The Destroying Angel And Daemons Of Evil Interrupting The Orgies Of The Vicious And Intemperate
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The Destroying Angel And Daemons Of Evil Interrupting The Orgies Of The Vicious And Intemperate
''The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate'', also known as ''The Destroying Angel and Daemons Inflicting Divine Vengeance on the Wicked and Intemperate'' and as ''The Destruction of the Temple of Vice'', is an 1832 English oil painting on canvas by English artist William Etty, first exhibited in 1832. Etty had become famous for nude paintings, and acquired a reputation for tastelessness, indecency and a lack of creativity. With ''The Destroying Angel'' he hoped to disprove his critics with an openly moral piece. The painting is 127.8 cm by 101.9 cm (50 in by 40 in) and depicts a classical temple under attack from a destroying angel and a group of daemons. Some of the humans appear dead or unconscious, others flee or struggle against the daemons. When first exhibited in 1832, ''The Destroying Angel'' was widely praised for its technical brilliance, but critics were divided on the subject matter. Some pr ...
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The Destroying Angel And Daemons Of Evil Interrupting The Orgies Of The Vicious And Intemperate, William Etty, 1832
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Youth On The Prow, And Pleasure At The Helm
''Youth on the Prow, and Pleasure at the Helm'' (also known as ''Fair Laughs the Morn'' and ''Youth and Pleasure'') is an oil painting on canvas by English artist William Etty, first exhibited in 1832. Etty had been planning the painting since 1818–19, and an early version was exhibited in 1822. The piece was inspired by a metaphor in Thomas Gray's poem ''The Bard'' in which the apparently bright start to the notorious misrule of Richard II of England was compared to a gilded ship whose occupants are unaware of an approaching storm. Etty chose to illustrate Gray's lines literally, depicting a golden boat filled with and surrounded by nude and near-nude figures. Etty felt that his approach to the work illustrated a moral warning about the pursuit of pleasure, but his approach was not entirely successful. ''The Bard'' was about a supposed curse on the House of Plantagenet placed by a Welsh bard following Edward I of England's attempts to eradicate Welsh culture, and critics fel ...
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Caius Gabriel Cibber
Caius Gabriel Cibber (1630–1700) was a Danish sculptor, who enjoyed great success in England, and was the father of the actor, author and poet laureate Colley Cibber. He was appointed "carver to the king's closet" by William III. Biography Cibber was born in Flensburg in the province of Schleswig in Denmark. His father was a cabinetmaker, supposedly to King Frederick III of Denmark.Ashley, p. 17 He travelled to Italy to study art, where he may have changed his name from Sieber to Cibo. The Cibos were an old and noble Italian family to which Pope Innocent VIII had belonged. Cibber later emigrated to London, England, probably via the Netherlands. At first, he worked for the mason-sculptor John Stone, who had a workshop on Long Acre, until he set up his own studio after Stone's death in 1667. In 1668, Cibber became a Freeman, by Redemption, of the Worshipful Company of Leathersellers, and in 1679 he became a Liveryman of the same Company, remaining so until his death. He carve ...
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Thunderbolt
A thunderbolt or lightning bolt is a symbolic representation of lightning when accompanied by a loud thunderclap. In Indo-European mythology, the thunderbolt was identified with the 'Sky Father'; this association is also found in later Hellenic representations of Zeus and Vedic descriptions of the ''vajra'' wielded by the god Indra. It may have been a symbol of cosmic order, as expressed in the fragment from Heraclitus describing "the Thunderbolt that steers the course of all things". In its original usage the word may also have been a description of the consequences of a close approach between two planetary cosmic bodies, as Plato suggested in ''Timaeus'', or, according to Victor Clube, meteors, though this is not currently the case. As a divine manifestation the thunderbolt has been a powerful symbol throughout history, and has appeared in many mythologies. Drawing from this powerful association, the thunderbolt is often found in military symbolism and semiotic representat ...
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Classical Architecture
Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until the second world war, though it continues to inform many architects to this day. The term ''classical architecture'' also applies to any mode of architecture that has evolved to a highly refined state, such as classical Chinese architecture, or classical Mayan architecture. It can ...
