinghamshire; her father, Roger Griffith, died when she was very young, but Mary and her mother continued to live in the schoolhouse after his death. She was courted by her father's successor Thomas Dalby, but he left with the outbreak of smallpox in town, just one year after the mysterious fire that burned the schoolhouse. Rumour had it that Mary and Dalby had been making love rather energetically and overturned a candle which set fire to the bedroom. In 1684, at the age of 18, Mary Griffith married George Pix (a merchant tailor from Hawkhurst, Kent). The couple moved to his country estate in Kent. Her first son, ...
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Elizabeth Bowman
Elizabeth Bowman (c. 1677 – 1707) was an English stage actor of the seventeenth and early eighteenth century.Caines p.149 The daughter of Sir Francis Watson, 1st Baronet she was adopted by the actor manager Thomas Betterton. In 1692 she married John Bowman and began acting at Drury Lane the following year as Mrs Bowman. She was a member of the United Company until 1695 then joined Betterton's breakaway at the Lincoln's Inn Fields Theatre. Selected roles * Sylvia in ''The Old Batchelor'' by William Congreve (1693) * Mrs Stockjobb in ''The Richmond Heiress'' by Thomas D'Urfey (1693) * Cecilia in '' The Married Beau'' by John Crowne (1694) * Mrs Foresight in ''Love For Love'' by William Congreve (1695) * Juliana in ''She Ventures and He Wins'' by Ariadne (1695) * Mrs Plant in '' The Lover's Luck'' by Thomas Dilke (1695) * Lucinda in '' The She-Gallants'' by George Granville (1695) * Arabella ''The City Bride'' by Joseph Harris (1696) * Selima in '' The Royal Mischief'' by Dela ...
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1699 Plays
Events January–March * January 5 – A 1699 Java earthquake, violent Java earthquake damages the city of Batavia, Dutch East Indies, Batavia on the Indonesian island of Java, killing at least 28 people * January 20 – The Parliament of England (under Tories (British political party), Tory dominance) limits the size of the country's standing army to 7,000 'native born' men; hence, William III of England, King William III's Dutch Blue Guards cannot serve in the line. By an Act of February 1, it also requires disbandment of foreign troops in Ireland. * January 26 – The Republic of Venice, Polish–Lithuanian Commonwealth and Holy Roman Empire sign the Treaty of Karlowitz with the Ottoman Empire, marking an end to the major phase of the Ottoman–Habsburg wars. The treaty marks a major geopolitical shift, as the Ottoman Empire subsequently abandons its expansionism and adopts a defensive posture while the Habsburg monarchy expands its influence. * February 3 – The first ...
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Pathos
Pathos (, ; plural: ''pathea'' or ''pathê''; , for "suffering" or "experience") appeals to the emotions and ideals of the audience and elicits feelings that already reside in them. Pathos is a term used most often in rhetoric (in which it is considered one of the three modes of persuasion, alongside ethos and logos), as well as in literature, film and other narrative art. Methods Emotional appeal can be accomplished in many ways, such as the following: * by a metaphor or storytelling, commonly known as a hook; * by passion in the delivery of the speech or writing, as determined by the audience; * by personal anecdote. appealing to an ideal can also be handled in various ways, such as the following: * by understanding the reason for their position * avoiding attacks against a person or audience's personally * use the attributes of the ideal to reinforce the message Pathos tends to use "loaded" words that will get some sort of reaction. Examples could include "victim," in a n ...
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Medea
In Greek mythology, Medea (; grc, Μήδεια, ''Mēdeia'', perhaps implying "planner / schemer") is the daughter of King Aeëtes of Colchis, a niece of Circe and the granddaughter of the sun god Helios. Medea figures in the myth of Jason and the Argonauts, appearing in Hesiod's ''Theogony'' around 700 BCE, but best known from Euripides's tragedy ''Medea'' and Apollonius of Rhodes's epic ''Argonautica''. Medea is known in most stories as a sorceress and is often depicted as a priestess of the goddess Hecate. Medea plays the archetypal role of helper-maiden, aiding Jason in his search for the Golden Fleece by using her magic to save his life out of love. Once he finished his quest, she abandons her native home of Colchis, and flees westwards with Jason, where they eventually settle in Corinth and get married. Euripides's 5th-century BCE tragedy ''Medea'', depicts the ending of her union with Jason, when after ten years of marriage, Jason abandons her to wed King Creon's daugh ...
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Othello (character)
Othello () is a character in Shakespeare's ''Othello'' (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in ''Gli Hecatommithi'' by Cinthio, Giovanni Battista Giraldi Cinthio. There, he is simply referred to as the Moor. Othello is a brave and competent soldier of advanced years and Moors, Moorish background in the service of the Venetian Republic. He elopes with Desdemona, the beautiful daughter of a respected Venetian senator. After being deployed to Cyprus, Othello is manipulated by his Ancient (pronounced Ensign (rank), Ensign) Iago into believing Desdemona is an adulteress. Othello murders her and, upon discovering Iago's deceit, kills himself. ''Othello'' was first mentioned in a Revels account of 1604 when the play was performed on 1 November at Whitehall Palace with Richard Burbage almost certainly Othello's first interpreter. Modern notable performers of the role include Paul Robeson, Orson Welles, Richard Burton (actor), Richard Burto ...
