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The Bristol Old Vic
Bristol Old Vic is a British theatre company based at the Theatre Royal, Bristol. The present company was established in 1946 as an offshoot of the Old Vic in London. It is associated with the Bristol Old Vic Theatre School, which became a financially independent organisation in the 1990s. Bristol Old Vic runs a Young Company for those aged 7–25. The Theatre Royal, the oldest continually-operating theatre in the English-speaking world, was built between 1764 and 1766 on King Street in Bristol. The Coopers' Hall, built 1743–44, was incorporated as the theatre's foyer during 1970–72. Together, they are designated a Grade I listed building by Historic England. Daniel Day-Lewis called it "the most beautiful theatre in England." In 2012, the theatre complex completed the first phase of a £19 million refurbishment, increasing the seating capacity and providing up to ten flexible performance spaces. Besides the main Theatre Royal auditorium, the complex includes the Studio th ...
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Bristol
Bristol () is a city, ceremonial county and unitary authority in England. Situated on the River Avon, it is bordered by the ceremonial counties of Gloucestershire to the north and Somerset to the south. Bristol is the most populous city in South West England. The wider Bristol Built-up Area is the eleventh most populous urban area in the United Kingdom. Iron Age hillforts and Roman villas were built near the confluence of the rivers Frome and Avon. Around the beginning of the 11th century, the settlement was known as (Old English: 'the place at the bridge'). Bristol received a royal charter in 1155 and was historically divided between Gloucestershire and Somerset until 1373 when it became a county corporate. From the 13th to the 18th century, Bristol was among the top three English cities, after London, in tax receipts. A major port, Bristol was a starting place for early voyages of exploration to the New World. On a ship out of Bristol in 1497, John Cabot, a Venetia ...
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Palladian
Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism. Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Pal ...
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University Of Bristol Theatre Collection
The University of Bristol Theatre Collection was founded in 1951 to serve the University of Bristol Department of Drama. It is now one of the world's largest archives of British Theatre History. It is a fully accredited Archive and Museum and home to the Live Art Archive. History The Theatre Collection was established in 1951 following a symposium led by Glynne Wickham which called for Universities to endorse the policy of studying drama in the context of theatre. Wickham instigated the purchase of its first acquisitions and laid the foundations for the Theatre Collection with funds awarded to the University of Bristol by the Rockefeller Foundation.University of Bristol Theatre Collection: a Guide to Readers; University of Bristol Publication; c.1980 From the outset it was designed to be a working collection of theatre history, to serve scholars and practising theatre artists alike. In 1969 the university made an award from its Appeal Fund to provide the Collection with adequ ...
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Bristol Archives
Bristol Archives (formerly Bristol Record Office) was established in 1924. It was the first borough record office in the United Kingdom, since at that time there was only one other local authority record office (Bedfordshire) in existence. It looks after the official archives of the City of Bristol, besides collecting and preserving many other records relating to the city and surrounding area for current and future generations to consult. It moved from the City Hall to newly converted premises in the former B Bond Warehouse in 1992. The office is formally recognised by the Lord Chancellor for holding public records, and it acts as a diocesan record office for the Diocese of Bristol. Major deposited collections include those of J. S. Fry & Sons, chocolate manufacturers, 1693–1966, and Imperial Brands (formerly W.D. & H.O. Wills, tobacco manufacturers), late 18th century – 20th century. However, for many years one of its best-known holdings was a single volume of judicial ...
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Prince's Theatre, Bristol
The Prince's Theatre was a theatre on Park Row in Bristol in England which was built in 1867 and was destroyed by bombing in 1940 in the Bristol Blitz during World War II. Owned by members of the Chute family for most of its existence, at one time the theatre was the Bristol venue for many of the country's leading touring actors and theatrical companies in addition to being one of the most renowned pantomime houses in the country before briefly becoming a music hall and latterly a cinema. The actors Henry Irving and Ellen Terry made their last appearance together under Irving's management at the Prince's Theatre in ''The Merchant of Venice'' in 1902.Sandra Richards''Rise of the English Actress'' Palgrave Macmillan (1993) - Google Books p. 127 Opening The Prince's Theatre in Bristol was built in 1867 for James Henry Chute (1810-1878) who owned the Theatre Royal in Bristol. The theatre was constructed at a cost of about £20,000 on the site of the former home of the Baillie family ...
