|
Terrifyer
''Terrifyer'' is the third studio album by American grindcore band Pig Destroyer. It was released in 2004 by Relapse Records. The album includes a second disc recorded in DVD-Audio and mixed with 5.1 surround sound. The disc contains one sludge metal song called "Natasha". The Japanese release of ''Terrifyer'' includes four bonus tracks, and includes "Natasha" as a second CD instead of a DVD. "Natasha" was reissued on a regular CD as a separate release in 2008. The album booklet features a six-page story of how Natasha became the "Terrifyer". Some copies of ''Terrifyer'' were released with a slip of paper on the cover to hide the artwork. In 2017, ''Rolling Stone'' ranked ''Terrifyer'' as 88th on their list of "The 100 Greatest Metal Albums of All Time". "Gravedancer" appeared on the ''Tony Hawk's American Wasteland'' soundtrack as a cut down 1:47 version (ending where the sample begins). Track listing Accolades Personnel *Brian Harvey – drums * J. R. Hayes – vocals, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pig Destroyer
Pig Destroyer is an American grindcore band formed in 1997 in Alexandria, Virginia. The band was formed by vocalist J.R. Hayes, guitarist Scott Hull, and drummer John Evans. Throughout the band's earlier history, they were a three-piece group until sampler Blake Harrison joined in 2006, notably had no bassist until the inclusion of John Jarvis in 2013, and went through 2 past drummers with the role currently held by Adam Jarvis. Pig Destroyer is one of the most well-known grindcore bands in the genre due to Hayes's poetic lyrics, Hull's incorporation of thrash, punk, and doom influences in songwriting, and technical drum work. Biography The band formed in 1997 after the break-up of a short-lived political hardcore band, Treblinka, with 2 former members of said band, vocalist J. R. Hayes ( Enemy Soil), guitarist Scott Hull (Agoraphobic Nosebleed, Japanese Torture Comedy Hour, ex-Anal Cunt), and drummer John Evans, who left the band for an unspecified school not long after the ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natasha (EP)
''Natasha'' is an EP by Pig Destroyer, released in 2008 by Relapse Records. The EP consists of a single, unbroken song originally included on special editions of '' Terrifyer'' as a DVD. Unlike Pig Destroyer's earlier grindcore material, ''Natasha'' showcases the band playing in a sludge/doom style. The EP also acts as a continuation and ending of the lyrical concept presented on ''Terrifyer''. Track listing #"Natasha" – 37:55 ( Scott Hull, J. R. Hayes) Personnel * Scott Hull – guitar, production, recording, engineering, mixing, mastering *J.R. Hayes – vocals *Blake Harrison – sampling, ambience, noise *Brian Harvey – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ... References External links *Interview with vocalist J.R. Hayeslink*"Natasha" at discogsli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Hull (musician)
Scott Hull (born March 4, 1971) is an American grindcore musician, and the current guitarist and producer for Pig Destroyer, Agoraphobic Nosebleed, and Japanese Torture Comedy Hour. He has been part of many other projects including the controversial band Anal Cunt (also known as AC or AxCx). Aside from his music works, he currently works as a government computer specialist. Hull is noted for his experimental style of guitar playing that incorporates various influences, as well as for his use of eight string and seven string guitars. Head in the Picklejar Member: 1991 - 1995 (Guitars) Head in the Picklejar (known as HIPj) established Hull as a formidable guitar player with this "thrash jazz" trio (with sailboat CaptaiBen Eriksenon drums and Physicist Matt "Rosie" Rosen on Bass), genre hopping with songs about fishing, isolation, and the media. HIPj performed at CBGBs several times, opening for Urge Overkill, Unsane, the Supreme Dicks, Swinging Udders, and White Trash in their ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painter Of Dead Girls
''Painter of Dead Girls'' is a compilation album by the grindcore band Pig Destroyer. It features songs from their Gnob and Benümb splits as well as a cover of the Helmet song "In the Meantime". J. R. Hayes once said that he did not remember the lyrics to the first seven tracks, and that he could not decipher them. Said lyrics have now been found and are available online. The cover art was done by Chris Taylor of Pg. 99. The iTunes version of ''Painter'' excludes the three cover songs. Track listing All lyrics written by J. R. Hayes. All music written by Scott Hull, except where noted. #"Hymn" – 1:37 #"Taskmaster" – 0:45 #"Black Centipede" – 0:30 #"Immune to Life" – 0:28 #"Fuck You Up and Get High" ( Dwarves cover) – 0:33 #"Contagion" – 0:16 #"Blank Dice" – 0:27 #"Blonde Prostitute" – 0:55 #"Patterns of Failure" – 1:25 #"Rejection Fetish" – 1:38 #"Dark Satellites" – 0:51 #"Purity Undone" – 0:34 #"Forgotten Child" – 1:31 #"White Sand" – 0:27 #"Painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pig Destroyer / Coldworker / Antigama
''Pig Destroyer / Coldworker / Antigama'' is a split EP by Pig Destroyer, Coldworker, and Antigama. The release is limited to 1000 copies, pressed on red vinyl. Track listing Side A # Pig Destroyer – "Abaraxas Annihilation" ( Integrity cover) – 1:47 #Pig Destroyer – "Understand" (Unsane cover) – 2:53 Side B # Coldworker – "Far Beyond Driven" – 2:40 #Antigama Antigama is a Polish grindcore band. The band formed in 2000. Antigama has released eight albums, four EPs, and several split records. Biography Antigama formed in Warsaw, Poland in 2000 by guitarist Sebastian Rokicki and drummer Krzysztof Ben ... – "Zoom" – 2:08 References {{DEFAULTSORT:Pig Destroyer Coldworker Antigama Pig Destroyer albums Coldworker albums Split EPs 2007 EPs Relapse Records EPs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grindcore
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor. A trait of grindcore is the "microsong" much shorter than average for punk or metal; several bands have produced songs that are only seconds i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerrang!
''Kerrang!'' is a British weekly magazine devoted to rock, punk and heavy metal music, currently published by Wasted Talent (the same company that owns electronic music publication ''Mixmag''). It was first published on 6 June 1981 as a one-off supplement in the ''Sounds'' newspaper. Named after the onomatopoeic word that derives from the sound made when playing a power chord on a distorted electric guitar, ''Kerrang!'' was initially devoted to the new wave of British heavy metal and the rise of hard rock acts. In the early 2000s, it became the best-selling British music weekly. History ''Kerrang!'' was founded in 1981. The editor of the weekly music magazine ''Sounds'', Alan Lewis, suggested that Geoff Barton edit a one-off special edition focusing on the new wave of British heavy metal phenomenon and on the rise of other hard rock acts. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
