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The Chantells
The Chantells were a Jamaican reggae group from the latter half of the 1970s. Samuel Bramwell, Tommy Thomas and Lloyd Forrester started to record as a vocal harmony trio in 1975, for the producers Duke Reid and Clive Hunt. Their collaboration with Roy Francis on his record label, Phase One, was the strongest part of their short career. The success of such singles such as "True Born African" or "Children of Jah", and their sole album, ''Waiting in the Park'' (featuring Jah Berry and U Brown) in 1978, made them one of the most promising soulful bands of this rockers reggae period. The Chantells were usually backed on their records by The Revolutionaries or by Lloyd Parks and his band Skin, Flesh and Bones, with King Tubby and Scientist engineering and producing. Toaster U Brown also featured on their release, ''Children of Jah.'' The single ''How Can I Get Over'', released by Sonia Pottinger on her High Note label, was a major success. The record had also been release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamaica
Jamaica (; ) is an island country situated in the Caribbean Sea. Spanning in area, it is the third-largest island of the Greater Antilles and the Caribbean (after Cuba and Hispaniola). Jamaica lies about south of Cuba, and west of Hispaniola (the island containing the countries of Haiti and the Dominican Republic); the British Overseas Territory of the Cayman Islands lies some to the north-west. Originally inhabited by the indigenous Taíno peoples, the island came under Spanish rule following the arrival of Christopher Columbus in 1494. Many of the indigenous people either were killed or died of diseases, after which the Spanish brought large numbers of African slaves to Jamaica as labourers. The island remained a possession of Spain until 1655, when England (later Great Britain) conquered it, renaming it ''Jamaica''. Under British colonial rule Jamaica became a leading sugar exporter, with a plantation economy dependent on the African slaves and later their des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Tubby
Osbourne Ruddock (28 January 1941 – 6 February 1989), better known as King Tubby, was a Jamaican sound engineer who influenced the development of dub in the 1960s and 1970s. Tubby's studio work, which saw him elevate the role of the mixing engineer to a creative fame previously only reserved for composers and musicians, would prove to be influential across many genres of popular music. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, "King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That's why he could do what he did". Career King Tubby's first interaction with the music industry came in the late 1950s with the rising popularity of Jamaican sound systems, which were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairman, Tubby soon found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Tubby
Osbourne Ruddock (28 January 1941 – 6 February 1989), better known as King Tubby, was a Jamaican sound engineer who influenced the development of dub in the 1960s and 1970s. Tubby's studio work, which saw him elevate the role of the mixing engineer to a creative fame previously only reserved for composers and musicians, would prove to be influential across many genres of popular music. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, "King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That's why he could do what he did". Career King Tubby's first interaction with the music industry came in the late 1950s with the rising popularity of Jamaican sound systems, which were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairman, Tubby soon found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Barrow
Steve Barrow (born 29 September 1945) is a British reggae historian,scholar,archivist, writer and producer.Steve Barrow Interview - ''Midnight Raver'' website (29 March 2013). Retrieved 21 April 2013. Biography While at Honest Jon's he met Peter Dalton, with whom he later collaborated on writing ''The Rough Guide to Reggae''. Between 1979 and 1980, he was hired freelance by to compile a series of vinyl releases: ''Intensified'', ''More Intensified'', ''Catch The Beat'' and ''The |
Blood And Fire (record Label)
Blood and Fire is a British reggae record label specialising in reissues of 1970s dub. History Steve Barrow, Bob Harding, Mick Hucknall, Elliot Rashman and Andy Dodd formed the record label in Manchester in 1993 with the objective of reissuing roots reggae, dub and DJ albums with the integrity of jazz reissues.Meschino, Patricia (2014)VP Records Relaunches Classic Reggae Label Blood and Fire", ''Billboard'', 19 February 2014. Retrieved 19 February 2014 In the process, Blood and Fire influenced the overall aesthetic of other labels issuing archival Jamaican recordings in the 1990s and beyond. Initial releases drew on mid-1970s Bunny Lee produced material but the label subsequently reissued material produced by Yabby You and Glen Brown along with the Lee "Scratch" Perry produced Congos set ''Heart of the Congos'' and a three-CD Big Youth set, '' Natty Universal Dread''. Despite the reissue objective, the label released two one-riddim albums. The first was ''Tree of Satta' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roots Reggae
Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honoring of God, called Jah by Rastafarians.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 251-3 It is identified with the life of the ghetto sufferer,Barrow, Steve and Dalton, Peter: "Reggae: The Rough Guide", Rough Guides, 1997 and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae. History The increasing influence of the Rastafari movement after the visit of Haile Selassie to Jamaica in 1966 played a major part in the development of roots reggae, with spiritual themes becoming more common in reggae lyrics in the late 1960s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jah Shaka
Jah Shaka, also known as the Zulu Warrior is a Jamaican reggae/dub sound system operator who has been operating a South East London-based, roots reggae Jamaican sound system since the early 1970s. His name is an amalgamation of the Rastafarian term for God and that of the Zulu king Shaka Zulu. Career Jah Shaka was born in Clarendon Parish, Jamaica, an area which has produced numerous roots reggae stars, amongst them Toots Hibbert, Everton Blender, Barrington Levy and Freddie McGregor. Jah Shaka started out on the Freddie Cloudburst Sound System as an operator, before setting up his own sound system. By the late 1970s Shaka's system had rapidly gained a large and loyal following due to the combination of spiritual content, high energy rhythms, massive sonority, and his dynamic personal style. That following notably included many of the pioneers of post-punk such as Public Image Ltd and The Slits. In 1980 Shaka played himself in the film ''Babylon'' (directed by Franco Rosso, al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donovan Germain
Donovan Germain OD (born 7 March 1952 in Jamaica) is a reggae producer, one of the most successful of the digital era. Biography Germain's entry into the music industry was via his record shop in New York City in the 1970s.Larkin, Colin (1998) "The Virgin Encyclopedia of Reggae", Virgin Books, He began production in 1972, visiting Jamaica for recording sessions, working in both roots reggae and lovers rock. As a producer he had hits on the reggae charts with the likes of Cultural Roots' "Mr. Boss Man" in 1980, and broke through into the UK Singles Chart in the early and mid-1980s with Sugar Minott's "Good Thing Going" and Audrey Hall's "One Dance Won't Do".Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae", Rough Guides, He ran the Revolutionary Sounds label which started in the early 1980s and ran from New York, and also ran the Rub-a-Dub, Reggae, and Germain labels.Thompson, Dave (2002) "Reggae & Caribbean Music", Backbeat Books, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heartbeat Records
Heartbeat Records is an independent record label based in Burlington, Massachusetts. The label specializes in Jamaican music. Founded by reggae music enthusiasts Bill Nowlin and Duncan Brown, the label's first release was a vinyl LP reissue of Linton Kwesi Johnson's ''Dread Beat an' Blood'' (1981). In 1983, Chris Wilson was hired as VP of A&R and the label began their association with Studio One label founder Clement Dodd and released ''Best of Studio One'', a compilation of Dodd-produced music by artists including Dennis Brown, Alton Ellis, The Gladiators, Marcia Griffiths, The Heptones, Slim Smith, Sugar Minott, and Johnny Osbourne, among others. Heartbeat has released over 60 Studio One albums. The label licensed music from a number of different Jamaican producers including Lee "Scratch" Perry, Joe Gibbs, Sonia Pottinger, Clancy Eccles, Alvin Ranglin, Duke Reid, Niney the Observer, Sly & Robbie, Steely & Clevie, and Lloyd Daley. The label financed and booked the Heartbeat Cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Reid
Arthur "Duke" Reid CD (21 July 1915 – 1 January 1975) was a Jamaican record producer, DJ and label owner. He ran one of the most popular sound systems of the 1950s called Reid's Sound System, whilst Duke himself was known as The Trojan possibly named after the British-made trucks used to transport the equipment. In the 1960s, Reid founded record label Treasure Isle, named after his liquor store, that produced ska and rocksteady music. He was still active in the early 1970s, working with toaster U-Roy. He died in early 1975 after having suffered from a severe illness for the last year. Biography Reid was born in Portland, Jamaica. After serving ten years as a Jamaican police officer, Reid left the force to help his wife Lucille run the family business, The Treasure Isle Grocery and Liquor Store at 33 Bond Street in Kingston. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonia Pottinger
Sonia Eloise Pottinger OD ( Durrant; 21 June 1931 – 3 November 2010)Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 316Sonia Pottinger, Jamaica's first female music producer, is dead ", '''', 5 November 2010, retrieved 6 November 2010Campbell, Howard (2010) Sonia Pottinger Leaves Rich Legacy , '' |
