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The Duck's Yas-Yas-Yas
"The Duck Yas-Yas-Yas" or "The Duck's Yas Yas Yas" is a hokum jazz- blues song, originally recorded by James "Stump" Johnson, but the most well known version was recorded by Oliver Cobb and his Rhythm Kings. The song is perhaps best known for the lyrics: Background The song is a "whorehouse tune", "a popular St. Louis party song." The song's title is explained by quoting the lyrics more fully: "Shake your shoulders, shake 'em fast, if you can't shake your shoulders, shake your yas-yas-yas". Recordings "The Duck's Yas Yas Yas" was originally recorded in St. Louis by pianist James "Stump" Johnson in late 1928 or January 1929. He recorded the tune at least three times during his career. Blues singer Tampa Red and Thomas A. Dorsey also recorded a version on May 13, 1929. Oliver Cobb recorded the song on August 16, 1929, before he died suddenly the next year. Eddie Johnson and The Crackerjacks recorded a cover of the song in 1932. In 1939, Tommy McClennan used some of the lyrics in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James "Stump" Johnson
James "Stump" Johnson (January 17, 1902 – December 5, 1969) was an American blues pianist and singer from St. Louis. Biography James "Stump" Johnson was the brother of Jesse Johnson, "a prominent black business man," who around 1909 had moved the family from Clarksville, Tennessee, to St. Louis, where he ran a music store and was a promoter. James, a self-taught piano player, made a career playing the city's brothels. He had an instant hit with the "whorehouse tune" "The Duck's Yas-Yas-Yas", "a popular St. Louis party song". The song's title is from the lyric "Shake your shoulders, shake 'em fast, if you can't shake your shoulders, shake your yas-yas-yas." He made a number of other recordings (some mildly pornographic) under various pseudonyms. These included Shorty George and Snitcher Roberts. One of the more obscene songs was a version of "Steady Grinding", which he recorded with Dorothea Trowbridge on August 2, 1933; the song has the "defiant, sexually aggressive lyrics" e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bottle Up And Go
"Bottle Up and Go" or "Bottle It Up and Go" is a song that is a standard of the blues. Based on earlier songs, Delta bluesman Tommy McClennan recorded "Bottle It Up and Go" in 1939. The song has been interpreted and recorded by numerous artists, sometimes using alternate titles, such as "Step It Up and Go", "Shake It Up and Go", etc. Memphis Jug Band and Sonny Boy Williamson versions In 1932, the earliest version of "Bottle It Up and Go", a hokum blues with jug band accompaniment, was recorded by the Memphis Jug Band, a loose musical collective led by Will Shade and Charlie Burse. Although it has been said to be based on a "traditional piece known in the South", it was very much a modern concoction, for the lyrics refer directly to women driving automobiles, a theme that was continued in later versions by almost all other artists. A second version of the song was recorded and released by the Memphis Jug Band in 1934. In 1937, John Lee "Sonny Boy" Williamson recorded the song as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Chickens
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues Songs
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Songs
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional music, traditional and popular music. Jazz is characterized by swung note, swing and blue notes, complex Chord (music), chords, Call and response (music), call and response vocals, polyrhythms and Jazz improvisation, improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. Dixieland, New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphony, polyphonic Musical improvisation, improvisation. But jazz did not begin as a single musical tradition in New Orleans o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1928 Songs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * '' Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Sli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rufus Thomas
Rufus C. Thomas, Jr. (March 26, 1917 – December 15, 2001) was an American rhythm-and-blues, funk, soul and blues singer, songwriter, dancer, DJ and comic entertainer from Memphis, Tennessee. He recorded for several labels, including Chess Records and Sun Records in the 1950s, before becoming established in the 1960s and 1970s at Stax Records. He is best known for his novelty dance records, including " Walking the Dog" (1963), " Do the Funky Chicken" (1969), and " (Do the) Push and Pull" (1970). According to the Mississippi Blues Commission, "Rufus Thomas embodied the spirit of Memphis music perhaps more than any other artist, and from the early 1940s until his death . . . occupied many important roles in the local scene." He began his career as a tap dancer, vaudeville performer, and master of ceremonies in the 1930s. He later worked as a disc jockey on radio station WDIA in Memphis, both before and after his recordings became successful. He remained acti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Now I Got Worry
