The Beta Band (album)
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The Beta Band (album)
''The Beta Band'' is the debut studio album of the Beta Band, released in June 1999 by Regal Records. The album followed the critically acclaimed compilation of their first three EPs titled ''The Three E.P.'s'' (1998). With high anticipation for ''The Beta Band'', the band originally planned to record the album in four separate continents, but financial constraints slimmed the recording locations down; however, the album was still recorded in a variety of locations. The band approached creating the songs in a variety of ways, sometimes forming songs from single melodies, sometimes bringing together other strands of music, among other forms. The album builds upon the experimentation of their EPs, and is often seen as a particularly intricate, experimental and layered album, with a variety of different influences, sound effects, instrumentation and song structures. Based more around beat and rhythm than prior releases, the numerous different styles and influences incorporated into ...
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The Beta Band
The Beta Band were a Scottish musical group formed in 1996. Their style was described as being "folktronica", although it was mainly a blend of folk, psychedelia, electronica, experimental rock and trip hop, often involving stylistic experimentation. Despite inner conflict and the eventual decline of the group, they became critically acclaimed after releasing their first few recordings and achieved a cult following as they began releasing studio albums, before disbanding in 2004. They were praised by members of both Radiohead and Oasis, the former of which chose them to open for their concerts in 2001. The band's music has been featured in multiple films, including '' High Fidelity'' and ''It's All Gone Pete Tong''. History Formation The Beta Band was formed in 1996 by St Andrews musicians Steve Mason (vocals, guitar) and Gordon Anderson. The two had plans to call their group The Pigeons but later changed their minds. As they pulled together songs for their debut EP, ''Champ ...
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Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ...
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Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be place ...
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Richard Greentree
The Beta Band were a Scottish musical group formed in 1996. Their style was described as being "folktronica", although it was mainly a blend of folk, psychedelia, electronica, experimental rock and trip hop, often involving stylistic experimentation. Despite inner conflict and the eventual decline of the group, they became critically acclaimed after releasing their first few recordings and achieved a cult following as they began releasing studio albums, before disbanding in 2004. They were praised by members of both Radiohead and Oasis, the former of which chose them to open for their concerts in 2001. The band's music has been featured in multiple films, including '' High Fidelity'' and ''It's All Gone Pete Tong''. History Formation The Beta Band was formed in 1996 by St Andrews musicians Steve Mason (vocals, guitar) and Gordon Anderson. The two had plans to call their group The Pigeons but later changed their minds. As they pulled together songs for their debut EP, ''Champ ...
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Robin Jones (musician)
Robin Douglas Jones (born 26 February 1973) is a Scottish musician, known as the drummer of The Beta Band and The Aliens. EPs and albums *''Champion Versions'' (1997) *''The Patty Patty Sound'' (1998) *''Los Amigos del Beta Bandidos'' (1998) *''The Beta Band'' (1999) *''Hot Shots II'' (2001) *''Heroes to Zeros'' (2004) *''Astronomy for Dogs'' (2007) *''Luna'' (2008) See also *The Beta Band The Beta Band were a Scottish musical group formed in 1996. Their style was described as being "folktronica", although it was mainly a blend of folk, psychedelia, electronica, experimental rock and trip hop, often involving stylistic experimen ... * The Aliens References External linksThe Aliens' official siteThe Aliens' fansite at Betaband.co.uk
{{DEFAULTSORT:Jones, Robin
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PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Freaky Trigger
''Freaky Trigger'' is an Internet publication and e-zine that focuses on popular culture with topics varying from music to cinema. It was founded by the music critic Tom Ewing in 1999 and features Pete Baran and Mark Sinker as editors. From 2000 to 2005, it also used to host a music-specific blog, titled NYLPM. Ewing also started the popular music forum I Love Music (ILM) in August 2000 as a sister website to ''Freaky Trigger''."ILXor.com FAQ"
Retrieved 2016-02-09
A notable feature on the website is ''Popular'', a longtime ongoing series where Ewing reviews each number one single ever in chronological order. ''Popular'' was later the subject of the
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Parlophone
Parlophone Records Limited (also known as Parlophone Records and Parlophone) is a German–British record label founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the label was founded on 8 August 1923 as the Parlophone Company Limited (the Parlophone Co. Ltd.), which developed a reputation in the 1920s as a jazz record label. On 5 October 1926, the Columbia Graphophone Company acquired Parlophone's business, name, logo, and release library, and merged with the Gramophone Company on 31 March 1931 to become Electric & Musical Industries Limited (EMI). George Martin joined Parlophone in 1950 as assistant to Oscar Preuss (who had set up the London branch of the company in 1923), the label manager, taking over as manager in 1955. Martin produced and released a mix of recordings, including by comedian Peter Sellers, pianist Mrs Mills, and teen idol Adam Faith. In 1962, Martin signed the Beatles, a beat group from Liverpool who earlier ...
