The Camerino Farnese
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The Camerino Farnese
The Camerino Farnese is a Fresco cycle (a series of frescos done about a particular subject) that emerged from the decision to paint the ceiling of the Camerino in Rome, before the summer of 1595. The Camerino is on the first, or principal, floor of the Palazzo Farnese, and measures slightly more than fifteen by thirty feet. Instead of proceeding with the original plans for the Alessandro Farnese cycle, the Farnese Gallery frescoes glorifying their father's deeds would have to wait until the arrival of the book of drawings which Odoardo Fialetti had asked Cardinal Ranuccio Farnese to send him; in the meantime Annibale Carracci Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of th ... was to be given as his first task, the decoration of the cardinal's own study. Frescoes of Camerino Farnese ...
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Palazzo Farnese
Palazzo Farnese () or Farnese Palace is one of the most important High Renaissance List of palaces in Italy#Rome, palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the House of Farnese, Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta. At the end of the 16th century, the important fresco cycle of The Loves of the Gods (Carracci), ''The Loves of the Gods'' in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Clas ...
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Farnese Gallery
''The Loves of the Gods'' is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy, in Rome. The frescoes were greatly admired at the time, and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century. Production Cardinal Odoardo Farnese, Pope Paul III's nephew, commissioned Annibale Carracci and his workshop to decorate the barrel-vaulted gallery on the '' piano nobile'' of the family palace. Work was started in 1597 and was not entirely finished until 1608, one year before Annibale's death. His brother Agostino joined him from 1597 to 1600, and other artists in the workshop included Giovanni Lanfranco, Francesco Albani, Domenichino, and Sisto Badalocchio. Scheme and interpre ...
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Odoardo Fialetti
Odoardo Fialetti (18 July 1573 – 1638?) was an Italian painter and printmaker who began his training during the late Renaissance, and showed distinct mannerist sensibilities in his mid-career, adopting a much looser and more dynamic style in his later life. Born in Bologna, he initially apprenticed with Giovanni Battista Cremonini, and after traveling to Rome, he moved to Venice to work in the elderly Tintoretto Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed wit ...'s studio. From 1604 to 1612, he is listed as member of the Venetian ''Fraglia dei Pittori''. In Venice, he painted a ''St Agnes'' for the church of San Nicolò da Tolentino and scenes from the ''Life of St Dominic'' for the sacristy of the Santi Giovanni e Paolo. He died in Venice. Interior of Santi Giovanni e Paol ...
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Ranuccio Farnese (cardinal)
Ranuccio Farnese (11 August 1530 – 29 October 1565) was an Italian prelate of the Farnese family , who was Cardinal of Santa Lucia in Selci from 1545 to his death in 1565. Son of Pier Luigi Farnese, the illegitimate son of Pope Paul III, Farnese was created Cardinal at the age of 15 by his grandfather the pope: he was nicknamed the ''cardinalino'' ("little cardinal") for his young age. Biography Ranuccio Farnese was born in Valentano. As a 12-year-old, he was made prior of the Knights of Malta's important property San Giovanni dei Forlani in Venice. He was also administrator of the archdiocese of Naples, and was granted several bishoprics; Farnese was twice the titular Latin Patriarch of Constantinople, from 1546-1550 and 1554?-1565. Farnese was patron to Federico Commandino, an important translator of ancient Greek mathematical works. Farnese's brother, Ottavio Farnese, was Duke of Parma, and his brother Alessandro Farnese was also a cardinal He is buried in the Archbasil ...
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Annibale Carracci
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art school ba ...
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Mythological Paintings By Annibale Carracci
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many socie ...
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