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The Beat Goes On (Herbie Mann Album)
''The Beat Goes On'' is an album by American jazz flautist Herbie Mann released on the Atlantic Records, Atlantic label in 1967. accessed August 26, 2015 The album features tracks from seven separate sessions recorded in 1964, 1966 and 1967. Reception Allmusic noted "''The Beat Goes On'' is a generally funky, groove-oriented soul-jazz effort with strong Latin leanings. ...Jazz purists hated this release, but let them say what they will – this LP is full of highly infectious grooves and makes a great party album".Track listing # "No Matter What Shape (Your Stomach's In), No Matter What Shape" (Granville "Sascha" Burland) – 3:25 # "More Rice Than Peas, Please" (Herbie Mann) – 3:30 # "Hey Ho" (He ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was " Hi-Jack", which was a ''Billboard'' No. 1 dance hit for three weeks in 1975. Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was '' Memphis Underground'' or '' Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York, New York, to Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Pike
David Samuel Pike (March 23, 1938 – October 3, 2015) was an American jazz vibraphone and marimba player. He appeared on many albums by Nick Brignola, Paul Bley and Kenny Clarke, Bill Evans, and Herbie Mann. He also recorded extensively as leader, including a number of albums on MPS Records. Biography He learned drums at the age of eight and was self-taught on vibraphone. Pike made his recording debut with the Paul Bley Quartet in 1958. He began putting an amplifier on his vibes, when working with flautist Herbie Mann in the early-1960s. By the late-1960s, Pike's music became more exploratory, contributing a unique voice and new contexts that pushed the envelope in times remembered for their exploratory nature. ''The Doors of Perception'', released in 1970 for the Atlantic Records subsidiary Vortex Records, and produced by former boss Herbie Mann, explored ballads, modal territory, musique concrète, with free and lyrical improvisation, and included musicians including alto sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Carr
Edward "Bruno" Carr (February 9, 1928 – October 25, 1993) was an American jazz drummer. Carr was a frequent collaborator with Ray Charles, and he recorded with Aretha Franklin. He was Herbie Mann's drummer from 1965 through 1969. Carr died of lung cancer in Denver, Colorado, at the age of 65. Discography With Curtis Amy *''Mustang'' (Verve, 1967) With Walter Davis Jr. *'' Illumination'' (Denon, 1989) With Lou Donaldson *''Cole Slaw'' (Argo, 1964) With Aretha Franklin *'' Soul '69'' (Atlantic, 1969) With Herbie Mann *'' Herbie Mann Plays The Roar of the Greasepaint – The Smell of the Crowd'' (Atlaqntic, 1964) *'' Monday Night at the Village Gate'' (Atlantic, 1965) *'' Latin Mann'' (Columbia, 1965) *'' Standing Ovation at Newport'' (Atlantic, 1965) *'' Today!'' (Atlantic, 1965) *''Our Mann Flute'' (Atlantic, 1966) *'' Impressions of the Middle East'' (Atlantic, 1966) *'' A Mann & a Woman'' (Atlantic, 1966) with Tamiko Jones *'' The Beat Goes On'' (Atlantic, 1967) *'' The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggie Workman
Reginald "Reggie" Workman (born June 26, 1937 in Philadelphia, Pennsylvania) is an American avant-garde jazz and hard bop double bassist, recognized for his work with both John Coltrane and Art Blakey. Career Early in his career, Workman worked in jazz groups led by Gigi Gryce, Donald Byrd, Duke Jordan and Booker Little. In 1961, Workman joined the John Coltrane Quartet, replacing Steve Davis. He was present for the saxophonist's ''Live at the Village Vanguard'' sessions, and also recorded with a second bassist ( Art Davis) on the 1961 album, '' Olé Coltrane''. Workman left Coltrane's group at the end of the year, following a European tour. In 1962, Workman joined Art Blakey's Jazz Messengers (replacing long-time Blakey bassist Jymie Merritt), and worked alongside Freddie Hubbard, Wayne Shorter, and Cedar Walton for most of his time in the Jazz Messengers. Workman left Blakey's group in 1964. Workman also played with James Moody, Yusef Lateef, Pharoah Sanders, He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attila Zoller
