The Definitive Collection (Alan Parsons Album)
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The Definitive Collection (Alan Parsons Album)
The Definitive Collection is a 1997 2 CD compilation by The Alan Parsons Project, released through Arista Records. It includes two songs taken from Alan Parsons' first solo album. Track listing All tracks written by Alan Parsons and Eric Woolfson, except where noted. Disc 1 # "(The System of) Doctor Tarr and Professor Fether" - 4.22 # "The Raven" - 4.08 # "I Robot" - 6.02 # "I Wouldn't Want to Be Like You" - 3.23 # "Breakdown" - 3.51 # "Don't Let it Show" - 4.26 # "Voyager" - 2.25 # "What Goes Up" - 3.31 # "The Eagle Will Rise Again" - 4.21 # "Can't Take it With You" - 5.07 # "Pyramania" - 2.44 # "Damned if I Do" - 4.54 # "Lucifer" - 5.03 # "If I Could Change Your Mind" - 5.51 # "The Turn of a Friendly Card (Part 1)" - 2.43 # "Snake Eyes" - 3.18 # "Games People Play" - 4.25 # "Time" - 5.05 *Tracks 1-2 taken from ''Tales of Mystery and Imagination'' (1976); they were not included on the European release of this album. *Tracks 3-6 taken from '' I Robot'' (1977). *Tracks 7-11 ta ...
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The Alan Parsons Project
The Alan Parsons Project was a British rock band active between 1975 and 1990, whose core membership consisted of producer, audio engineer, musician and composer Alan Parsons and singer, songwriter and pianist Eric Woolfson. They were accompanied by varying session musicians and some relatively consistent session players such as guitarist Ian Bairnson, arranger Andrew Powell, bassist and vocalist David Paton, drummer Stuart Elliott, and vocalists Lenny Zakatek and Chris Rainbow. Parsons and Woolfson shared writing credits on almost all of the Project's songs, with Parsons producing or co-producing all of the band's recordings. The Alan Parsons Project released eleven studio albums in its 15-year career, the most successful being '' I Robot'' (1977) and '' Eye in the Sky'' (1982). Many of their albums are conceptual in nature and focus on science fiction, supernatural, literary and sociological themes. Among the group's most popular songs are "I Wouldn't Want to Be Like You", " ...
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Ian Bairnson
Ian Bairnson (born 3 August 1953 as ''John Bairnson'') is a Scottish musician, best known for being one of the core members of The Alan Parsons Project. He is a multi-instrumentalist, who has played saxophone and keyboards, although he is best known as a guitarist. He is also known for preferring the sound of a sixpence to a plectrum. Bairnson was born in Lerwick, Shetland Isles, Scotland. He grew up in Levenwick, in Shetland, before his family moved to Edinburgh, Midlothian, when he was nine years old, following the death of his father. He was a session guitarist before joining up in 1973 with former Bay City Rollers musicians David Paton and Billy Lyall in the band Pilot and contributed the harmony guitar parts to their hit single, "Magic." During this time with Pilot, he first collaborated with Alan Parsons, the record producer on their debut self-titled album. It was this relationship that helped incorporate most of the band's members (bassist/lead singer Paton and drum ...
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1997 Compilation Albums
File:1997 Events Collage.png, From left, clockwise: The movie set of ''Titanic (1997 film), Titanic'', the List of highest-grossing films, highest-grossing movie in history at the time; ''Harry Potter and the Philosopher's Stone'', is published; Comet Hale-Bopp passes by Earth and becomes one of the most observed comet, comets of the 20th century; Golden Bauhinia Square, where sovereignty of Hong Kong is Handover of Hong Kong, handed over from the United Kingdom to the People's Republic of China; the 1997 Central European flood kills 114 people in the Czech Republic, Poland, and Germany; Korean Air Flight 801 crashes during heavy rain on Guam, killing 229; Mars Pathfinder and Sojourner (rover), Sojourner land on Mars; flowers left outside Kensington Palace following the death of Diana, Princess of Wales, in a car crash in Paris., 300x300px, thumb rect 0 0 200 200 Titanic (1997 film) rect 200 0 400 200 Harry Potter rect 400 0 600 200 Comet Hale-Bopp rect 0 200 300 400 Death of Diana ...
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Try Anything Once
''Try Anything Once'' is the first solo album by Alan Parsons, released in 1993. It was his first album following the split of The Alan Parsons Project. This album features vocals by Ambrosia's David Pack, Jacqui Copland, former Mindbender and 10cc guitarist Eric Stewart, and Manfred Mann's Earth Band frontman Chris Thompson. The album features completely digital recording and mixing. It was recorded at Parson's first "Parsonics" studio in Sussex England with the orchestra recorded at Air Studios in London. There is an Easter egg inside the inlay. One of the pictures is a stereogram; when the viewer looks at it correctly, an image of a man and woman upside down will appear, similar to the other pictures in the album's artwork. This image is also on the CD itself. Track listing Personnel * Alan Parsons – synthesizer, acoustic guitar, bass, flute, background vocals, producer * Ian Bairnson – synthesizer, bass, guitar, pedal steel guitar, background vocals * Richard Cot ...
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Gaudi (The Alan Parsons Project Album)
''Gaudi'' is the tenth album by The Alan Parsons Project, released in 1987. ''Gaudi'' refers to Antoni Gaudí, the Catalan Spanish architect, and the opening track references what is probably Gaudí's best known building, the ''Sagrada Família''. Project regular David Paton was unable to undertake bass duties on this recording due to a prior touring commitment with Elton John. Saxophonist-keyboardist Richard Cottle's brother, Laurie, was recruited to play bass. The album was recorded at the Grange in Norfolk and Mayfair Studios in London using a pair of Sony 3324 DASH digital tape recorders and mixed to a digital master. This was the final canonical Alan Parsons Project studio album, as well as vocalist Lenny Zakatek's final contribution to any Parsons album. Although the album '' The Sicilian Defence'' was released in 2014, it was originally recorded in 1979 and was never intended to be heard by the public. During the writing of what would have been the follow-up, Eric Woo ...