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Iago
Iago () is a fictional character in Shakespeare's ''Othello'' (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer. He is the husband of Emilia, who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having an affair with his lieutenant, Michael Cassio. The role is thought to have been first played by Robert Armin, who typically played intelligent clown roles like Touchstone in ''As You Like It'' and Feste in ''Twelfth Night''. The character's source is traced to Giovanni Battista Giraldi Cinthio's tale "Un Capitano Moro" in ''Gli Hecatommithi'' (1565). There, the character is simply "the ensign". Origin While no English translation of Cinthio was available in Shakespeare's lifetime, it is possible Shakespeare knew the Italian original, Gabriel Chappuy's 1584 French translation, or an English translation in manuscript. Cinthio's tale may have been ba ...
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Viceroy
A viceroy () is an official who reigns over a polity in the name of and as the representative of the monarch of the territory. The term derives from the Latin prefix ''vice-'', meaning "in the place of" and the French word ''roy'', meaning "king". He has also been styled the king's lieutenant. A viceroy's territory may be called a viceroyalty, though this term is not always applied. The adjective form is ''viceregal'', less often ''viceroyal''. The term ''vicereine'' is sometimes used to indicate a female viceroy ''suo jure'', although ''viceroy'' can serve as a gender-neutral term. Vicereine is more commonly used to indicate a viceroy's wife. The term has occasionally been applied to the governors-general of the Commonwealth realms, who are ''viceregal'' representatives of the monarch. ''Viceroy'' is a form of royal appointment rather than noble rank. An individual viceroy often also held a noble title, however, such as Bernardo de Gálvez, 1st Viscount of Galveston, who was ...
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Sardinia
Sardinia ( ; it, Sardegna, label=Italian, Corsican and Tabarchino ; sc, Sardigna , sdc, Sardhigna; french: Sardaigne; sdn, Saldigna; ca, Sardenya, label=Algherese and Catalan) is the second-largest island in the Mediterranean Sea, after Sicily, and one of the 20 regions of Italy. It is located west of the Italian Peninsula, north of Tunisia and immediately south of the French island of Corsica. It is one of the five Italian regions with some degree of domestic autonomy being granted by a special statute. Its official name, Autonomous Region of Sardinia, is bilingual in Italian and Sardinian: / . It is divided into four provinces and a metropolitan city. The capital of the region of Sardinia — and its largest city — is Cagliari. Sardinia's indigenous language and Algherese Catalan are referred to by both the regional and national law as two of Italy's twelve officially recognized linguistic minorities, albeit gravely endangered, while the regional law provides ...
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Abigail Lawson
Abigail Lawson was an English stage actor of the seventeenth and early eighteenth century. She was a member of the United Company, making her first known appearance in ''The Marriage-Hater Matched'' by Thomas D'Urfey in 1692. From 1695 she was part of Thomas Betterton's breakaway company at the Lincoln's Inn Fields Theatre.Highfill, Burnim & Langhans p.173 Selected roles * Margery in ''The Marriage-Hater Matched'' by Thomas D'Urfey (1692) * Mrs Dazie in ''The Canterbury Guests'' by Edward Ravenscroft (1694) * Jenny in ''Love for Love'' by William Congreve (1695) * Doll in ''She Ventures and He Wins'' by Ariadne (1695) * Sprightly in '' The Lover's Luck'' by Thomas Dilke (1695) * Nurse in ''The City Bride'' by Joseph Harris (1696) * Beatrice in '' The Anatomist'' by Edward Ravenscroft (1696) * Fidget in ''The City Lady'' by Thomas Dilke (1696) * Euginia in ''The Innocent Mistress'' by Mary Pix (1697) * Las Busque in ''The Intrigues at Versailles'' by Thomas D'Urfey (1697) * Nibs in ...
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Anne Bracegirdle
Anne Bracegirdle (possibly 167112 September 1748) was an English actress. Biography Bracegirdle was born to Justinian and Martha (born Furniss) Bracegirdle in Northamptonshire. She was baptised in Northampton on 15 November 1671, although her tombstone says that she died at the age of 85 (suggesting that she was born around 1663)."Anne was baptized, probably as an infant, at St Giles, Northampton, on 15 November 1671 and was about seventy-seven when she died in 1748, rather than eighty-five, as recorded on her tombstone in Westminster Abbey." J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 201accessed 1 June 2012/ref> She was probably raised by actors Thomas and Mary Betterton from an early age,J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 201accessed 1 June 2012/ref> and it is speculated tha ...
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Elizabeth Barry
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and w ...
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