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Thai Poetry
Poetry has been featured extensively in Thai literature, and constituted the near-exclusive majority of literary works up to the early Rattanakosin period (early 19th century). Most of imaginative literary works in Thai, before the 19th century, were composed in poetry. Consequently, although many literary works were lost with the sack of Ayutthaya in 1767, Thailand still has a great number of epic poems or long poetic tales -- some with original stories and some with stories drawn from foreign sources. The Siamese poetical medium consists of five main forms, known as ''khlong'', ''chan'', ''kap'', ''klon'' and ''rai''; some of these developed indigenously while others were borrowed from other languages. Thai poetry dates to the Sukhothai period (13th–14th centuries) and flourished under Ayutthaya (14th–18th centuries), during which it developed into its current forms. Though many works were lost to the Burmese conquest of Ayutthaya in 1767, sponsorship by subsequent kings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry
Poetry (derived from the Greek '' poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan languages#Old Indo- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thai Poetry
Poetry has been featured extensively in Thai literature, and constituted the near-exclusive majority of literary works up to the early Rattanakosin period (early 19th century). Most of imaginative literary works in Thai, before the 19th century, were composed in poetry. Consequently, although many literary works were lost with the sack of Ayutthaya in 1767, Thailand still has a great number of epic poems or long poetic tales -- some with original stories and some with stories drawn from foreign sources. The Siamese poetical medium consists of five main forms, known as ''khlong'', ''chan'', ''kap'', ''klon'' and ''rai''; some of these developed indigenously while others were borrowed from other languages. Thai poetry dates to the Sukhothai period (13th–14th centuries) and flourished under Ayutthaya (14th–18th centuries), during which it developed into its current forms. Though many works were lost to the Burmese conquest of Ayutthaya in 1767, sponsorship by subsequent kings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sepha
Sepha ( th, เสภา, ) is a genre of Thai poetic storytelling that had its origins in the performances of troubadours who stylized recitations were accompanied by two small sticks of wood (krap) to give rhythm and emphasis. The etymology of the word ''sepha'' is disputed. Origins The sepha genre was developed by troubadours who recited episodes for local audiences, and passed on stories by word-of-mouth. By the eighteenth century, such performances had become the most popular form of entertainment in Siam. The troubadours told the story in stylized recitation, using two small sticks of wood (krap) to give rhythm and emphasis. The performances typically lasted a full night. This genre later became known as sepha. Etymology The origin of the term ''Sepha'' is disputed. There is a musical form of the same name, but this seems unconnected. Kukrit Pramoj thought that sepha meant a jail and that the genre was developed by convicts in jail. Sujit Wongthet argued a connection to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chulalongkorn
Chulalongkorn ( th, จุฬาลงกรณ์, 20 September 1853 – 23 October 1910) was the fifth monarch of Siam under the House of Chakri, titled Rama V. He was known to the Siamese of his time as ''Phra Phuttha Chao Luang'' (พระพุทธเจ้าหลวง, the Royal Buddha). Chulalongkorn's reign was characterised by the modernisation of Siam, governmental and social reforms, and territorial concessions to the British and French. As Siam was surrounded by European colonies, Chulalongkorn, through his policies and acts, ensured the independence of Siam. All his reforms were dedicated to ensuring Siam's independence given the increasing encroachment of Western powers, so that Chulalongkorn earned the epithet ''Phra Piya Maharat'' (พระปิยมหาราช, the Great Beloved King). Early life King Chulalongkorn was born on 20 September 1853 to King Mongkut and Queen Debsirindra and given the name Chulalongkorn. In 1861, he was designated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhymed Prose
Rhymed prose is a literary form and literary genre, written in unmetrical rhymes. This form has been known in many different cultures. In some cases the rhymed prose is a distinctive, well-defined style of writing. In modern literary traditions the boundaries of poetry are very broad (free verse, prose poetry, etc.), and some works may be described both as prose and poetry. Arabic culture and influences In classic Arabic literature the rhymed prose is called ''saj'''. An elaborate Arabic kind of rhymed prose is ''maqama''. It influenced other cultures of the Muslim world, such as Persian (as exemplified by Saadi's '' Gulestan'') and Turkish ( :tr:Seci). ''Maqama'' also influenced the medieval Hebrew literature, a significant amount of which was produced by Jews of the Muslim world. It influenced the style of Yehuda Alharizi, Ibn Zabara, Ibn Hasdai (Abraham ben Samuel ha-Levi ibn Hasdai), Ibn Sahula, Jacob ben Eleazer. The corresponding works were called ''maqamat'' or ''ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phraya Sisunthonwohan (Noi Acharayangkun)