''Now I Got Worry'' is the fifth studio album by Jon Spencer Blues Explosion. It was released via Matador Records on October 15, 1996. "Fuck Shit Up" is a cover of a Dub Narcotic song. "Weird Al" Yankovic directed the music video for "Wail". Critical reception Mark Deming of AllMusic gave the album 4 stars out of 5, saying, "''Now I Got Worry'' may not be JSBX's best album, but it does capture their taut, blazing, live sound and their eccentric studio approach with a better balance than anything else in their catalog; if you want to get slapped upside the head while you boogie all night long, this is the album for you." The album was included in the book ''1001 Albums You Must Hear Before You Die ''1001 Albums You Must Hear Before You Die'' is a musical reference book first published in 2005 by Universe Publishing. Part of the ''1001 Before You Die'' series, it compiles writings and information on albums chosen by a panel of music critics ...''. Track listing Personnel Cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Spencer Blues Explosion
The Jon Spencer Blues Explosion was an American three-piece rock band from New York City, formed in 1991. The group consisted of Judah Bauer on guitar, backing vocals, harmonica and occasional lead vocals, Russell Simins on drums and Jon Spencer on vocals, guitar and theremin. Their musical style is largely rooted in rock and roll although it draws influences from punk, blues, garage, rockabilly, soul, noise rock, rhythm and blues and hip hop. They released nine official studio albums, collaborative records with Dub Narcotic Sound System and R.L. Burnside as well as numerous live, singles, out-take albums, compilations, remix albums and, in 2010, a series of expanded reissues. Throughout the course of their career, this experimental sound and occasionally unconventional recording techniques has allowed the band to work with such artists as Elliott Smith, Beck, Solomon Burke, Steve Albini, Martina Topley-Bird and Ad Rock of the Beastie Boys. History Formation Originally from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Norman
Larry David Norman (April 8, 1947 – February 24, 2008) was an American musician, singer, songwriter, record label owner, and record producer. He is considered to be one of the pioneers of Christian rock music and released more than 100 albums. Early life Larry Norman was born in Corpus Christi, Texas, the oldest son of Joe Hendrex "Joe Billy" Norman (December 9, 1923 – April 28, 1999), and his wife, Margaret Evelyn "Marge" Stout (born in 1925 in Nebraska). Joe Norman had served as a sergeant in the US Army Air Corps during World War II and worked at the Southern Pacific Railroad"Larry Norman Down Under But Not Out", ''On Being'' (1985/1986):4. while studying to become a teacher. After Norman's birth, the family joined the Southern Baptist church. In 1950 the family moved to San Francisco, where they attended an African American Pentecostal church and then a Baptist church, where Norman became a Christian at the age of five. In 1959, Norman performed on the syndicated t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trout Mask Replica
''Trout Mask Replica'' is the third studio album by the American band Captain Beefheart and his Magic Band, released as a double album on June 16, 1969, by Straight Records. The music was composed by Captain Beefheart (Don Van Vliet) and arranged by drummer John "Drumbo" French. Combining elements of R&B, garage rock, and blues with free jazz and avant-garde composition, the album is regarded as an important work of experimental rock. Its unconventional musical style, which includes polyrhythm, multi-octave vocals, and polytonality, has given the album a reputation as one of the most challenging recordings in the 20th century musical canon. The album was produced by Frank Zappa and recorded in March 1969 at Whitney Studios in Glendale, California, following eight months of intense rehearsals at a small rented communal house in Los Angeles. The lineup of the Magic Band at this time consisted of Bill "Zoot Horn Rollo" Harkleroad and Jeff "Antennae Jimmy Semens" Cotton on guit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
