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Attila Zoller
Attila Cornelius Zoller (June 13, 1927 – January 25, 1998) was a Hungarian jazz guitarist. After World War II, he escaped the Soviet takeover of Hungary by fleeing through the mountains on foot into Austria. In 1959, he moved to the U.S., where he spent the rest of his life as a musician and teacher. Music career Zoller was born in Visegrád, Hungary. As a child, he learned violin from his father, a professional violinist. While in school, he played flugelhorn and bass before choosing guitar. He dropped out of school and played in jazz clubs in Budapest while Russia occupied Hungary. He fled Hungary in 1948 as the Soviet Union was establishing communist military rule. He escaped on foot, carrying his guitar through the mountains into Austria. He settled in Vienna, became an Austrian citizen, and started a jazz group with accordionist Vera Auer. In the mid-1950s, Zoller moved to Germany and played with German musicians Jutta Hipp and Hans Koller. When American jazz musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visegrád
Visegrád (; german: Plintenburg; la, Pone Navata or ; sk, Vyšehrad) is a castle town in Pest County, Hungary. It is north of Budapest on the right bank of the Danube in the Danube Bend. It had a population of 1,864 in 2010. The town is the site of the remains of the Early Renaissance summer palace of King Matthias Corvinus of Hungary and a medieval citadel. Etymology The name ''Visegrád'' (''Vyšehrad'') is of Slavic origin, meaning acropolis, literary "the upper castle" (the castle with a privileged position) or "the upper settlement". In modern Slovak and Czech, the form is ''Vyšehrad''. The castle of Visegrád is called ''Fellegvár'' (Citadel) in Hungarian,Antal Papp: Magyarország (Hungary), Panoráma, Budapest, 1982, , p. 860, pp. 229-236 In German, the town is called ''Plintenburg''. The German name ''Plintenburg'' or ''Blendenburg'' is said to come from the beautiful view that one has from the castle and is "blinded"/"dazzled" by this view. History Visegrád was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vera Auer
Vera Auer (later Vera Auer-Boucher) (April 20, 1919, Vienna – August 2, 1996, New York City) was an Austrian jazz accordionist and vibraphone, vibraphonist. She was the niece of Leopold Auer. Auer learned classical piano but turned to jazz after beginning to play with Attila Zoller in the late 1940s. She formed her own band with Zoller which performed regularly on the Austrian radio station Österreichische Radioverkehrs AG in the early 1950s, then moved to Frankfurt in 1954. In Germany she played jazz festivals and accompanied Donald Byrd and Art Taylor. After relocating to the United States in 1960, she worked with Dave Burns (musician), Dave Burns, Ted Curson, J. J. Johnson, Cal Massey, Sonny Red, and Zoot Sims in the 1960s. In the 1970s and 1980s she played with Richard Williams (musician), Richard Williams, both as a side performer and with her own ensemble.Klaus Schulz, "Vera Auer". ''The New Grove, The New Grove Dictionary of Jazz'', 2nd edition, ed. Barry Kernfeld. Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Raney
James Elbert Raney (August 20, 1927 – May 10, 1995) was an American jazz guitarist, born in Louisville, Kentucky, United States, known for his work from 1951 to 1952 and then from 1953 to 1954 with the Red Norvo trio (replacing Tal Farlow) and, during the same time period, with Stan Getz. In 1954 and 1955, he won the ''DownBeat'' Critics' Poll for guitar. Raney worked in a variety of jazz mediums, including cool jazz, bebop, post bop, hard bop, and mainstream jazz. In 1946, he worked for a time as guitarist with the Max Miller Quartet at Elmer's in Chicago, his first paying gig. Raney also worked in the Artie Shaw Orchestra and collaborated with Woody Herman for nine months in 1948. He also collaborated and recorded with Buddy DeFranco, Al Haig and later on with Bob Brookmeyer. In 1967, alcoholism and other professional difficulties led him to leave New York City and return to his native Louisville. He resurfaced in the 1970s and also did work with his son Doug, who was also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Norvo