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Visionary Art
Visionary art is art that purports to transcend the physical world and portray a wider vision of awareness including spiritual or mystical themes, or is based in such experiences. History The Vienna School of Fantastic Realism, first established in 1946, is considered to be an important technical and philosophical catalyst in its strong influence upon contemporary visionary art. Its artists included Ernst Fuchs, Rudolf Hausner, Arik Brauer, Wolfgang Hutter and Anton Lehmden among others. Several artists who would later work in visionary art trained under Fuchs, including Mati Klarwein, Robert Venosa, Philip Rubinov Jacobson and De Es Schwertberger. Definition Visionary art often carries themes of spiritual, mystical or inner awareness. Despite this broad definition, there does seem to be emerging some definition to what constitutes the contemporary visionary art 'scene' and which artists can be considered especially influential. Symbolism, Cubism, Surrealism and Psychedel ...
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The Destroying Angel
''The Destroying Angel'' is a 1923 American silent comedy film directed by W.S. Van Dyke and starring Leah Baird, John Bowers and Noah Beery.Munden p.183 Cast * Leah Baird as Mary Miller / Saraa Law * John Bowers as Hugh Miller Whittaker * Noah Beery as Curtis Drummond * Ford Sterling as Max Weil * Mitchell Lewis as 'Strangler' Olsen * Philip Sleeman Philip, also Phillip, is a male given name, derived from the Greek (''Philippos'', lit. "horse-loving" or "fond of horses"), from a compound of (''philos'', "dear", "loved", "loving") and (''hippos'', "horse"). Prominent Philips who popularize ... as Kidnapper References Bibliography * Munden, Kenneth White. ''The American Film Institute Catalog of Motion Pictures Produced in the United States, Part 1''. University of California Press, 1997. External links * 1923 films 1923 comedy films 1920s English-language films American silent feature films Silent American comedy films American black-and-white films Films ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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July Revolution
The French Revolution of 1830, also known as the July Revolution (french: révolution de Juillet), Second French Revolution, or ("Three Glorious ays), was a second French Revolution after the first in 1789. It led to the overthrow of King Charles X, the French Bourbon monarch, and the ascent of his cousin Louis Philippe, Duke of Orléans. After 18 precarious years on the throne, Louis-Philippe was overthrown in the French Revolution of 1848. The 1830 Revolution marked a shift from one constitutional monarchy, under the restored House of Bourbon, to another, the July Monarchy; the transition of power from the House of Bourbon to its cadet branch, the House of Orléans; and the replacement of the principle of hereditary right by that of popular sovereignty. Supporters of the Bourbons would be called Legitimists, and supporters of Louis Philippe were known as Orléanists. In addition, there continued to be Bonapartists supporting the return of Napoleon's descendants. Back ...
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The Last Judgment (Michelangelo)
''The Last Judgment'' ( it, Il Giudizio Universale) is a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity. The dead rise and descend to their fates, as judged by Christ who is surrounded by prominent saints. Altogether there are over 300 figures, with nearly all the males and angels originally shown as nudes; many were later partly covered up by painted draperies, of which some remain after recent cleaning and restoration. The work took over four years to complete between 1536 and 1541 (preparation of the altar wall began in 1535). Michelangelo began working on it 25 years after having finished the Sistine Chapel ceiling, and was nearly 67 at its completion. He had originally accepted the commission from Pope Clement VII, but it was completed under Pope Paul III whose stronger reforming views probably ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ...
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Alexander Pope
Alexander Pope (21 May 1688 O.S. – 30 May 1744) was an English poet, translator, and satirist of the Enlightenment era who is considered one of the most prominent English poets of the early 18th century. An exponent of Augustan literature, Pope is best known for his satirical and discursive poetry including '' The Rape of the Lock'', ''The Dunciad'', and ''An Essay on Criticism,'' and for his translation of Homer. After Shakespeare, Pope is the second-most quoted author in ''The Oxford Dictionary of Quotations'', some of his verses having entered common parlance (e.g. "damning with faint praise" or " to err is human; to forgive, divine"). Life Alexander Pope was born in London on 21 May 1688 during the year of the Glorious Revolution. His father (Alexander Pope, 1646–1717) was a successful linen merchant in the Strand, London. His mother, Edith (1643–1733), was the daughter of William Turner, Esquire, of York. Both parents were Catholics. His mother's sister was the ...
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