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William M'Cready The Elder
William Macready the Elder (1755–1829) was an Irish actor-manager. Early life The son of a Dublin upholsterer, Macready started his career playing in Irish country towns. He joined the Capel Street Theatre in Dublin in 1782, and the Crow Street Theatre later during the 1782–3 season. The next season, he was brought to the Mill Gate Theatre, by Michael Atkins. He was in 1785 a member of the company at Smock Alley Theatre, Dublin. On the introduction of Charles Macklin, Macready went to Liverpool, and to Manchester under George Mattocks at the beginning of 1786. The London stage Macready appeared at Covent Garden Theatre, 18 September 1786, as Flutter in the ''Belle's Stratagem'', and remained there ten years, playing parts such as Gratiano, Paris, Young Marlow, Figaro, Fag, and Tattle in ''Love for Love'', and producing two plays by himself. He returned to Dublin to take summer parts, to the early 1790s. At Covent Garden Macready took only supporting roles, to 1797: he was ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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Sarah Siddons
Sarah Siddons (''née'' Kemble; 5 July 1755 – 8 June 1831) was a Welsh actress, the best-known tragedienne of the 18th century. Contemporaneous critic William Hazlitt dubbed Siddons as "tragedy personified". She was the elder sister of John Philip Kemble, Charles Kemble, Stephen Kemble, Ann Hatton, and Elizabeth Whitlock, and the aunt of Fanny Kemble. She was most famous for her portrayal of the Shakespearean character, Lady Macbeth, a character she made her own, as well as for fainting at the sight of the Elgin Marbles in London. The Sarah Siddons Society, founded in 1952, continues to present the Sarah Siddons Award annually in Chicago to a distinguished actress. Background The 18th-century marked the 'emergence of a recognisably modern celebrity culture' and Siddons was at the heart of it. Portraits depicted actresses in aristocratic dress, the recently industrialised newspapers spread actresses' names and images and gossip about their private lives spread through the ...
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Theatre Royal, Bath
The Theatre Royal in Bath, England, was built in 1805. A Grade II* listed building, it has been described by the Theatres Trust as "One of the most important surviving examples of Georgian theatre architecture". It has a capacity for an audience of around 900. The Theatre Royal was built to replace the Old Orchard Street Theatre, funded by a Tontine and elaborately decorated. The architect was George Dance the Younger, with John Palmer carrying out much of the work. It opened with a performance of Shakespeare's Richard III and hosted performances by many leading actors of the time including Dorothea Jordan, William Macready and Edmund Kean. A major fire in 1862 destroyed the interior of the building and was quickly followed by a rebuilding programme by Charles J. Phipps, which included the construction of the current entrance. Further redecoration was undertaken in 1892; more extensive building work, including a new staircase and the installation of electric lighting, followed ...
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Patent Theatre
The patent theatres were the theatres that were licensed to perform "spoken drama" after the Restoration of Charles II as King of England, Scotland and Ireland in 1660. Other theatres were prohibited from performing such "serious" drama, but were permitted to show comedy, pantomime or melodrama. Drama was also interspersed with singing or dancing, to prevent the whole being too serious or dramatic. Restoration era Public entertainments, such as theatrical performances, were banned under the Puritan rule in the English Commonwealth. After he was restored to the throne, Charles II issued letters patent to Thomas Killigrew and William Davenant, granting them the monopoly right to form two London theatre companies to perform "serious" drama. The letters patent were reissued in 1662 with revisions allowing actresses to perform for the first time (Fisk 73). Killigrew established his company, the King's Company at the Theatre Royal, Drury Lane in 1663; Davenant established his comp ...
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Letters Patent
Letters patent ( la, litterae patentes) ( always in the plural) are a type of legal instrument in the form of a published written order issued by a monarch, president or other head of state, generally granting an office, right, monopoly, title or status to a person or corporation. Letters patent can be used for the creation of corporations or government offices, or for granting city status or a coat of arms. Letters patent are issued for the appointment of representatives of the Crown, such as governors and governors-general of Commonwealth realms, as well as appointing a Royal Commission. In the United Kingdom, they are also issued for the creation of peers of the realm. A particular form of letters patent has evolved into the modern intellectual property patent (referred to as a utility patent or design patent in United States patent law) granting exclusive rights in an invention or design. In this case it is essential that the written grant should be in the form of a publ ...
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Licensing Act 1737
The Licensing Act of 1737 is a defunct Act of Parliament in the Kingdom of Great Britain, and a pivotal moment in theatrical history. Its purpose was to control and censor what was being said about the British government through theatre. The act was modified by the Theatres Act 1843 and was finally named as the Theatres Act 1968. The Lord Chamberlain was the official censor and the office of Examiner of Plays was created under the Act. The Examiner assisted the Lord Chamberlain in the task of censoring all plays from 1737 to 1968. The Examiner read all plays which were to be publicly performed, produced a synopsis and recommended them for licence, consulting the Lord Chamberlain in cases of doubt. Forerunner The function of censorship of plays for performance (at least in London) fell to the Master of the Revels by the time of the reign of Queen Elizabeth I. The power was used mostly with respect to matters of politics and religion (including blasphemy). It was certainly exercised ...
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