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The Christmas Attic
''The Christmas Attic'' is the second album by the American rock band Trans-Siberian Orchestra, released in 1998. The cover art is by Edgar Jerins. On September 5, 2019, ''The Christmas Attic'' was certified 2× platinum by the Recording Industry Association of America. References to other carols and works *"Boughs of Holly" is a reworking of " Deck the Halls". *"March of the Kings/Hark! The Herald Angels Sing," besides the obvious carol, is also a rock version of the Farandole from Bizet's L'Arlésienne's Suite No. 2. *"The Three Kings and I (What Really Happened)" briefly quotes "O Holy Night" and the "Hallelujah" chorus. *"Christmas Canon" is based on Pachelbel's Canon. *The "Joy" section of "Joy/Angels We Have Heard on High" is a reworking of Bach's "Jesu, Joy of Man's Desiring." Track listing The album was re-released in 2001 with a companion track to "The World That She Sees" (which was shortened from 6 minutes to just 3) called "The World That He Sees" inserted ...
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Trans-Siberian Orchestra
Trans-Siberian Orchestra (TSO) is an American rock band founded in 1996 by producer, composer, and lyricist Paul O'Neill, who brought together Jon Oliva and Al Pitrelli (both members of Savatage) and keyboardist and co-producer Robert Kinkel to form the core of the creative team. The band gained in popularity when they began touring in 1999 after completing their second album, ''The Christmas Attic'', the year previous. In 2007, the ''Washington Post'' referred to them as "an arena-rock juggernaut" and described their music as "Pink Floyd meets Yes and the Who at Radio City Music Hall." TSO has sold more than 10 million concert tickets and over 10 million albums. The band has released a series of rock operas: '' Christmas Eve and Other Stories'', '' The Christmas Attic'', '' Beethoven's Last Night'', '' The Lost Christmas Eve'', their two-disc '' Night Castle'' and '' Letters From the Labyrinth''. Trans-Siberian Orchestra is also known for their extensive charity work and e ...
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RIAA Certification
In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets.RIAA certification criteria
Retrieved on September 11, 2006
Other countries have similar awards (see music recording certification). Certification is not automatic; for an award to be made, the record label must first request certification. The audit is conducted against net shipments after returns (most often an artist's royalty statement is used), which includ ...
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Charles Wesley
Charles Wesley (18 December 1707 – 29 March 1788) was an English leader of the Methodist movement. Wesley was a prolific hymnwriter who wrote over 6,500 hymns during his lifetime. His works include "And Can It Be", "Christ the Lord Is Risen Today", the carol " Hark! The Herald Angels Sing", and " Lo! He Comes With Clouds Descending". Charles Wesley was born in Epworth, Lincolnshire, the son of Anglican cleric and poet Samuel Wesley and his wife Susanna. He was a younger brother of Methodist founder John Wesley and Anglican cleric Samuel Wesley the Younger, and he became the father of musician Samuel Wesley and grandfather of musician Samuel Sebastian Wesley. He was educated at Oxford University, where his brothers had also studied, and he formed the " Holy Club" among his fellow students in 1729. John Wesley later joined this group, as did George Whitefield. Charles followed his father and brother into the church in 1735, and he travelled with John to Georgia in Am ...
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Hark! The Herald Angels Sing
"Hark! The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection ''Hymns and Sacred Poems''. The carol, based on , tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from " Vaterland, in deinen Gauen" by Felix Mendelssohn. Wesley, who had written the original version as "Hymn for Christmas-Day," had requested and received slow and solemn music for his lyrics, which has since largely been discarded. In 1840—a hundred years after the publication of ''Hymns and Sacred Poems''—Mendelssohn composed a cantata to commemorate Johann Gutenberg's invention of movable type printing, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of "Hark! The Herald Angels Sing", that propels the carol known today.