Noi Acharayangkun ( th, น้อย อาจารยางกูร, links=no, 5 July 1822 – 16 October 1891), known by the noble title Phraya Sisunthonwohan (), was a Thai writer and scholar. He is best known for writing the first modern textbooks on the Thai language, the series. Life Noi was born in Chachoengsao in 1822. At the age of thirteen, he ordained as a novice monk at Wat Saket in Bangkok, where he studied language and scripture under several learned monks. He joined the sangha after reaching the age of full ordination of twenty, and remained at the monastery for another eleven years before leaving the monkhood. He then took up a career in the royal court of King Mongkut (Rama IV, r. 1851–1868), receiving the title Khun Prasitaksorasat and later becoming head of the Aksonphimphakan royal press. Under King Chulalongkorn (Rama V, r. 1868–1910), he became the head of the Royal Scribes' Department, assuming the titles Khun Saraprasoet and later Phraya Sisunthonwo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thammathibet
Thammathibet Chaiyachet Suriyawong, the Prince Senaphithak ( th, สมเด็จเจ้าฟ้าธรรมธิเบศรไชยเชษฐสุริยวงศ กรมขุนเสนาพิทักษ์) or Prince Narathibet ( th, นราธิเบศร์), also known as Prince Kung/ Chao Fa Kung ( th, เจ้าฟ้ากุ้ง; ? – 1746), was Viceroy of the front palace of the Kingdom of Ayutthaya, from 1732/33 but he is much more known as one of Thailand's most important poets. He also created the music for the Royal barge procession. Life Thammathibet, Prince Senaphithak was the eldest son of King Borommakot (reg. 1733 to 1758) and Princess Aphainuchit or Phra Phan Watsa Yai. In his poetic works praised for their lyrical language, Thammathibet describes the beauty of the Royal Bark procession, illustrating the work of the rowers, the individual boats, and the sight of the entire procession fleet. Nature, both plant and animal life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chofa
Chofa ( th, ช่อฟ้า, ; lit. sky tassel) is a Lao and Thai architectural decorative ornament that adorns the top at the end of wat and palace roofs in most Southeast Asian countries, such as Thailand, Cambodia, Laos, and Myanmar. It resembles a tall thin bird and looks hornlike. The chofa is generally believed to represent the mythical creature Garuda, half bird and half man, who is the vehicle of the Hindu god Vishnu. History The representation of ''cho fah'' is unclear and believed to represent garuda, however, the present research indicates that the original ''chofah'' upon which most subsequent ''chofah'' have been based is the ''gajashimha'' of Suryavarman II, the Khmer king who built Angkor Wat. Temple finials representing gajashimha was presumably appeared in Cambodia during or shortly after his reign (1113 AD to 1150 AD). These finials (chofah) symbolized the unification of the northern and southern Khmer kingdoms and the reign of King Suryavarman II. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Prosody
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 It is the study of poetic metres and verse in Sanskrit. This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism, so central that some later Hindu and Buddhist texts refer to the Vedas as ''Chandas''. The Chandas, as developed by the Vedic schools, were organized around seven major metres, and each had its own rhythm, movements and aesthetics. Sanskrit metres include those based on a fixed number of syllables per verse, and those based on fixed number of morae per verse. Extant ancient manuals on Chandas include Pingala's ''Chandah Sutra'', while an example of a medieval Sanskrit prosody manual is Kedara Bhatta's ''Vrittaratnakara''. The most exhaustive compilations of Sanskrit prosody describe over 600 metres. This is a sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Phonetic Alphabet
The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standardized representation of speech sounds in written form.International Phonetic Association (IPA), ''Handbook''. The IPA is used by lexicographers, foreign language students and teachers, linguists, speech–language pathologists, singers, actors, constructed language creators, and translators. The IPA is designed to represent those qualities of speech that are part of lexical (and, to a limited extent, prosodic) sounds in oral language: phones, phonemes, intonation, and the separation of words and syllables. To represent additional qualities of speech—such as tooth gnashing, lisping, and sounds made with a cleft lip and cleft palate—an extended set of symbols may be used. Segments are transcribed by one or more IPA symbols of two basic types ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Thai General System Of Transcription
The Royal Thai General System of Transcription (RTGS) is the official system for rendering Thai words in the Latin alphabet. It was published by the Royal Institute of Thailand. It is used in road signs and government publications and is the closest method to a standard of transcription for Thai, but its use, even by the government, is inconsistent. The system is almost identical to the one that is defined by ISO 11940-2. Features Prominent features of the system are: *It uses only unmodified letters from the Latin alphabet without diacritics. *It spells all vowels and diphthongs with vowel letters: , , , , . **Single letters , , , , are monophthongs (simple vowels), with the same value as in the International Phonetic Alphabet (IPA). ** Digraphs with trailing are monophthongs; , , sound like respectively and are perhaps chosen for their similarity to IPA ligatures . **Digraphs and trigraphs with trailing , , are diphthongs and are indicated by IPA respectively. * It u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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