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The Boatswain's Mate (film)
''The Boatswain's Mate'' is an opera in one act (but in two parts) written by British composer and suffragette Ethel Smyth in 1913–14 set to her own libretto, which was based on a story of the same name by W. W. Jacobs.Banfield, p. 509 It was Smyth's fourth opera, and it is sometimes claimed as a feminist opera. The piece centers around a humorous battle of the sexes featuring a feisty and resourceful heroine who outwits her scheming suitor (but perhaps falls for his accomplice—this is left to the speculation of the reader or audience). In summary, the opera's score has been described by Stephen Banfield as "interspersed with spoken dialogue in part 1, tis symphonically constructed around folksongs and Smyth's own ''March of the Women''; its pacing and orchestration are adroitly managed." Performance history From December 1913Collis (1984), pp. 132–133 to May 1914, Smyth stayed at a hotel in Helwan, Egypt, in order to compose ''The Boatswain's Mate'' free from distractions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethel Smyth
Dame Ethel Mary Smyth (; 22 April 18588 May 1944) was an English composer and a member of the women's suffrage movement. Her compositions include songs, works for piano, chamber music, orchestral works, choral works and operas. Smyth tended to be marginalised as a ‘woman composer’, as though her work could not be accepted as mainstream. Yet when she produced more delicate compositions, they were criticised for not measuring up to the standard of her male competitors. Nevertheless, she was granted a damehood, the first female composer to be so honoured. Family background Ethel Smyth was the fourth of eight children. The youngest was Robert ("Bob") Napier Smyth (1868–1947), who rose to become a Brigadier in the British Army. She was the aunt of Lieutenant General Sir Ralph Eastwood. She was born in Sidcup, Kent, which is now in the London Borough of Bexley. While 22 April is the actual day of her birth, Smyth habitually stated it was 23 April, the day that was celebrated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Aynsley Goossens
Sir Eugene Aynsley Goossens (; 26 May 189313 June 1962) was an English conducting, conductor and composer. Biography He was born in Camden Town, London, the son of the Belgian conductor and violinist Eugène Goossens, fils, Eugène Goossens (''fils'', 1867–1958) and Annie Cook, a Carl Rosa Opera Company singer. He was the grandson of the conductor Eugène Goossens, père, Eugène Goossens (''père'', 1845–1906; his father and grandfather spelled Eugène with a grave accent; he himself did not). He studied music at the age of ten in Bruges, three years later at Liverpool College of Music, and in 1907 in London on a scholarship at the Royal College of Music under composer Charles Villiers Stanford and the violinist Achille Rivarde among others. He won the silver medal of the Worshipful Company of Musicians and was made associate of the Royal College of Music.Banfield, Stephen'Goossens, Sir (Aynsley) Eugene' in Grove Music Online, 2001 He was a first violin in Henry Wood's Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grimeborn
Grimeborn is an annual East London musical theatre and opera festival which coincides with the world famous East Sussex Glyndebourne Opera Festival. Founded by Arcola Theatre’s artistic director Mehmet Ergen in 2007, the festival is held at Arcola Theatre in Dalston, East London. It takes place in and around August, and tends to showcase new and experimental works alongside radical productions of classic opera, using both the Arcola's performing stages. History The festival's name is a punning reference to Glyndebourne. The "grime" element refers to the "dirtier" backdrop of the Arcola Theatre, a converted textile factory in the congested bustle of Hackney as opposed to the scenic gardens of East Sussex. Originally, Grimeborn was devised as a contemporary contribution to the Battersea Arts Centre's (BAC) Opera Festival. The BAC Opera Festival's Artistic Director at the time, Tom Morris, asked Ergen, who was working at the BAC as an Associate Producer, to create something di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finborough Theatre
