The Ecstasy Of St. Cecilia (Raphael)
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The Ecstasy Of St. Cecilia (Raphael)
''The St. Cecilia Altarpiece'' is an oil painting by the Italian High Renaissance master Raphael. Completed in his later years, in around 1516–17, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene. Commissioned for a church in Bologna, the painting now hangs in that city's Pinacoteca Nazionale. According to Giorgio Vasari the musical instruments strewn about Cecilia's feet were not painted by Raphael but by his student, Giovanni da Udine. The English Romantic poet Percy Bysshe Shelley described the painting as follows: The central figure, St. Cecilia, seems rapt in such inspiration as produced her image in the painter's mind; her deep, dark, eloquent eyes lifted up; her chestnut hair flung back from her forehead—she holds an organ in her hands—her countenance, as it were, calmed by the depth of its passion and rapture, an ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ...
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Augustinians
Augustinians are members of Christian religious orders that follow the Rule of Saint Augustine, written in about 400 AD by Augustine of Hippo. There are two distinct types of Augustinians in Catholic religious orders dating back to the 12th–13th centuries: * Various congregations of Canons Regular also follow the Rule of Saint Augustine, embrace the evangelical counsels and lead a semi-monastic life, while remaining committed to pastoral care appropriate to their primary vocation as priests. They generally form one large community which might serve parishes in the vicinity, and are organized into autonomous congregations. * Several orders of friars who live a mixed religious life of contemplation and apostolic ministry. The largest and most familiar is the Order of Saint Augustine (OSA), founded in 1244 and originally known as the Hermits of Saint Augustine (OESA). They are commonly known as the Austin Friars in England. Two other orders, the Order of Augustinian Recollects a ...
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Mitre
The mitre (Commonwealth English) (; Greek: μίτρα, "headband" or "turban") or miter (American English; see spelling differences), is a type of headgear now known as the traditional, ceremonial headdress of bishops and certain abbots in traditional Christianity. Mitres are worn in the Catholic Church, Eastern Orthodox Church, Oriental Orthodox Churches, the Anglican Communion, some Lutheran churches, for important ceremonies, by the Metropolitan of the Malankara Mar Thoma Syrian Church, and also, in the Catholic Church, all cardinals, whether or not bishops, and some Eastern Orthodox archpriests. Etymology μίτρα, ''mítra'' ( Ionic μίτρη, ''mítrē'') is Greek, and means a piece of armour, usually a metal guard worn around the waist and under a cuirass, as mentioned in Homer's Iliad. In later poems, it was used to refer to a headband used by women for their hair; and a sort of formal Babylonian headdress, as mentioned by Herodotus ('' Histories'' 1.195 and 7.90 ...
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Marcantonio Raimondi
Marcantonio Raimondi, often called simply Marcantonio (c. 1470/82 – c. 1534), was an Italian engraver, known for being the first important printmaker whose body of work consists largely of prints copying paintings. He is therefore a key figure in the rise of the reproductive print. He also systematized a technique of engraving that became dominant in Italy and elsewhere. His collaboration with Raphael greatly helped his career, and he continued to exploit Raphael's works after the painter's death in 1520, playing a large part in spreading High Renaissance styles across Europe. Much of the biographical information we have comes from his life, the only one of a printmaker, in Vasari's ''Lives of the Artists''. He is attributed with around 300 engravings. After years of great success, his career ran into trouble in the mid-1520s; he was imprisoned for a time in Rome over his role in the series of erotic prints ''I Modi'', and then, according to Vasari, lost all his money in ...
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Humanism In Italy
Renaissance humanism was a revival in the study of classical antiquity, at first in Italy and then spreading across Western Europe in the 14th, 15th, and 16th centuries. During the period, the term ''humanist'' ( it, umanista) referred to teachers and students of the humanities, known as the , which included grammar, rhetoric, history, poetry, and moral philosophy. It was not until the 19th century that this began to be called ''humanism'' instead of the original ''humanities'', and later by the retronym ''Renaissance humanism'' to distinguish it from later humanist developments. During the Renaissance period most humanists were Christians, so their concern was to "purify and renew Christianity", not to do away with it. Their vision was to return ''ad fontes'' ("to the sources") to the simplicity of the New Testament, bypassing the complexities of medieval theology. Under the influence and inspiration of the classics, humanists developed a new rhetoric and new learning. Some scho ...
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First Epistle To The Corinthians
The First Epistle to the Corinthians ( grc, Α΄ ᾽Επιστολὴ πρὸς Κορινθίους) is one of the Pauline epistles, part of the New Testament of the Christian Bible. The epistle is attributed to Paul the Apostle and a co-author, Sosthenes, and is addressed to the Christian church in Corinth. Scholars believe that Sosthenes was the amanuensis who wrote down the text of the letter at Paul's direction. It addresses various issues that had arisen in the Christian community at Corinth, and is composed in a form of Koine Greek. Authorship There is a consensus among historians and theologians that Paul is the author of the First Epistle to the Corinthians (c. AD 53–54). The letter is quoted or mentioned by the earliest of sources, and is included in every ancient canon, including that of Marcion of Sinope. Some scholars point to the epistle's potentially embarrassing references to the existence of sexual immorality in the church as strengthening the case for the aut ...
