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The Death Of Digenis
The Death of Digenis or Christ Unbound, is a tragedy by Angelos Sikelianos written and published in 1947. Three years later, in 1950, the music of the play was written following a cooperation between Manos Hadjidakis and Sikelianos. Plot The work focuses on the last moments of Digenis Akritas. Sikelianos uses the acritic cycle (frontiersmen tales) for the historical material (i.e. the conditions and some historical figures of the time, such as the Byzantine Emperors Michael III and Basil I) and the image of Digenis, whom he places as leader of a heretic group of paulician Paulicianism ( Classical Armenian: Պաւղիկեաններ, ; grc, Παυλικιανοί, "The followers of Paul"; Arab sources: ''Baylakānī'', ''al Bayāliqa'' )Nersessian, Vrej (1998). The Tondrakian Movement: Religious Movements in the ... warriors, adjusting and transforming the historical material according to his own dramaturgical and ideological objectives (particularly the importance of the hero ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelos Sikelianos
Angelos Sikelianos ( el, Άγγελος Σικελιανός; 28 March 1884 – 19 June 1951) was a Greek lyric poet and playwright. His themes include Greek history, religious symbolism as well as universal harmony in poems such as ''The Moonstruck'', ''Prologue to Life'', ''Mother of God'', and ''Delphic Utterance''. His plays include '' Sibylla'', '' Daedalus in Crete'', '' Christ in Rome'', '' The Death of Digenis'', '' The Dithyramb of the Rose'' and ''Asklepius''. Although occasionally his grandiloquence blunts the poetic effect of his work, some of Sikelianos finer lyrics are among the best in Western literature. Every year from 1946 to 1951, he was nominated for the Nobel Prize for Literature. Biography Sikelianos was born in Lefkada where he spent his childhood. In 1900, he registered to the Athens Law School but never graduated. In the course of the following years, he traveled extensively and devoted himself to poetry. In 1907, he married the American Eva Palmer in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manos Hatzidakis
Manos Hatzidakis (also spelled Hadjidakis; el, Μάνος Χατζιδάκις; 23 October 1925 – 15 June 1994) was a Greek composer and theorist of Greek music, widely considered to be one of the greatest Greek composers and one of the most globally recognised. His legacy and contribution are widespread among the works of contemporary Greek music, through the second half of the 20th and into the 21st century. He was also one of the main proponents of the "Éntekhno" form of music (along with Mikis Theodorakis). In 1960, he received an Academy Award for Best Original Song for his song ''Never on Sunday'' from the film of the same name. Biography Hatzidakis was born on 23 October 1925 in Xanthi, Greece, to lawyer Georgios Hatzidakis, who came from the village of Myrthios, Agios Vasileios in the Rethymno prefecture in Crete; and Aliki Arvanitidou, who came from Adrianoupolis. His musical education began at the age of four and consisted of piano lessons from the Armenian pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digenis Akritas
''Digenes Akritas'', ) is a variant of ''Akritas''. Sometimes it is further latinized as ''Acritis'' or ''Acritas''. ( el, Διγενῆς Ἀκρίτας, ) is the most famous of the Acritic songs and is often regarded as the only surviving epic poem from the Byzantine Empire. The epic details the life of the hero, Basil (Βασίλειος), whose epithet ''Digenes Akritas'' ("two-blood border lord" ) refers to his mixed Cappadocian Greek and Arab blood. The first part of the epic details the lives of his parents, how they met, and how his father, an Emir, converted to Christianity after abducting and marrying Digenes' mother. The remainder of the epic discusses, often from a first-person point of view, Basil's acts of heroism on the Byzantine borders. Manuscripts and versions The Digenes Akrites is an extensive narrative text, although it is not in a pure epic-heroic style. No fewer than six manuscripts have been found dedicated to stories about him. The oldest two are El Esc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acritic Songs
The Acritic songs ( "frontiersmen songs") are the epic poems that emerged in the Byzantine Empire probably around the ninth century. The songs celebrated the exploits of the Akritai, the frontier guards defending the eastern borders of the Byzantine Empire. The historical background was the almost continuous Arab–Byzantine wars between the seventh and twelfth centuries. Against this background several romances were produced, the most famous of which is that of ''Digenes Akritas'', considered by some to signal the beginnings of modern Greek literature. Subject Written in Medieval Greek, the Acritic songs deal with the heroic deeds ( el, ανδραγαθίες) of ("frontiersmen"), warriors that lived near the Arab frontiers and fought against the enemy. The constant state of war in the region and the repeated confrontations with the Arabs inspired poets to write down tales of chivalry as a response to a society that wished to be informed or hear details, whether factual or imagi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paulicianism
Paulicianism (Classical Armenian: Պաւղիկեաններ, ; grc, Παυλικιανοί, "The followers of Paul"; Arab sources: ''Baylakānī'', ''al Bayāliqa'' )Nersessian, Vrej (1998). The Tondrakian Movement: Religious Movements in the Armenian Church from the 4th to the 10th Centuries. London: RoutledgeCurzon. p. 13. . was a Medieval Christian sect which originated in Armenia in the 7th century. Followers of the sect were called Paulicians and referred to themselves as Good Christians. Little is known about the Paulician faith and various influences have been suggested, including Gnosticism, Marcionism, Manichaeism and Adoptionism, with other scholars arguing that doctrinally the Paulicians were a largely conventional Christian reform movement unrelated to any of these currents. The founder of the Paulicians is traditionally held to have been an Armenian by the name of Constantine, who hailed from a Syrian community near Samsat in modern-day Turkey. The sect flourished ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic form, credited to Aeschylus by Aristotle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus Unbound (Aeschylus)
''Prometheus Unbound'' ( grc, Προμηθεὺς Λυόμενος, ''Promētheus Lyomenos'') is a fragmentary play in the ''Prometheia'' trilogy attributed to the 5th-century BC Ancient Greece, Greek tragedian Aeschylus, thought to have followed ''Prometheus Bound''. ''Prometheus Unbound'' was probably followed by ''Prometheus the Fire-Bringer''. It is concerned with the torments of the Greek mythological figure Prometheus who defies the gods and proceeds to give fire to humanity (theft of fire), for which he is subjected to eternal punishment and suffering at the hands of Zeus. The text of the ''Unbound'' survives only in eleven fragments preserved by later authors. Nevertheless, these fragments, combined with prophetic statements made in the first play of the trilogy, allow the reconstruction of a broad outline. A lengthy fragment translated into Latin by the Ancient Rome, Roman statesman Cicero indicates that the play would have opened with Prometheus visited by a chorus of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus
In Greek mythology, Prometheus (; , , possibly meaning "forethought")Smith"Prometheus". is a Titan god of fire. Prometheus is best known for defying the gods by stealing fire from them and giving it to humanity in the form of technology, knowledge, and more generally, civilization. In some versions of the myth, he is also credited with the creation of humanity from clay. Prometheus is known for his intelligence and for being a champion of humankind, and is also generally seen as the author of the human arts and sciences. He is sometimes presented as the father of Deucalion, the hero of the flood story. The punishment of Prometheus as a consequence of the theft of fire and giving it to humans is a popular subject of both ancient and modern culture. Zeus, king of the Olympian gods, sentenced Prometheus to eternal torment for his transgression. Prometheus was bound to a rock, and an eagle—the emblem of Zeus—was sent to eat his liver (in ancient Greece, the liver was thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