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Los Amigos Del Beta Bandidos
''Los Amigos del Beta Bandidos'' (Translated to 'The Friends of the Beta Bandits' in English) is the third release by The Beta Band, released in 1998. All the tracks from the EP were later included on the compilation ''The Three E.P.'s'' along with ''Champion Versions'' and ''The Patty Patty Sound ''The Patty Patty Sound'' is the second release by The Beta Band, released in 1998. Despite being almost 40mins long and originally being released on 2 x 12" records, the release is still considered an E.P. by both the band and the press. All the ...''. Los Amigos del Beta Bandidos, along with the other two original E.P.s from The Beta Band, long out of print on vinyl were re-issued as part of Record Store Day 2013. Track listing Side A: # "Push It Out" - 5:22 # "It's Over" - 3:50 Side B: # "Dr. Baker" - 4:08 # "Needles in My Eyes" - 4:32 The Beta Band albums 1998 EPs {{Scotland-stub ...
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The Patty Patty Sound
''The Patty Patty Sound'' is the second release by The Beta Band, released in 1998. Despite being almost 40mins long and originally being released on 2 x 12" records, the release is still considered an E.P. by both the band and the press. All the tracks from the EP were later included on the compilation ''The Three E.P.'s'' along with ''Champion Versions'' and ''Los Amigos del Beta Bandidos ''Los Amigos del Beta Bandidos'' (Translated to 'The Friends of the Beta Bandits' in English) is the third release by The Beta Band, released in 1998. All the tracks from the EP were later included on the compilation ''The Three E.P.'s'' along wi ...''. "The Monolith" is titled simply "Monolith" on ''The Three E.P.'s''.. The track "Monolith" features a manipulated sample of "Dry The Rain" from the E.P. Champion Versions. The Patty Patty Sound, along with the other two original E.P.s from The Beta Band, long out of print on vinyl were re-issued as part of Record Store Day 2013. Track listi ...
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Champion Versions
''Champion Versions'' is the debut EP by the Beta Band, originally released in 1997 on 12" vinyl only. The EP consists of songs featured on the original demo tape the band had sent to Phil Brown, an A&R rep for EMI, which landed the group a record deal with Regal Records. It was later included in its entirety on the 1998 compilation ''The Three E.P.'s'', along with ''The Patty Patty Sound'' and ''Los Amigos del Beta Bandidos''. It is the only Beta Band recording to feature founding members Gordon Anderson and Steve Duffield, who both left shortly before its release. ''Champion Versions'', along with the other two original EPs from the Beta Band, long out of print on vinyl, were re-issued as part of Record Store Day 2013. The cover of the EP references the design of King Tubby's ''The Roots of Dub'' LP, whilst the images are lifted from a box of Clac-Doigt-brand miniature fireworks. "Dry the Rain" ranked at number 57 in ''Pitchfork Media ''Pitchfork'' (formerly ''Pitchfork ...
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