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The Execution Of Marshal Ney
''The Execution of Marshal Ney'' () is an 1868 painting by the French artist Jean-Léon Gérôme. It depicts the French Marshal Michel Ney immediately after his execution on 7 December 1815, with the firing squad seen marching away from the site. On the wall behind Ney's corpse are two inscriptions: one that says "vive l'empereur" ("long live the emperor") and is crossed out, and one that says "vive" right before the bullet holes from the execution. According to Gérôme this was a comment on Ney's multiple shifts of allegiance between Napoleon and the House of Bourbon.. The painting has been owned by the Sheffield Galleries and Museums Trust since 1931, and is now in the collection of the Graves Art Gallery in Sheffield, England. Historical background Michel Ney was a marshal in Napoleon’s army, a heroic figure called "the bravest of the brave" by Napoleon.Chandler 1999, p. 314. When Napoleon abdicated in 1814, Ney pledged his allegiance to the Bourbon monarchy, but when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Léon Gérôme
Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students. Early life Jean-Léon Gérôme was born at Vesoul, Haute-Saône. He went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy in 1843. He visited Florence, Rome, the Vatican and Pompeii. On his return to Paris in 1844, like many students of Delaroche, he joined the atelier of Charles Gleyre and studied there for a brief time. He then attended the École des Beaux-Arts. In 1846 he tried to enter the prestigio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manet
A wireless ad hoc network (WANET) or mobile ad hoc network (MANET) is a decentralized type of wireless network. The network is ad hoc because it does not rely on a pre-existing infrastructure, such as routers in wired networks or access points in wireless networks. Instead, each node participates in routing by forwarding data for other nodes, so the determination of which nodes forward data is made dynamically on the basis of network connectivity and the routing algorithm in use. In the Windows operating system, ad hoc is a communication mode (setting) that allows computers to directly communicate with each other without a router. Wireless mobile ad hoc networks are self-configuring, dynamic networks in which nodes are free to move. Such wireless networks lack the complexities of infrastructure setup and administration, enabling devices to create and join networks "on the fly". Each device in a MANET is free to move independently in any direction, and will therefore change it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings About Death
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Collection Of Sheffield Museums
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Jean-Léon Gérôme
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1868 Paintings
Events January–March * January 2 – British Expedition to Abyssinia: Robert Napier leads an expedition to free captive British officials and missionaries. * January 3 – The 15-year-old Mutsuhito, Emperor Meiji of Japan, declares the ''Meiji Restoration'', his own restoration to full power, under the influence of supporters from the Chōshū and Satsuma Domains, and against the supporters of the Tokugawa shogunate, triggering the Boshin War. * January 5 – Paraguayan War: Brazilian Army commander Luís Alves de Lima e Silva, Duke of Caxias enters Asunción, Paraguay's capital. Some days later he declares the war is over. Nevertheless, Francisco Solano López, Paraguay's president, prepares guerrillas to fight in the countryside. * January 7 – The Arkansas constitutional convention meets in Little Rock. * January 9 – Penal transportation from Britain to Australia ends, with arrival of the convict ship ''Hougoumont'' in Western Australia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walters Art Museum
The Walters Art Museum, located in Mount Vernon-Belvedere, Baltimore, Maryland, United States, is a public art museum founded and opened in 1934. It holds collections established during the mid-19th century. The museum's collection was amassed substantially by major American art and sculpture collectors, a father and son: William Thompson Walters, (1819–1894), who began collecting when he moved to Paris as a nominal Southern/Confederate sympathizer at the outbreak of the American Civil War in 1861; and Henry Walters (1848–1931), who refined the collection and made arrangements for the construction of a later landmark building to rehouse it. After allowing the Baltimore public to occasionally view his father's and his growing added collections at his West Mount Vernon Place townhouse/mansion during the late 1800s, he arranged for an elaborate stone palazzo-styled structure built for that purpose in 1905–1909. Located across the back alley, a block south of the Walters mansio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerusalem (painting)
''Jerusalem'' () is an 1867 painting by the French artist Jean-Léon Gérôme. It is also known as ''Golgotha, Consumatum Est'' and ''The Crucifixion'' (''La Crucifixion''). The foreground depicts the ground of Golgotha with the shadows of three crucified men: Jesus and the two thieves. Further back in the picture is a crowd of people moving away from the scene. In the background is the city of Jerusalem under a cloudy sky. It was characteristic of Gérôme to depict not a violent event itself, but the aftermath of such violence; see ''The Death of Caesar'', '' The Execution of Marshal Ney'', and '' The Duel After the Masquerade''. The painting marked Gérôme's return to history painting after a period of exploring orientalism. Like much Christian art of the era, the depiction was influenced by Ernest Renan's ''Life of Jesus''. The painting was presented at the 1868 Salon. Since 1990 it is located at the Musée d'Orsay The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Duel After The Masquerade
''The Duel After the Masquerade'' is a painting by the French artist Jean-Léon Gérôme, of which multiple copies exist. The original, ''Suite d'un bal masqué'', first shown in 1857, is in the Musée Condé in Chantilly, France. History Gérôme exhibited ''Suite d'un bal masqué'' at the Paris Salon of 1857, then in London the same year with the English merchant Gambart. The painting became famous almost overnight with critics of the Salon speculating about Gerome's sources for the incident depicted in the painting. (The theme seems to have been in fashion; Thomas Couture dealt with the same subject in 1857 with '' Le Duel après le bal masqué'', now in the Wallace Collection). The painting was acquired in 1858 by the duc d'Aumale. Gérôme borrowed the painting to present it at the Universal Exhibition of 1867, and received the Grand Prix de Peinture. The original is part of the collection of the Musée Condé in Chantilly, France. In 1859, William Thompson Walte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Death Of Caesar (Gérôme)
''The Death of Caesar'' () is an 1867 painting by the French artist Jean-Léon Gérôme. It depicts the moment after the assassination of Julius Caesar, when the jubilant conspirators are walking away from Caesar's dead body at the Theatre of Pompey, on the Ides of March (March 15), 44 BC. The painting is kept at the Walters Art Museum in Baltimore, Maryland.Characteristically, Gérôme has depicted not the incident itself, but its immediate aftermath. The illusion of reality that Gérôme imparted to his paintings with his smooth, polished technique led one critic to comment, "If photography had existed in Caesar's day, one could believe that the picture was painted from a photograph taken on the spot at the very moment of the catastrophe." Gérôme's depiction of the aftermath of violence can also be seen in ''The Execution of Marshal Ney'', ''The Duel After the Masquerade'', and ''Jerusalem''. Exhibitions The Walters indicates that the work has been included in the following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Maximilian I Of Mexico
Maximilian I (german: Ferdinand Maximilian Josef Maria von Habsburg-Lothringen, link=no, es, Fernando Maximiliano José María de Habsburgo-Lorena, link=no; 6 July 1832 – 19 June 1867) was an Austrian archduke who reigned as the only Emperor of the Second Mexican Empire from 10 April 1864 until his execution on 19 June 1867. A member of the House of Habsburg-Lorraine, Maximilian was the younger brother of Emperor Franz Joseph I of Austria. He had a distinguished career as the Austrian viceroy of Lombardy–Venetia and the commander-in-chief of the Imperial Austrian Navy. His involvement in Mexico came about after France, together with Spain and the United Kingdom, had occupied the port of Veracruz in the winter of 1861 to pressure the Mexican government into settling its debts with the three powers after Mexico had announced a suspension on debt repayment earlier in the year; the Spanish and British both withdrew the following year after negotiating agreements with the Mexic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