Attila Cornelius Zoller (June 13, 1927 – January 25, 1998) was a Hungarian jazz guitarist. After World War II, he escaped the Soviet takeover of Hungary by fleeing through the mountains on foot into Austria. In 1959, he moved to the U.S., where he spent the rest of his life as a musician and teacher. Music career Zoller was born in Visegrád, Hungary. As a child, he learned violin from his father, a professional violinist. While in school, he played flugelhorn and bass before choosing guitar. He dropped out of school and played in jazz clubs in Budapest while Russia occupied Hungary. He fled Hungary in 1948 as the Soviet Union was establishing communist military rule. He escaped on foot, carrying his guitar through the mountains into Austria. He settled in Vienna, became an Austrian citizen, and started a jazz group with accordionist Vera Auer. In the mid-1950s, Zoller moved to Germany and played with German musicians Jutta Hipp and Hans Koller. When American jazz musicians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Zawinul
Josef Erich Zawinul ( '; 7 July 1932 – 11 September 2007) was an Austrian jazz and jazz fusion keyboardist and composer. First coming to prominence with saxophonist Cannonball Adderley, Zawinul went on to play with Miles Davis and to become one of the creators of jazz fusion, a musical genre that combined jazz with rock. He co-founded the groups Weather Report and The Zawinul Syndicate. He pioneered the use of electric piano and synthesizer, and was named "Best Electric Keyboardist" twenty-eight times by the readers of ''DownBeat'' magazine. Biography Early life and career Zawinul grew up in Vienna, Austria. Accordion was his first instrument. When he was six or seven, he studied clarinet, violin, and piano at the Vienna Conservatory (Konservatorium Wien). During the 1950s he was a staff pianist for Polydor. He worked as a jazz musician with Hans Koller, Friedrich Gulda, Karl Drewo, and Fatty George. In 1959 he moved to the U.S. to attend Berklee College of Music, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Wisner
James Joseph Wisner (December 8, 1931 – March 13, 2018) was an American pianist, arranger, songwriter, and producer. He is best known for his 1961 hit single "Asia Minor", released under the name Kokomo. Biography Born in Philadelphia, Wisner received classical training as a youngster, and attended Temple University as a psychology student in the late 1950s. He formed the Jimmy Wisner Trio in 1959 with Chick Kinney on drums and Ace Tesone on bass. This ensemble backed musicians who toured through Philadelphia, including Mel Tormé, Carmen McRae, Dakota Staton, and the Hi-Lo's.Jimmy Wisner at Rockabilly.nl He released several full-length albums as a musician, but in 1961 recorded a |
Don Friedman
Donald Ernest Friedman (May 4, 1935 – June 30, 2016) was an American jazz pianist. He began playing in Los Angeles and moved to New York in 1958. In the 1960s, he played with both modern stylists and more traditional musicians. Early life Friedman was born on May 4, 1935, in San Francisco. Both of his parents immigranted to the United States: his father, Edward Friedman, was from Lithuania, and his mother, Alma Loew, was from Germany. He began playing the piano at the age of four, switching from classical music to jazz after his family moved to Los Angeles when he was fifteen. His early jazz piano influence was Bud Powell. Friedman briefly studied composition at Los Angeles City College. Later life and career On the West Coast, Friedman performed with Dexter Gordon, Chet Baker, Buddy DeFranco, and Ornette Coleman. He was also a member of Clark Terry's big band. Friedman moved to New York permanently in 1958. In the 1960s, Friedman played with both modern jazz and more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Ayers
Roy Ayers (born September 10, 1940) is an American funk, soul, and jazz composer, vibraphone player, and music producer. Ayers began his career as a post-bop jazz artist, releasing several albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped pioneer jazz-funk. He is a key figure in the acid jazz movement, and has been dubbed "The Godfather of Neo Soul". He is best known for his compositions "Everybody Loves the Sunshine", "Searchin", and "Running Away". At one time, he was said to have more sampled hits by rappers than any other artist. Biography Early life Ayers was born on September 10, 1940, in Los Angeles. He grew up in a musical family, where his father played trombone and his mother played piano. At the age of five, he was given his first pair of vibraphone mallets by Lionel Hampton. The area of Los Angeles that Ayers grew up in, South Park (later known as South Central) was at the center of the South ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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