Red Norvo (born Kenneth Norville; March 31, 1908 – April 6, 1999) was an American musician, one of jazz's early vibraphonists, known as "Mr. Swing". He helped establish the xylophone, marimba, and vibraphone as jazz instruments. His recordings included "Dance of the Octopus", "Bughouse", "Knockin' on Wood", "Congo Blues", and "Hole in the Wall". Career Red Norvo was born in Beardstown, Illinois, United States. His career began in Chicago with a band called "The Collegians" in 1925. He played with many other bands, including an all-marimba band on the vaudeville circuit, and the bands of Paul Whiteman, Benny Goodman, Charlie Barnet, and Woody Herman. He recorded with Mildred Bailey (his wife from 1933 to 1942), Billie Holiday, Dinah Shore and Frank Sinatra. Norvo and his wife were known as "Mr. and Mrs. Swing." He appeared as himself in the film '' Screaming Mimi'' (1958) and in ''Ocean's 11'', accompanying Dean Martin while he sang "Ain't That a Kick in the Head?" In 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing". From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman (1873–1926), came to the United States in 1892 from Warsaw in partitioned Poland and became a tailor. His mother, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Mangelsdorff
Albert Mangelsdorff (September 5, 1928 – July 25, 2005) was a German jazz trombonist. Working mainly in free jazz, he was an innovator in multiphonics. Early life Mangelsdorff was born in Frankfurt on September 5, 1928, as the son of the bookbinder Emil Albert Joseph Mangelsdorff (1891–1963), born in Ingolstadt, and his wife Luise, née Becker (1896–1976), from Wertheim. He was given violin lessons as a child and was self-taught on guitar in addition to knowing trombone. His brother, Emil Mangelsdorff, had a jazz record collection, but during the Nazi period Albert's enthusiasm for the music had to be restrained. Mangelsdorff began his career as a professional musician in 1947 as a rhythm guitarist in the Otto Laufner Big Band, which played in US Army clubs. Mangelsdorff bought his first trombone on the black market for a few cartons of cigarettes. Then he took lessons from the principal trombonist at the Oper Frankfurt, Fritz Stähr (1889–1971). Later life and career H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a ''Billboard'' No. 1 dance hit for three weeks in 1975. Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was ''Memphis Underground'' or '' Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York, New York, to Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation. AllMusic called him "one of the most important (and controversial) innovators of the jazz avant-garde". Born in Fort Worth, Texas, Coleman began his musical career playing in local R&B and bebop groups, and eventually formed his own group in Los Angeles featuring members such as Ed Blackwell, Don Cherry, Charlie Haden, and Billy Higgins. In 1959, he released the controversial album ''The Shape of Jazz to Come'' and began a long residency at the Five Spot jazz club in New York City. His 1960 album ''Free Jazz'' would profoundly influence the di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Hall (musician)
James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger. Biography Early life and education Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather violin, and his uncle guitar.Hall, Devra "Sketches from PROS Folios: Jim Hall". Copyright 1988-2004. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lenox School Of Jazz
The Lenox School of Jazz was a summer programme of jazz education from 1957-1960, at the Music Barn in Lenox, Massachusetts. Faculty included Dizzy Gillespie, Jimmy Giuffre, Percy Heath, Larry Ridley, Connie Kay, Jim Hall, Ralph Peña, Max Roach, Willis James. Students included Ornette Coleman, Dizzy Sal, Jamey Aebersold, David Baker, Paul Bley, Attila Zoller, Lucille Butterman, Terry Hawkeye, Verne Elkins, Cevira Rose, Dale Hillary, and Esther Siegel. Scholarships A number of scholarships were available. In 1959 the F. & M. Schaefer Brewing Company awarded the Shafer Scholarships to John Keyser, Paul Cohen, Steve Kuhn, Dave Mackay, Ian Underwood, Tony Greenwald and Herb Gardner. R.J. Schaefer III presented the scholarships. Discography * ''The Lenox Jazz School Concert - August 29, 1959'' with Ornette Coleman, Don Cherry, Kenny Dorham, Jimmy Giuffre, Ian Underwood, Gunther Schuller, Gary McFarland, Attila Zoller, Steve Kuhn, Ran Blake, Larry Ridley (Fresh Sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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