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The Destiny Of Carola Van Geldern
''The Destiny of Carola van Geldern'' (german: Das Schicksal der Carola van Geldern) is a 1919 Austrian-German silent film directed by Carl Froelich and starring Lotte Neumann Lotte Neumann (born Charlotte Pötler, 5 August 1896 – 26 February 1977) was a German film actress, screenwriter, and film producer. Biography Lotte Neumann was born Charlotte Pötler on 5 August 1896 in Berlin. She attended the Königliche Lui .... Cast In alphabetical order References Bibliography * External links * 1919 films Films of the Weimar Republic Films directed by Carl Froelich German silent feature films Austrian silent feature films German black-and-white films Austrian black-and-white films 1910s German films {{Austria-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Froelich
Carl August Hugo Froelich (5 September 1875 – 12 February 1953) was a German film pioneer and film director. He was born and died in Berlin. Biography Apparatus builder and cameraman From 1903 Froelich was a colleague of Oskar Messter, one of the advance guard of German cinema, for whom initially he worked on the construction of cinematographic equipment. As cameraman for Messter's weekly newsreels he filmed among many other things the aftermath of a train accident on the Berlin elevated railway on 28 September 1908, one of the worst transport disasters of the time. Film director and producer Between 1912 and 1951 he made 77 films. In 1913 Froelich made his directorial debut with ''Richard Wagner (film), Richard Wagner''. In 1920 he founded his own production company, Froelich-Film GmbH, among the productions of which were ''Kabale und Liebe'' (1921), ''Die Brüder Karamasoff'' (1922), and ''Mutter und Kind'' (1924). During these years he often filmed with the actress Henny Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotte Neumann
Lotte Neumann (born Charlotte Pötler, 5 August 1896 – 26 February 1977) was a German film actress, screenwriter, and film producer. Biography Lotte Neumann was born Charlotte Pötler on 5 August 1896 in Berlin. She attended the Königliche Luisenschule in her hometown, and then the Wagnersche-Klinkhardsche Höhere Mädchenschule. At 13, she completed vocal training with Karl Grünwald and Emma Sebold, and took acting lessons, as well as studied dance and piano. She was a choir singer at the Komische Oper Berlin and at the Komödienhaus. Neumann originally wanted to be a singer, but at the urging of Max Mack, she instead opted for a career in film, and made her debut in the short ''Whims of Fate'' (1912) alongside Erwin Fichtner and Hanni Weisse, followed by ''Im Übermut'' (1912) and ''Das Bild der Mutter'' (1912). Popular throughout Germany, a Lotte Neumann film serial was shot throughout 1917. These films include ''Hinter verschlossenen Türen'' (1917), ''Die Richterin'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertitles
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blandine Ebinger
Blandine Ebinger (born Blandine Loeser) (4 November 1899, in Berlin – 25 December 1993, in Berlin) was a German actress and ''chansonniere''. Career Ebinger became acquainted with Friedrich Hollaender in 1919, and with him she became heavily invested as a performer, writer, and composer in the Berlin cabaret scene in the 1920s, beginning in the cabaret and the Café des Westens. She recorded many of her husband's, Friedrich Hollaender, cabaret songs, including the set of songs entitled '. Ebinger emigrated to the United States in 1937, returning to Berlin in 1947. She moved to Munich, where she met her second husband, the publisher Helwig Hassepflug, in 1961. They eventually settled back in Berlin, where she continued her career in the theater and as an actress on television productions. Family Ebinger was the daughter of the pianist Gustav Loeser and the actress Margarete Wezel. She married Friedrich Hollaender. Although Ebinger and Hollaender ended their marriage bef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Kaufmann
Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) *Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer *Pope Paul (other), multiple Popes of the Roman Catholic Church *Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire *Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general *Julius Paulus Prudentissimus (), Roman jurist *Paulus Catena (died 362), Roman notary *Paulus Alexandrinus (4th century), Hellenistic astrologer *Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals *Paul I of Russia (1754–1801), Tsar of Russia *Paul of Greece (1901–1964), King of Greece Other people *Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk *Paul (father of Maurice), the father of Maurice, Byzan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frau Klein-Rohden