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Wolfgang Osthoff
Wolfgang Osthoff (17 March 1927 – 29 July 2008) was a German musicologist and professor (ordinarius) for historical musicology at the University of Würzburg. Life Born in Halle as son of the musicologist Helmuth Osthoff, Osthoff received his musical education from Kurt Hessenberg (sound composition) and Kurt Thomas (conducting) in Frankfurt. He studied musicology with his father and with Thrasybulos Georgiades, from whom he received his doctorate in Heidelberg in 1954 and with whom he habilitated in Munich in 1965. Studies in philosophy (among others with Hans-Georg Gadamer) and Middle Latin enabled him to understand music in a comprehensive context. His two-year study stay in Italy from 1955 to 1957 consolidated his love of Italian music. From 1968 to 1995 he was full professor of musicology at the Julius-Maximilians-University of Würzburg. Even after his retirement, he continued to teach at the Musicological Institute until his retirement. Osthoff was active in national ...
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Crosier
A crosier or crozier (also known as a paterissa, pastoral staff, or bishop's staff) is a stylized staff that is a symbol of the governing office of a bishop or abbot and is carried by high-ranking prelates of Roman Catholic, Eastern Catholic, Eastern Orthodox, Oriental Orthodox, and some Anglican, Lutheran, United Methodist and Pentecostal churches. In Western Christianity the usual form has been a shepherd's crook, curved at the top to enable animals to be hooked. In Eastern Christianity, it is found in two common forms: tau-shaped, with curved arms, surmounted by a small cross; or a pair of sculptured serpents or dragons curled back to face each other, with a small cross between them. Other typical insignia of prelates are the mitre, the pectoral cross, and the episcopal ring. History The origin of the crozier as a staff of authority is uncertain, but there were many secular and religious precedents in the ancient world. One example is the lituus, the traditional sta ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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Francesco Adiosi
Francesco Alidosi (145524 May 1511) was an Italian cardinal and condottiero. He accompanied Giuliano della Rovere to France in 1494, and continued in favor when Della Rovere was elected pope, becoming Pope Julius II. Alidosi was elected as bishop of Mileto in 1504, and then transferred to the see of Pavia on 26 March 1505. He occupied the seat until his death in 1511. Early life Born at Castel del Rio, he was the third son of Giovanni Alidosi, lord of Castel del Rio. He went to France with Cardinal Giuliano della Rovere, the future Pope Julius II, in 1494. When Della Rovere was elected pope in 1503, Alidosi became his secretary and main collaborator, and was appointed papal chamberlain, then treasurer. Cardinal-priest Though many cardinals opposed the promotion, in 1505 Alidosi was created cardinal-priest of Santi Nereo e Achilleo, opting for the title of S. Cecilia on 11 August 1506. He served as intermediary between Michelangelo Buonarroti and Pope Julius II and, in 1506 ...
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Antonio Pucci (cardinal)
Antonio Pucci (born 8 October 1485 in Firenze – 12 October 1544 in Bagnoregio) was a Cardinal of the Catholic Church. ''(in Latin)'' Antonio Pucci emanated from the Florentine noble family of Pucci. He was a nephew of Cardinals Roberto Pucci and Lorenzo Pucci. On March 7, 1510, the feast of St. Thomas, Pucci delivered the annual encomium in honor of the "angelic doctor" for the Santa Maria sopra Minerva ''studium generale'', the future Pontifical University of St. Thomas Aquinas, ''Angelicum''. After Antonio Pucci participated in the Fifth Council of the Lateran (1512–1517), he served as Nuncio in Switzerland from 1517 to 1521. From 1518 he was bishop of Pistoia. From 1529 to 1541 Pucci was bishop of Vannes. Since 1 October 1529 he was Penitentiary major. Pucci was appointed Cardinal by Pope Clement VII on 22 September 1531. His titular church was Santi Quattro Coronati. He participated in the papal conclave of 1534 that elected Pope Paul III. Pucci later became bishop o ...
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Eugène Müntz
Eugène Müntz (11 June 1845 in Soultz-sous-Forêts, Bas-Rhin – 30 October 1902 in Paris) was an Alsatian- French art historian. From 1873 to 1876 he was a member of the École française de Rome.Müntz, Louis Frédéric Eugène
Sociétés savantes de France
He was a professor of art history at the , where he lectured from 1885 to 1893. He was a specialist on the era. In 1893 he became a member of the