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Stereotomy
''Stereotomy'' is the ninth studio album by The Alan Parsons Project, released in 1985. Not as commercially successful as its predecessor ''Vulture Culture'', the album is structured differently from earlier Project albums: containing three lengthy tracks ("Stereotomy" at over seven minutes, "Light of the World" at over six minutes, and the instrumental "Where's the Walrus?" running over seven and a half minutes) and two minute-long songs at the end. It is a full digital production and both the LP and CD releases were encoded using the two-channel Ambisonic UHJ format. The original vinyl packaging was different from all the reissues: it featured more elaborate artwork of the paper sleeve supplied with a special color-filter oversleeve. When inserted, the over-sleeve filtered some of the colors of the artwork, allowing four different variations (two per side). That was supposed to symbolize visual stereotomy. In the reissues, only one variant remained. The artwork was nominated ...
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Vulture Culture
''Vulture Culture'' is the eighth studio album by The Alan Parsons Project, released in 1985 via the Arista label. Overview The first side of the LP (CD tracks 1–4) consists entirely of four-minute pop songs, and the second side varies widely, from the subdued funk of the title track to the bouncing instrumental "Hawkeye". At the beginning of 1985, the lead single "Let's Talk About Me" reached the Top 40 in Germany (where the album was No. 1), in Switzerland (where ''Vulture Culture'' was No. 2) and in the Netherlands. The song features voice-over commentary from Lee Abrams, credited on the album as "Mr. Laser Beam" (an anagram of his name). In the charts, ''Vulture Culture'' was a success in continental Europe, often reaching the Top 10,The Alan Parsons Project  ...
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Ammonia Avenue
''Ammonia Avenue'' is the seventh studio album by the British progressive rock band The Alan Parsons Project, released on 7 February 1984 by Arista Records. The Phil Spector-influenced "Don't Answer Me" was the album's lead single, and reached the Top 15 on the US Billboard Hot 100, ''Billboard'' Hot 100 and Mainstream Rock Tracks charts, as well as the fourth position on the Adult Contemporary chart. The single also reached the Top 20 in several countries and represents the last big hit for the Alan Parsons Project. "Prime Time" was a follow-up release that fared well in the Top 40, reaching No. 34. "You Don't Believe" was the first single in November 1983, reaching #54 on the Billboard Hot 100 and "Since the Last Goodbye" was a minor hit. ''Ammonia Avenue'' is one of the band's biggest-selling albums, carrying an Recording Industry Association of America, RIAA certification of gold and reaching the Top 10 in a number of countries. Background and release The title of the albu ...
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Eye In The Sky (album)
''Eye in the Sky'' is the sixth studio album by British rock band the Alan Parsons Project, released in May 1982 by Arista Records. At the 25th Annual Grammy Awards in 1983, ''Eye in the Sky'' was nominated for the Grammy Award for Best Engineered Album. In 2019, the album won the Grammy Award for Best Immersive Audio Album at the 61st Annual Grammy Awards. Production ''Eye in the Sky'' is the first of three albums the Project recorded on analogue equipment and mixed directly to the digital master tape. Release ''Eye in the Sky'' was the last platinum record in the United States from the band. ''Eye in the Sky'' contains the title track, the Project's biggest hit, with lead vocals by Eric Woolfson. The album itself was a major success, reaching the top 10 (and sometimes the number one slot) in numerous countries. The album features the instrumental piece "Sirius", which has become a staple of many college and professional sporting arenas throughout North America. It is best k ...
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Andrew Powell
Andrew Powell (born 18 April 1949) is an English musical composer, arranger and performer, born of Welsh parents. He himself moved to Wales in 2003. Early life Powell was born Surrey, England. He began piano lessons at the age of four and later attended King's College School, Wimbledon, by which time he was also learning viola, violin and orchestral percussion. He was writing music by the age of eleven and later studied composition with Karlheinz Stockhausen and György Ligeti at Darmstadt in Germany, before taking a music master's degree at King's College, Cambridge. While at Cambridge he joined an electronic music group, Intermodulation, with Roger Smalley, Tim Souster and Robin Thompson, and a local progressive rock group, Henry Cow, formed by Fred Frith and Tim Hodgkinson, in which he alternated between bass and drums. Musical career After leaving Cambridge, Powell's first professional engagement was as a soloist at the BBC Proms, London in August 1970, playing Terry Riley' ...
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The Turn Of A Friendly Card
''The Turn of a Friendly Card'' is the fifth studio album by the British progressive rock band The Alan Parsons Project, released in 1980 by Arista Records. The title piece, which appears on side 2 of the LP, is a 16-minute suite broken up into five tracks. ''The Turn of a Friendly Card'' spawned the hits " Games People Play" and "Time", the latter of which was Eric Woolfson's first lead vocal appearance. An edited version of the title piece combining the opening and ending parts of the suite was also released as a single along with an official video. As other band's albums, ''The Turn of a Friendly Card'' is a Concept album with its theme focused on the gambling industry and the fate of gamblers, with more than one reference to Las Vegas (e.g. "there's a sign in the desert that lies to west" from the title piece). Musically it's a more melodic and accessible album than its predecessors. Up to this album, all Alan Parsons Project albums had been packaged in gatefold slee ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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