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Jon Oliva
John Nicholas "Jon" Oliva (born July 22, 1959) is an American singer and musician. He is best known as the co-founder, keyboardist and lead vocalist of the heavy metal band Savatage, which he co-founded with his younger brother Criss Oliva. Since 1996 he has also been a songwriter, musician and vocalist in Trans-Siberian Orchestra. Producer Paul O'Neill referred to Oliva in numerous interviews as the single greatest vocalist/musician he has ever worked with. Biography Early life The Oliva family moved around a lot when Jon and Criss were young, living in California for four years until moving to Florida in 1976. Much like his brother Criss, Jon found music his calling during the family's time in California. Starting off with his father's piano, Jon dabbled in guitars, pianos and drums before buying "a really ugly bass". Jon and Criss continued their musical exploits and played a block party, playing Kiss, Deep Purple and ZZ Top covers. Although originally the guitar playe ...
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Jesu, Joy Of Man's Desiring
"Jesu, Joy of Man's Desiring" (or simply "Joy"; German: ''Jesus bleibet meine Freude'') is the most common English title of a piece of music derived from a chorale setting from the cantata ''Herz und Mund und Tat und Leben'', BWV 147 ("Heart and Mouth and Deed and Life"), composed by Johann Sebastian Bach in 1723. The same music on different stanzas of a chorale closes both parts of the cantata. A transcription by the English pianist Myra Hess (1890–1965) was published in 1926 for piano solo and in 1934 for piano duet. It is often performed slowly and reverently at wedding ceremonies, as well as during Christian festive seasons like Christmas and Easter. Background Bach composed a four-part setting with independent orchestral accompaniment of two stanzas of the hymn "", written by Martin Janus in 1661, which was sung to a melody by the violinist and composer Johann Schop, "". The movements conclude the two parts of the cantata. Bach scored the chorale movements (6 and 10) ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the '' Goldberg Variations'' and '' The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the '' St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protest ...
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Pachelbel's Canon
Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as ''Canon and Gigue for 3 violins and basso continuo''. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from 1838 to 1842. Like his other works, Pachelbel's Canon went out of style, and remained in obscurity for centuries. A 1968 arrangement and recording of it by the Jean-François Paillard chamber orchestra gained popularity over the next decade, and in the 1970s the piece began to be recorded by many ensembles; by the early 1980s its presence as background music was deemed inescapable. From the 1970s ...
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Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ...
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O Holy Night
"O Holy Night" (original title: ) is a well-known sacred song for Christmas performance. Originally based on a French-language poem by poet Placide Cappeau, written in 1843, with the first line (Midnight, Christian, is the solemn hour) that composer Adolphe Adam set to music in 1847. The English version (with small changes to the initial melody) is by John Sullivan Dwight. The carol reflects on the birth of Jesus as humanity's redemption. History In Roquemaure in France at the end of 1843, the church organ had recently been renovated. To celebrate the event, the parish priest persuaded poet Placide Cappeau, a native of the town, to write a Christmas poem. Soon afterwards, in that same year, Adolphe Adam composed the music. The song was premiered in Roquemaure in 1847 by the opera singer Emily Laurey. Transcendentalist, music critic, minister, and editor of '' Dwight's Journal of Music'', John Dwight, adapted the song into English in 1855. This version became popular in the ...
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L'Arlésienne (Bizet)
''L'Arlésienne'' is incidental music composed by Georges Bizet for Alphonse Daudet's drama of the same name, usually translated as ''The Girl from Arles''. It was first performed on 30 September 1872 at the Théâtre du Vaudeville in Paris. Macdonald, Hugh, The Bizet Catalog' Bizet's music consists of 27 numbers for chorus and small orchestra, ranging from pieces of background music (mélodrames) only a few measures long, to entr'actes. Macdonald, Hugh, The Bizet Catalog' The score achieves powerful dramatic ends with the most economic of means. Still, the work received poor reviews in the wake of the unsuccessful premiere and is not often performed now in its original form, although recordings are available. However, key pieces of the incidental music, most often heard in the form of two suites for orchestra, have become some of Bizet's most popular compositions. History Composition history In July 1872, Léon Carvalho, director of the Théâtre du Vaudeville in Paris, ...
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Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he ...
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