The Finborough Theatre is a fifty-seat theatre in the West Brompton area of London (part of the Royal Borough of Kensington and Chelsea) under artistic director Neil McPherson. The theatre presents new British writing, as well as UK and world premieres of new plays primarily from the English speaking world including North America, Canada, Ireland, and Scotland including work in the Scots language, alongside rarely seen rediscovered 19th and 20th century plays. The venue also presents new and rediscovered music theatre. The Finborough Arms The Finborough Arms was built in 1868 to a design by George Godwin and his younger brother Henry. It was one of five public houses built by Corbett and McClymont in the Earls Court area during the West London development boom of the 1860s. The pub opened in 1871. The ground floor and basement of the building was converted into The Finborough Road Brasserie from 2008 to 2010 and The Finborough Wine Cafe from 2010 to 2012. The pub reopened under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primavera Productions
Primavera Productions is a professional theatre company founded in 2003 by Tom Littler, who is also the Artistic Director. It is based in London, UK. Primavera is particularly noted for its revivals of rarely performed plays, although this does not seem to be its exclusive focus. This has included the "Forgotten Classics" series of rehearsed readings at The King's Head Theatre, Islington. These have featured a performance of Byron's Manfred starring young British actor Harry Lloyd, of Virginia Woolf's Freshwater starring Edmund Kingsley, John Lyly's Gallathea starring Mary Nighy, and Charles Dickens's No Thoroughfare starring Louise Brealey, all directed by Tom Littler. Other plays in the series not directed by Tom Littler included the first play in English by a woman (''Mariam'') and early works by American playwrights. In 2008 Primavera Productions announced a second "Forgotten Classics" series, including the 50th anniversary reading of T.S. Eliot's The Elder Statesman, starr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sung-through
A sung-through (also through-sung) musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. Conversations, speeches, and musings are communicated musically, for example through a combination of recitative, aria, and arioso. Early versions of this include the Italian genre of opera buffa, a light-hearted form of opera that gained prominence in the 1750s. A through-sung opera or other form of narrative work with continuous music may also be described as through-composed. List of fully sung-through musicals * '' Art Thief Musical!'' * '' Bare: A Pop Opera'' * ''Bumblescratch'' * ''Cats'' * ''Une chambre en ville'' * ''Cricket'' * '' Les Dix Commandements'' * ''Evening-1910'' * ''Evita'' * ''Falsettos'' * '' Hamilton: An American Musical'' (sung-and-rapped-through)Donaldson, Kayleigh (2017).How to Make a Hamilton Movie. ''Screen Rant''. * '' The Human Comedy'' * ''Jesus Christ Superstar'' * ''Johan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad Opera
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its distinguishing characteristic is the use of tunes in a popular style (either pre-existing or newly composed) with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported ''opera seria''. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song." Earliest ballad operas Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene."M. Lubbock, ''The Complete Book of Light Opera'' (New York: Appleton-Century-Crofts, 1962), pp. 467–68 It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The March Of The Women
"The March of the Women" is a song composed by Ethel Smyth in 1910, to words by Cicely Hamilton. It became the official anthem of the Women's Social and Political Union (WSPU) and more widely the anthem of the women's suffrage movement throughout the United Kingdom and elsewhere. Activists sang it not only at rallies but also in prison while they were on hunger strike. Smyth produced a number of different arrangements of the work. Composition Ethel Smyth composed the song in 1910, as a unison song with optional piano accompaniment, with words by Cicely Hamilton.Bennett (1987), p. 378 Smyth based the melody on a traditional tune she had heard in Abruzzo, Italy.St John (1959), p. 151 She dedicated the song to the WSPU. In January 1911, the WSPU's newspaper, ''Votes for Women'', described the song as "at once a hymn and a call to battle".Crawford (2001), pp. 641–642 Performances "The March of the Women" was first performed on 21 January 1911, by the Suffrage Choir, at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intermezzo
In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo. Renaissance intermezzo The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important precursor to opera. The most famous examples were created for Medici weddings in 1539, 1565, and 1589. In Baroque Spain the equivalent entremés or paso was a one-act comic scene, often ending in music and dance, between ''jornadas'' (acts) of a play.Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