''Honorifics'' are words that connote esteem or respect when used in addressing or referring to a person. In the German language, honorifics distinguish people by age, sex, profession, academic achievement, and rank. In the past, a distinction was also made between married and unmarried women. Honorific pronouns Like many languages, German has pronouns for both familiar (used with family members, intimate friends, and children) and polite forms of address. The polite equivalent of "you" is "''Sie''." Grammatically speaking, this is the 3rd-person-plural form, and, as a subject of a sentence, it always takes the 3rd-person-plural forms of verbs and possessive adjective/ pronouns, even when talking to only one person. (Familiar pronouns have singular and plural forms.) Honorific pronouns are always capitalized except for the polite reflexive pronoun "''sich''." In letters, e-mails, and other texts in which the reader is directly addressed, familiar pronouns may be capitalized or not. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Lettinger
Rudolf Lettinger (26 October 1865 in Hamburg – 21 March 1937 in Berlin-Schöneberg) was a German stage and film actor. He made his stage debut in 1883 when he played the role of Kosinsky in Friedrich Schiller's drama ''The Robbers''. Some of his more prominent roles in his prestigious stage career were ''Cyrano de Bergerac'' and Gessler in ''William Tell''. He also worked with acclaimed stage director Max Reinhardt. In 1912, Lettinger played his first film role in ''Das Geheimnis von Monte Carlo''. Lettinger appeared in over 90 films until 1931, mostly as a supporting actor. His best-known film is perhaps '' The Cabinet of Dr. Caligari'' (1920), where Lettinger portrayed Dr. Olsen. Selected filmography * ''Das Geheimnis von Monte Carlo'' (1912) * ''Ein Gruss aus der Tiefe'' (1915) - Vareno Ziehtochter Rawalla * ''Das goldene Friedelchen'' (1916) - Hermann Strecker * ''Irrende Liebe'' (1917) - Carl Coster, ehemaliger Bankdirektor * ''Das Legat'' (1917) - Geldverleiher Rosen * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Rothauser
Eduard Rothauser (1876–1956) was an Austro-Hungarian Empire, Austrian-born Germans, German actor. Selected filmography * ''The Man in the Cellar'' (1914) * ''The Princess of Urbino'' (1919) * ''Nobody Knows (1920 film), Nobody Knows'' (1920) * ''The Graveyard of the Living'' (1921) * ''The Maharaja's Favourite Wife'' (1921) * ''The Romance of a Poor Sinner'' (1922) * ''Esterella (film), Esterella'' (1923) * ''And Yet Luck Came'' (1923) * ''The Chain Clinks'' (1923) * ''Garragan'' (1924) *''In den Krallen der Schuld'' (1924) * ''Slums of Berlin'' (1925) * ''The Hanseatics'' (1925) * ''Living Buddhas'' (1925) * ''People to Each Other'' (1926) *''Manon Lescaut (1926 film), Manon Lescaut'' (1926) * ''Children of No Importance'' (1926) *''Mata Hari (1927 film), Mata Hari'' (1927) *''Schwester Veronica'' (1927) * ''Assassination (1927 film), Assassination'' (1927) *''The Holy Lie'' (1927) * ''Queen Louise (1927 film), Queen Louise'' (1928) *''Bobby, the Petrol Boy'' (1929) *''Dreyfus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1919 Films
Events January * January 1 ** The Czechoslovak Legions occupy much of the self-proclaimed "free city" of Bratislava, Pressburg (now Bratislava), enforcing its incorporation into the new republic of Czechoslovakia. ** HMY Iolaire, HMY ''Iolaire'' sinks off the coast of the Hebrides; 201 people, mostly servicemen returning home to Lewis and Harris, are killed. * January 2–January 22, 22 – Russian Civil War: The Red Army's Caspian-Caucasian Front begins the Northern Caucasus Operation (1918–1919), Northern Caucasus Operation against the White Army, but fails to make progress. * January 3 – The Faisal–Weizmann Agreement is signed by Faisal I of Iraq, Emir Faisal (representing the Arab Kingdom of Hejaz) and Zionism, Zionist leader Chaim Weizmann, for Arab–Jewish cooperation in the development of a Jewish homeland in Palestine (region), Palestine, and an Arab nation in a large part of the Middle East. * January 5 – In Germany: ** Spartacist uprising in B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Carl Froelich
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
