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The Burden Of Mules
''The Burden of Mules'' is the debut studio album by English post-punk band The Wolfgang Press. It was released on 1 August 1983, through record label 4AD. Track listing Critical reception AllMusic's review was negative, calling the album "impenetrable" and some tracks "so morose and vehement as to verge on self-parody". ''Trouser Press'' called it "dark and cacophonous; an angry, intense slab of post-punk gloom that is best left to its own (de)vices." Personnel ; The Wolfgang Press * Andrew Gray – guitar (tracks A1, A4 and B2), percussion (tracks A1 and B2), drums (tracks A3 and B1), sleeve photography * David Steiner – drums (track B1) * Michael Allen – drums (tracks A1 and B1), percussion (tracks A1, A2, A4–A6 and B2), bass guitar (tracks A2–A6, B2 and B3), vocals (tracks A2–A5 and B1–B3), synthesizer (tracks A2 and A5), piano (tracks A6, B2 and B3), organ (track A6), drum loops (track B2), cymbal and saxophone (track B3), production * Mark Cox – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wolfgang Press
The Wolfgang Press was an English post-punk band, active from 1983 to 1995, recording for the 4AD label. The core of the band was Michael Allen (vocals, bass), Mark Cox (keyboards), and Andrew Gray (guitar). The group is best known for its 1992 international hit single "A Girl Like You (Born to Be Kissed)". Style and influences The official 4AD band profile describes them as "post-punk", transforming to "avant-dance groovers" with ''Queer''. The band was frequently labeled "goth," though they denied the charge. Allen's list of "important records" as of 1995 included De La Soul's ''3 Feet High and Rising'', Massive Attack's ''Blue Lines'' and "anything from Nick Cave and The Fall." He recalled that the record that "maybe started it all" for him was Public Image Ltd's ''Metal Box''. History Rema-Rema, Mass (1978–1981) Allen started in The Models in 1977. Allen and Cox had both been members of Rema-Rema and Mass, while Gray had been a member of In Camera. All of these bands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
